Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Wice (DE)

With its 138 bpm, its progressive basslines and the energetic synthline in G minor, “Yes, No. Never Appropriate” transfers the listener to bygone days. The nostalgic-like track is covered in a modern and individual dress worthwhile to contemplate thanks to Wice’s modern interpretation of that time (which he himself was never allowed to witness). Regardless of being played at original speed, or located in slower or faster pitch-realms, one thing that is noticed immediately is that this track, which Wice himself considers a little homage to past and timeless Basic Channel publications, belongs on the dancefloor to let its dynamics shine in all its glory. So play it loud. Again and again!

Subsequently, “Anticipate Home” van be found, which the artist wrote during his tedious and energy-sapping time abroad (India). Precisely this process of waiting and the associated thrill of anticipation to come back home are reflected in this second track within dynamically fractured rhythms. They are accentuated by tiny and delicate sounds and melodies, which serve to fill groove gaps and put the listeners hypnotically in Wice’s emotional world at that time. You are also forced to persevere a little, just as the artist himself, before you are finally released after the break by the above mentioned harmonically drifting triads – you are finally, dancing with joy, returning back home and let yourself drift by the experiences made in reduced but nevertheless complex afterglow. 

Following this “Untitled Sleepless” can be discovered. As it can be concluded from the title, the track rays out a certain exhaustion which is characterized by superficial and just tiptoeing kickdrums as well as the dreamy and melancholic carpet of synth and noise. The harmonic interaction of lead, whitenoises and bassline makes the listener descend in a sort of trance – a world between sleep and waking, actual perception and dream. This condition will temporarily come to an abrupt end. Semi-straight kickdrums and an organic snare tear out the listener of this imaginary world of shifted sense perceptions and briefly stimulate harmonic movements of the body to then finally be able to find peace. 

The last piece on the first digital Stienlach-release is difficult to locate genre-specifically. With its more than 150 bpm, its halfbeat-clocked kickdrums, the rimshots reminding of Drum and Bass, the basslines offsetting one another and the entire polyrhythm of the track a dreamy and dynamic piece of music emerges, which casts a spell over its recipients and lets the float through time and space in a mythical manner. The warm pads extend this trip even further and are hard to locate in the here and now. The track is supposed to prompt one’s own imagination and to find oneself now on a snow-covered mountain and then on a wonderful dive underneath the surface of the water. Just drift and embark on your own journey! 
Concerning this a little acknowledgement of the artist: “Thank you Samu, for your presence during the whole process of production of B2. The sense of calm and tranquility that you radiate and your whole character as a good friend have significantly contributed to the emergence and inspiration of this track. To many more years of friendship and flourishing, inspiring musical collaboration.”

Artwork by Simon Sandleitner

Yes, No. Never Appropriate. (Original)

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