Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Romare

Archie Fairhurst, aka Romare, gets amorous with his second album. A kind of follow-up or development of his second ever release, a four track EP entitled “Love Songs: Part One”, “Love Songs: Part Two”, explores every nook and cranny of the romantic impulse from dirty sex to religious fervour across ten tracks which develop and expand upon the casual brilliance of his debut, “Projections”, establishing him as one of the most exciting, confident and distinctive producers in electronic music right now.
 
“Projections” was the kind of critically acclaimed album which a lesser talent might have struggled to follow up. Voted Album of the Year by DJ Mag, it received rapturous reviews across the board, it was supported by likes of Bonobo, Four Tet and Annie Mac and established Fairhurst as a producer to watch. He seems to have shrugged off the pressure this could have caused, though. “Love Songs: Part Two” instead shows him expanding, deepening and developing his techniques. Although sampling from vinyl still plays a key role in his practice, Fairhurst has played much more of the music on this new record, from monophonic synthesisers to his grandmother’s recorder and his dad’s mandolin, with electric bass, plus a variety of guitars and keyboards taking central roles, too. Indeed his parents love of Irish traditional folk music, which Fairhurst grew up with have influenced the sounds on this album. His sample sources have changed a little, too, moving from the jazz and blues which distinguished “Projections” to disco and psychedelic. Indeed, the increased demand for his work as a DJ has caused him to develop his structures, allowing for more sustained builds in intensity.
 
The results are as varied as they are electrifying. First single ‘Who Loves You?’ starts with a hard four-to-the-floor, a tight swirl of strings and the kind of b-line which recalls the greatest moments of punk-funk. ‘Come Close To Me’ has the sort of unquantized swing which Theo Parrish would be proud of. ‘Je T’Aime’ comes on as if disco had been invented by the Irish. ‘L.U.V.’ takes a moment of unalloyed beauty and then resolves into a lowdown groove, a kind of unlatched funk which will set pants swinging. ‘All Night’ is a good-time floorfiller. Album closer ‘My Last Affair’ is swinging, slinky and trippy by turns. ‘Honey’ builds from a kind of nursery rhyme simplicity into a psychedelic hymn. All of this packaged with beautiful artwork drawn by Fairhurst himself.
 
“I’ve tried to cover different areas,” Fairhurst explains, “from sexual urges to tender first encounters, from affairs to the questioning of one’s love.” Whatever Romare does, though, it’s held together by his own unique aesthetic, a sonic signature which stamps everything he does as his and his alone. An original reaching the height of his game, it’s time to listen… and fall in love.

Don’t Stop

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