Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Katiie

☆Creator of the organic groove and iconic artist in the Iberican sound.

David Herrero

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

This music industry legend, trailblazer, and currently one of the hottest DJ’s and producers on the underground electronic music scene...Green Velvet... came into existence more than 25 years ago. In 1993 Green Velvet launched Relief Records and since that time has been a constant presence in the industry. When this very eccentric, green Mohawk wearing Green Velvet emerged, he sent shock waves throughout the House and Techno music scenes. What was even more intriguing was his background. Born in the southern suburbs of Chicago, IL he has always been an active athlete and focused student determined to follow his dream of becoming a chemical engineer. While he excelled scholastically he was socially introverted, but always committed to finding ways to share his enthusiasm for living. Even today, more than 25 years later...it is difficult to go to any electronic music festival or set and not hear music from Green Velvet/Relief Records. Crowds everywhere sing along when notable hits like: Bigger than Prince, Flash, La La Land, Lazer Beams, Live Stream, Preacher Man, Shake and Pop, Sheeple, Suga, and Voicemail, are blasting across the airwaves. Part of the history of Green Velvet and Relief Records is all about the Love.... Love of the music...Love of the fans...Love of other artists. The history of great releases on the label and artists speak to this.

Green Velvet

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Damian Lazarus

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

George Privatti

André Butano, Productor y DJ chileno, nacido en Santiago de Chile.

Sus inicios de vida profesional fueron en el mundo de la gastronomía. Sus estudios de cocina internacional lo llevaron a trabajar en los restaurants más famosos de Santiago. Es durante esta etapa que ante la ausencia de un DJ para amenizar la jornada, que se atreve a entrar en el mundo de los discos y de las mezclas. Butano rápidamente se estableció como un talento en la escena house underground de Chile.

 

Actualmente es residente y colaborador en La Feria, el único club de nivel internacional del país y además es dueño de su propio sello, 'Posay Music'. Su inspiración proviene de artistas tales como Depeche Mode, New Order y Kraftwerk. Su gusto evolucionó de manera rápida así también su admiración a los héroes locales, los productores nacionales Luciano, Ricardo Villalobos y Dandy Jack.

 

Su estilo es del gusto de muchos, ya que sus sets siempre han sido liderados por sonidos tech house y house grooveros, apoyados por fuertes líneas de bajos, percusiones animadas, ritmos y melodías orgánicas. La marca que lo ha hecho famoso ha sido el uso de sus propias vocales en tracks de su autoría. Los tracks de Butano han sido publicados en los sellos más prestigiosos de la escena, tales como

8bit, Cadenza, Kling Klong, Circus Recording, Highgrade, Robsoul,

Trapez, Resopal, Bla Bla, Mindshake, además de sellos contemporáneos tales como Deeperfect, Relief, NonStop, Roush, Moan, Noexcuse, y Desolat, por nombrar algunos.

 

Sus tracks son tocados por algunos de los mejores DJs del circuito como Luciano, Marco Carola, DJ Sneak, MANDY, Paco Osuna, Mathias Kaden, Dubfire, Nick Curly, Reboot , Richie Hatwin, Karotte, Laurent Garnier, Audiofly, entre otros.

 

Esto lo ha llevado a compartir escenarios con artistas tales como Carl Cox, Luciano, Ricardo Villalobos, Danny Tenaglia, John Digweed, Pete Tong, Sven Vath , Marco Carola, Paco Osuna, Hernan Cattaneo, Richie Hawtin, Dubfire, Steve Lawler, DJ Sneak, Michael Mayer, Felix Da HouseCat, Tiga, Stefano Noferini y muchos más.

 

Su carrera también lo ha llevado a tocar en toda Sudamérica siendo parte de algunos de los principales festivales como Creamfields, Mysteryland y Ultra Festival. En cuanto a clubes, su residencia en La Feria marca la pauta, además de D-Edge (Sao Paulo), Crobar, Pacha, Bahrein y Palacio Alsina, Radio Berlín & Vlak (Bogotá), Terraza (Camboriu), Bizarro (Lima), Terraza (Uruguay). Butano también protagonista en "Vagabundos”, evento creado por Luciano, donde ha participado junto a él por casi 5 años.

 

En sus tour europeos ha tocado en múltiples destinos, comenzando por el mundo de Ibiza en Amnesia, Space, Hï Ibiza, Pacha, Ushuaia Destino, Sankeys, Zoo Project,

 

Privilege y en fiestas como Music On, Vagabundos, Luciano & Friends e Ibiza Global Radio. Además, en Barcelona ha estado presente en Off Sonar, CityHall y en el ya mítico Club4, invitado por el mismo Paco Osuna. Otros clubes que han visto su talento son Macarena, Red58, La Terraza y en Madrid, Fabrik Vagabundos 2017/2018 y Studio 76.

 

De sus visitas a Berlín, podemos hablar de Club Der Visionare, Chalet, Hoppetosse, Wilde Renate. También ha estado en Studio 80, Rootzoo Fest en Amsterdam, Egg London (Londres), Pratersauna (Viena), Folklor, La Ruche (Laussane), Friedas Buxe (Zürich), Mood (Canarias) y Greenworld (Tenerife).

 

Butano sigue creciendo como DJ & productor ya que su gran

pasión por la musica lo ha potenciado cada vez más en la escena electrónica mundial.

Andre Butano

Denney

Born in France and currently based in Barcelona, Juanito was brought into the spotlight by Roger Sanchez in 2012. Since then, he has built a flourishing career by collaborating with prestigious labels such as Hottrax, Moon Harbour, Deeperfect, Glasgow Underground and Nervous.

Influenced by his Iberian roots, Juanito excels in sharing his passion with the audience through sets that skillfully navigate between House and Techno. His music is a harmonious blend of irresistible rhythms, creating an unforgettable atmosphere on the dancefloor.

Despite the challenges posed by the Covid crisis, Juanito has shown determination, achieving remarkable results: 27 tracks in the Beatport TOP100, a 1st place on Traxsource, as well as several times being 2nd on the same platform, and finally, an impressive total of 2.3 million streams on Spotify.

Recognized by iconic figures in the industry such as Jamie Jones, Matthias Tanzmann, Nic Fanciulli, Nicole Moudaber, East End Dubs, Joseph Capriati, Wade and Solardo, Juanito has earned the respect of his peers.

The recent months have been marked by a series of captivating performances worldwide, with gigs in France, Spain, UK, Switzerland, India, Venezuela, Argentina, Chile, Peru, Ecuador and Colombia...

Juanito continues to spread his infectious music, leaving an indelible mark on the electronic music scene.

Juanito

Aldo Cadiz

<Naamloos>

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Stop {title}

Het album {title} is verwijderd

De eerste 24 uur nadat je track online staat zijn echt cruciaal—dan kijkt het algoritme mee. Of het nu Volumo, YouTube of Instagram is, die eerste piek aan weergaven, opslaan, delen en interactie laat het platform weten: ‘Deze moet gepusht worden.’ Als je meteen je fans, vrienden en netwerk mobiliseert, maak je meer kans op een plek in algoritmische playlists of extra zichtbaarheid. Dus upload niet alleen, maar zorg dat je content klaar hebt, stuur je mailinglijst aan en wees actief in de reacties. Die eerste dag bepaalt de toon van je hele releasecyclus.

De titel bevat de naam van de artiest. Je hoeft de naam van de artiest niet toe te voegen aan de titel, dit wordt automatisch gedaan

Titel

De top 3 dingen waar pro-DJ's een hekel aan hebben bij muzieksites? We zetten ze op een rij. "Tekst overlay": De grote drie frustraties.

Tracktitel

Track {title}

Track {trackTitle} kan alleen gekocht worden als onderdeel van het album {albumTitle}.

Track {trackTitle} verwijderd uit {playlistName}

Album {title} intrekken? Daarna moet het album opnieuw worden gecontroleerd voordat het wordt gepubliceerd.

Naamloos

Het gebruik van “Volumo” in titels kan leiden tot irrelevante zoekresultaten.

Wij, Volumo, zijn de verantwoordelijke voor jouw persoonsgegevens en gebruiken cookies om inhoud en advertenties te personaliseren, om sociale mediafuncties aan te bieden en om ons verkeer te analyseren. We delen ook informatie over je gebruik van onze website met onze sociale media-, advertentie- en analysepartners die deze kunnen combineren met andere informatie die je aan hen hebt verstrekt of die ze hebben verzameld vanuit jouw gebruik van hun diensten.

Je hoeft de tracks niet te nummeren in de titel, ze worden automatisch genummerd

het is mogelijk om een klacht in te dienen bij de toezichthouder, maar neem eerst contact met ons op via {address}, wij zullen ons best doen om het probleem op te lossen.

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Overzicht

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