Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Makoto

Naibu

Welcome to Naibu's Case Study. A study on music as a form: can it be both compromising and uncompromising at the same time ?
And music as a function: what happens when you remove music from its original context and when it is void of any function ? Is it still relevant ? Are you ?
Many great questions which most certainly won't be answered by this record.

The study will start on a deep personal level and will be carried out until the bigger picture reveals itself. It will take you through many interesting places, like Japan.

This is not a Drum & Bass album, yet it should have been.

Please enjoy this Drum & Bass album.

On a less serious note:

Robin Leclair aka Naibu has been making waves in the d’n’b industry for almost ten years now, becoming known for his complex drum patterns, gentle, ‘organic’ melodies, very intense and moody backgrounds, and powerful basslines, bridging the wide gap between drumfunk, liquid funk, and atmospheric drum & bass. But his unique take on music lets him easily avoid being pigeonholed, showing that he’s an artist capable of making his sound act not only on our ears, but also on our imagination, provoking vivid images, letting the listener visit places they’ve never been before. Indeed, his music is truly visual, which makes him surely an interesting case to study. And speaking of case studies, this is to announce that his newest long-play album entitled ‘Case Study’ has just been released on Mav’s Scientific Records, and comes both on vinyl and in digital format (with one bonus track – Orphan – in the case of the latter). But coming straight to the point, what you can expect of Naibu’s recent work is even further exploration of the mixture of the aural and the visual, leaning definitely more towards the ‘home-listening’ area than the dancefloor. ‘Case Study’ is like a storybook, a handcrafted album painted with great attention to detail, with lots of nuances making the created soundscapes truly lifelike and ethereal at the same time. And getting down to the nitty-gritty, be prepared to be taken on a journey abounding with Naibu’s trademark crisp-beated sexy d’n’b rollers (Astray), tribal and exotic excursions around the tempo of 170 BPM (Fighting for Attention), expeditions into ambient territories (5 Pieces, written with the one and only Makoto), classic subtle choppage (Straight (Into the Wall)), and many hybrid halftempo pieces (Clouds – featuring Key, Turn me Down, Key to Change)! The album has been 100% recorded and performed in the studio, featuring a large variety of live instruments. This way, he proves once more to be a skillful craftsman who knows his trade, offering you yet again a superb listening experience.

Release date: 16th of October 2015
Format: Vinyl and Digital
Released by: Scientific Records http://www.scientific.nl
Distributed by: Triple Vision
Artwork by: Sig Vicious http://www.sigvicious.com

Key To Change (Original Mix)

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