Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Vortex

Levrige

Konka

D'TCH

SISTER MARY

Abstrakt Sonance

Samurai Breaks

Fixate

smol

Dj Madd

Metafloor

Greazus

Sinistarr

Sigrah

Ting

Stranjah

Moresounds

OAKK

Høst

Provoke

Strange Thing

Subreachers

HomeSick

Doctor Jeep

Deaf Echoes

Pigeon Hole

Crimes!

HUSKIE

Weston

Spurz

Leo Zen

Shiny Things

Thirty two artists feature on the label’s first ever long-player, and in typical Aufect fashion, the future, not the past, is looked to with excitement and revelry. Founded by Patrik Cure in 2008, Aufect has maintained the same fiercely independent spirit over the past decade, representing artists of all statures and sounds. The label has consistently redefined itself and become known as a pioneering force. Starting off originally as an outlet for a group of friends to release records, the label’s vision expanded, as did it’s breadth of selection and roster. Featuring early releases from visionary producers like Mark Instinct, XI, Bombaman, Philthkids, HxdB, Patrik Cure and many others. As the label progressed, as did the sounds being offered, closely matching the latter two’s own divergent musical paths, eventually forming the group, GREAZUS.

Fast forward to 2018 and Aufect stands tall among it’s peers, championing their own brand of Bass music. This album is a testament to the dedication and love that GREAZUS brings to every facet of their purview. The artists featured, like all of the other alumni, are stirling examples of the exciting movements being made in underground dance music.

Over the album’s 28 songs, it offers a huge spectrum of Bass music at various tempos. A handful of highlights include CRIMES!’ “Drip”, offering moody but uplifting boom bap vibes. Doctor Jeep’s “Titan”, lurches forward with an eerily unceasing bassline and hypnotic percussion. OAKK and Shiny Things team up on the certifiable dancefloor damager, “Holla” with it’s infectious hook and clever, yet subtle composition. DJ Madd remixes Subreachers’ “Pistol Grip” with his signature swagger and precision, creating a memorable hook. Meanwhile, Fixate dismantles Doctor Jeep’s “Laff Trak” to bare-bones rhythms, with a towering, wobbling, detuned bassline. Pigeon Hole and Sister Mary bring us their punishing “MF Ruckus”, flawlessly combining elements of Hip Hop and Jungle, to bring said ruckus. Label bosses, GREAZUS, link up with their frequent collaborator and Detroit native, Sinistarr for an electrifying Jungle rinse out with flavours of the Motor City. HomeSick’s cut “Inna Dis” goes straight for the jugular with rapid fire staccato percussion and icy vocal edits, atop heavy bass punctuations. HUSKIE impresses with wavy vibes on “idk” using a catchy arpeggiation and pitch-bent sub bass swells. Veteran producer, Stranjah keeps it simple but effective, on “Busy Signal” which detunes the lead synth into a mangled symphony of bass and beats.

Witching Hour

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