Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Zagam

Metalogue

Swarm intelligence

Second Spectre

Rommek

Nigh/T\mare

Aimed at showcasing more contemporary luminaries with industrial post-techno inclinations through its own channels, England-hailing Depth.Request records presents a second installment in its tumultuous Hostile Responses & Provocations series. The digital release, in vain of previous episode, offers six cuts that vary from contemplative, ritualistic explorations to direct-drive, four-to-the-floor juggernauts, forged by different artists spread across European continent who showcase distinctly separate approach towards production and are mostly new to the label.

Sparking off in a fashion one would expect from a composition that has a latin adjective suffix for a title, Zagam's Toriam demands a bit of listeners' cerebral investment to decipher the rhythmic narration, its scattered drum patterns eclipsed by alien baying, landscapes consisting of hemidemisemiquaver-long hats, softly shrilling outbursts of digital noise that vary in intensity as well as length, and a free-roam, expect-anything approach to structure.

Introduced with intensely throbbing ocean-floor rumbling high-passed punitively to lowest ranges, Metalogue continues with More as Dust, a track that soon explodes into full spectrum and reveals itself to be a hard-pounding, cybernetic breakbeat venture that allows less and less breathing space as it moves forward via tightening arrays of kicks accompanied with occasional intrusions of twisted, wobbling synths which outgain other elements by the means of sidechaining.

Ironically enough for a tune called Crawlspace, Swarm Intelligence tears away the torch of tension and resolutely dashes with it as if there's just no fucking tomorrow; comparatively, the effect of this relentless and unsparing 4/4 stomper draws a sensation of jumping from a simmering water into a raging furnace, its vicious drums paced at 140 BPM greeting the woofers head-on while the arcs of gritty droning and armies of condensing percs join the wave until an already busy visual representation of it resembles an impenetrable wall.

Ominous, suspenseful, and resonant of sound one would expect to find on a score to a handsomely budgeted techno-thriller, majority of Second Spectre's Smuggler is set in halftime tempo, corrosive bassline and eroded toms being its main stand-outs, with choral drones, sandy hats and tumbling low-range drums adding to the portrayal of a distinctly dystopian plot with doubtful prospects of a happy ending over the sunless horizon.

Aiming to oppress from second one, Hump Shunted's say-good-bye-to-your-face attitude is achieved through Rommek's scourging, offbeat thudding sidelined only by potent and ceaseless discharge of abrasive mid-to-low scale bass, atop which two distinct layers of panning and buzzing synths fight for dominance against troubled wails of polytonal siren, stretching across mournfully, presumably in lamentation of the record's imminent end.

In what is Nigh/T\mare's culminative piece, voices from the dark, obscured and foreshadowing, pave a pathway towards Armagheddon's ruthless, apocalyptic kicks that strike indiscriminately and stochastically; devastating the scenery in manner of four horsemen, they are accompanied by trailing aftershocks, occasional howls, fragmented whispers and enshrouding layers of imperial ambiance instilling a sense of despondency first, and soon after that, doom.

- rhetor, Aivazovsky Waves

Smuggler

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