Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Over Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

Over ons — Volumo

{artists:, :2} - {albumTitle} van {recordlabelTitle} · Prijs: {price} · Catalogusnummer {catalogNumber} · MP3, WAV, AIFF & FLAC · Onbeperkt opnieuw downloaden

{albumTitle} van {recordlabelTitle} op Volumo

{artists:, :2} - {albumTitle} van {recordlabelTitle} bij Volumo

Top {contributorTitle} tracks, releases & albums. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

{contributorTitle} muziek downloaden op Volumo

Beste {genres: :1} artiesten tracks & releases {currentYear} {paginationText}. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Beste {genres: :1} artiesten tracks, releases & albums van {currentYear} op Volumo – {paginationText}

{chartName} van {author} - Volumo · MP3, WAV, AIFF & FLAC · Onbeperkt opnieuw downloaden

{chartName} van {author}

{chartName} van {author} - Volumo

{genreTitle} muziek {genreDescription} {currentYear}: nummers, releases & albums. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

{genreTitle} {currentYear} muziek downloaden op Volumo

Top {genreTitle} {currentYear}. Beste aanbevolen releases & albums {paginationText}. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Top {genreTitle} {currentYear}: beste releases & albums op Volumo {paginationText}

Exclusieve {genreTitle} muziek: nummers, releases & albums {paginationText}. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Exclusieve {genreTitle} muziek downloaden op Volumo {paginationText}

Muziek van {contributorTitle} · Download in MP3, WAV, AIFF & FLAC · Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s

Beste {genres: :1} labels {currentYear}: nummers, releases & albums {paginationText}. Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Beste {genres: :1} labels {currentYear} muziek downloaden op Volumo {paginationText}

Nieuwste Electronic-, Dance- & House-muziek {currentYear} downloaden {paginationText}. Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Nieuwste Electronic-, Dance- & House-muziek {currentYear} downloaden op Volumo {paginationText}

{artists:, :1} - {trackTitle} van {recordlabelTitle} · Prijs: {price} · Onbeperkt opnieuw downloaden · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Uitgebracht op {releaseDate} · MP3, WAV, AIFF & FLAC

{artists:, :1} - {trackTitle} van {recordlabelTitle} bij Volumo

Left Minded

Bio:  With a love of music from an early age, Col Lawton grew up in South Shields listening to artists such as The Jam, Stone Roses, Blur and Oasis. Using his pocket money to buy vinyl’s and tapes, Col was drawn to house music in the early 2000s when his ear for music changed.

Inspired by the emotions, rhythms and the feelings of house music, Col was first influenced by friends at house parties. One of his first inspirations was Stu Welford who showed him what to do and how to become a great DJ. His musical inspirations developed in the early 2000s when he discovered Naked Music with Col crediting Miguel Migs as an artist who first inspired him through his sounds and mixing. Another early musical inspiration was Mark Farina whose melodies and smooth mixing became a source of inspiration for Col.

As well as strong musical influences, Col is inspired daily by his family including his wife and son who make him work hard to achieve his dreams. Col also credits his good friendships, including Robbie Robinson, for believing in him and pushing him to achieve what they know he can.

Col was drawn to house music due to the feelings and emotions it evoked in him all those years ago. Today he still believes the feelings that house music generates acts as a trigger for him. His first live mix was in a bar in Newcastle and remembering how it felt to get that first mix right is something that has never left him.

Col loves to create music whether it is producing and looking for a particular sound that evokes those strong emotions or whether it is just creating music that brings new people into his life who love the same music as he does. His current musical inspirations include Scott Diaz, Sebb Junior, Manuel Costela, Muguel Migs and The Journey Men.

As a producer, Col is currently in the studio producing his sound, working with his team and spreading his wings by working in more clubs and at more events to show off what he can to do those who enjoy his deep/funky/jazzy style.

As his career grows and develops, Col hopes to create music that people will love and remember, either because they first heard it dancing in Ibiza with friends or because it is something they fell in love to having their first kiss. Music that matters is his blue print so his achievements will be measured on if he made good quality music that house music lovers love. Col also hopes to be able to travel the world perusing his dream and enjoy house music for the purpose it was made for – the feeling.

Col Lawton

Kennedy

Deep house DJ/Producer from the Bristol area. UK

His passion for Dance Music began in early 90s Devon, whilst sampling the delights of the free party scene that was kicking off in and around the West Country. Meeting in car parks, trying to find a phone box to call for directions and dancing in fields until the sun came up. Nights in clubs such as Plymouth Warehouse, Pawlett Manor, the Cavern and Tube were also enjoyed during the 90s.

He learnt the art of mixing on a set of battered, second-hand 1210s, teaching himself the craft, developing his style and filling up his record box with deep house from record labels such as Bomba, Warp, Shindig, DiY and UMM to name just a few.

A move was made to Bristol, which opened up a wealth of new musical inspiration at iconic venues like Lakota, Trinity, Academy and The Thekla. Over a period of time, he started to mix Techno, House and Breaks. He was playing occasional gigs at clubs, but more often for friends at parties. Also enjoyable was travelling to free parties in Wales & the Midlands and regular nights at the Q Club (where Atomic Jam was an old favourite) the Custard factory and Wobble.

He has regularly attended Glastonbury Festival - started by jumping the fence over 25 years ago - and has particularly enjoyed venues like The Glade, Common and Arcadia. Many nights and early mornings were spent(what was in the earlier days) the one large dance tent which was located where the dance village now stands.

Now, having settled down a bit and successfully organising a few small, outdoor parties, he decided to take forward a long-standing ambition to produce music as well as continue to DJ under the name of HUGEhands.
Because he has massive hands.

He has travelled musically full circle and is now mainly focusing on the deep house sounds which originally caught his attention years ago.

His eclectic musical influences come from far and wide from the deepest house and techno, Old skool Hardcore to breaks and funk. Some of the DJs and producers which have inspired him over the years include (in no particular order); Inland knights, DiY, Miguel Migs, Johnny Fiasco, Daft Punk, Groove Armada, Freddy Fresh, Carl Cox, Jeff Mills, Dave Clarke, Chemical Brothers, Fat Boy Slim, Sasha, Tom Middleton, Way out West, Stanton Warriors, Plump DJs, Krafty Kuts, Lee Coombes, Meat Katie, DJ Punk Roc, The Freestylers, & Adam Freeland...and more recently Huxley, Leftwing and Kody, Maya Jane Coles, Jay West & Catz n Dogz to name just a few….

Have a listen and enjoy.

HUGEhands

Mat Playford

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

steadily and consistently since then, mostly on his own labels Freerange and Delusions Of Grandeur.  Releases such as 'Dangly Panther', 'A Love Like This' and 'Solitude' continue to be choice cuts for many DJ's whilst 'These Times' and 'Porchlight And Rocking Chairs', two more recent deep house anthems, were remixed by Dixon and KiNK to serious effect. &nbsp;

His current stat count as a remixer has reached triple figures and the acts to receive his midas touch include everyone from&nbsp;Osunlade, Solomun, Detroit Swindle and Josh Wink through to Kerri Chandler, Joey Negro and Terrence Parker.

Equally at home making club-focused music as well as more experimental, downtempo productions, the ideas continue to flow freely from his studio in Essex, UK and with over two decades of experience to draw on we see clearly that the fire is still burning as brightly as ever.

Jimpster

I make House Music and I bloody love an afterparty.

Dale Howard

Sonny Fodera

Hernan Cattaneo

Martin Iveson aka "Atjazz", Music Writer, Producer, Mix Engineer, Mastering Engineer, Label Owner & DJ
From his misspent youth skateboarding the frontier towns of North Eastern England, Martin Iveson arrived into the UK’s Midland scene in the early nineties, here he was to take a job at a new computer games development studio by the name of Core Design Ltd., this company is now synonymous with Lara Croft and the series of Tomb Raider games.

Not content with scoring this, one of the world’s most famous video games, Martin left the company 13 years later to concentrate more on his own studio environment in which to channel his musical aspirations further, and invite other musicians and producers to do the same.

The success of his early works including his first EP ‘Story’ in 1996 led to the well-received album ‘That Something’, which was later licensed in Japan by Sony/Kioon in 1998. This debut album also featured cover artwork by Fujio Akatsuka, very well known in Japan for his Illustrations and animated cartoons. With two further albums, ‘Labfunk’ & ‘Labresults’ following soon after, Atjazz had at this time established himself as a distinct and inspirational voice in the underground music scene.

Martin has also been a prolific remixer throughout his career remixing and reworking songs & works for artists such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias & Omar to name but a few and was even requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records. Martin is still remixing heavily as he states that remixing has helped to launch his production techniques forward and it’s the perfect practice pitch for trying out new ideas and breaking moulds within a diluted industry. “Remixing helps to hone your sound and allows the producer to print their trademark into another space”

Martin’s trademark sound has been requested on many occasions by top class vocalists including Clara Hill, Robert Owens, Ernesto and many more for their own artist album projects and also rubbing shoulders with some amazing musicians & producers along the way. 

2009 saw Martin close his label Mantis Recordings due to harsh industry changes and from these ashes came the Imprint appropriately named ‘Atjazz Record Company’, which has flown to great heights within the digital realm and has seen many fantastic and sought after releases including his 3rd long player ‘Full Circle’. This label concentrates heavily on Martin’s productions and collaborations. Atjazz Record Company is a new chapter for Atjazz but with a continuation of his trademark sound.

Martin ‘Atjazz’ Iveson is in demand across the world: Whether it be renowned producer, sought after remixer, or floor filling DJ, Martin gives his heart to hold the soul…

Atjazz

<Naamloos>

Albumnummer

Album {title}

Album {title} is ingetrokken

Artwork voor {title}

Charttitel

Artiest {name} verwijderen? Hiermee worden alle albums, charts, playlists en andere inhoud die door je account wordt beheerd permanent verwijderd. Muziekalbums die door andere contentleveranciers aan Volumo zijn geleverd (indien aanwezig) blijven zichtbaar en gekoppeld aan het artiestprofiel, maar je verliest de controle over het profiel totdat je het opnieuw opeist. Deze actie kan niet worden teruggedraaid, behalve door handmatig alle gegevens opnieuw in te voeren en alle bestanden opnieuw te uploaden. Weet je zeker dat je wilt doorgaan?

Label {name} verwijderen? Hiermee worden alle albums, charts, playlists en andere inhoud die door je account wordt beheerd permanent verwijderd. Muziekalbums die door andere contentleveranciers aan Volumo zijn geleverd (indien aanwezig) blijven zichtbaar en gekoppeld aan het labelprofiel, maar je verliest de controle over het profiel totdat je het opnieuw opeist. Deze actie kan niet worden teruggedraaid, behalve door handmatig alle gegevens opnieuw in te voeren en alle bestanden opnieuw te uploaden. Weet je zeker dat je wilt doorgaan?

Directe berichten (voor contentproviders)

Bewerk album {title}

Voer charttitel in

Fout bij ophalen van {title}

Elke track wordt puur beoordeeld op muzikale waarde, originaliteit, productiekwaliteit en hoe het voelt in een echte DJ-context. Als het geluid sterk is, hoort het hier, of het nu van een bekende artiest komt of van een compleet nieuwe naam. Focus Charts zijn gemaakt voor DJ's en muziekdiggers die hun oren meer vertrouwen dan reputaties.

Focus Charts zijn gecureateerde selecties, met de hand uitgekozen door het Volumo-curatieteam, met één duidelijke prioriteit: de kwaliteit van het geluid zelf. Deze charts worden niet gedreven door grote artiestennamen, beroemde labels of hype uit de industrie. Elke track wordt puur beoordeeld op muzikale waarde, originaliteit, productiekwaliteit en hoe het aanvoelt in een echte DJ-context. Als het geluid sterk is, hoort het hier thuis, of het nu van een bekende artiest komt of van een volledig nieuwe naam.Focus Charts zijn gemaakt voor DJ's en muziekdiggers die hun oren meer vertrouwen dan reputaties. Dit is een plek waar opkomende producers vanzelf naast gevestigde artiesten staan, en waar underground releases dezelfde aandacht krijgen als tracks van grote labels. Als je op zoek bent naar verse elektronische muziek, verborgen parels ontdekt, of nieuwe richtingen verkent binnen techno, house, minimal en verwante genres, bieden Focus Charts op Volumo een zorgvuldig gecureateerde luister- en downloadervaring, gemaakt voor DJ's die het geluid op één zetten.

Als je een contentprovider bent, verlies je ook al je geverifieerde artiesten en labels en wordt alle door gebruikers aangemaakte inhoud (albums, enz.) uit de winkel verwijderd en gewist. Alle onbetaalde verdiensten gaan ook verloren.

Als je je release exclusief wilt publiceren, ga dan naar het {album} en vul het veld {exclusive} in. Het gebruik van “Exclusive” in titels kan tot irrelevante zoekresultaten leiden.

Maak kennis met Volumo's deelbare visuals. We weten dat je veel tijd steekt in het perfectioneren van je sound en stijl, dus hebben we het makkelijk gemaakt om binnen enkele seconden promo-afbeeldingen en video's te genereren. Pas ze aan zoals jij wilt, download ze, en gebruik ze overal—op social media of in je eigen content.

Het lijkt erop dat de titel onnodige spaties binnen haakjes bevat. Verwijderen?

Het lijkt erop dat de titel in hoofdletters is geschreven, wil je deze fout herstellen?

Het lijkt erop dat de albumtitel een catalogusnummer bevat. Verplaats je dit naar het juiste veld?

Het lijkt erop dat de tracktitel een mix-versienummer bevat. Naar het juiste veld verplaatsen?

Naam

Ga vervolgens naar je playlistsectie en maak een nieuwe playlist aan. Begin met het geven van een titel aan je playlist. Dit kan je definitieve titel zijn of gewoon een tijdelijke. Klik daarna op "Playlist maken."

Als je playlist klaar is, ga naar "Mijn playlists." Hier kun je een cover uploaden, je chart hernoemen en een beschrijving toevoegen over jezelf, je sound of de sfeer die je wilt creëren. Je kunt ook de volgorde van de tracks aanpassen.

Pauzeer {title}

Speel {title} af

Titel van de playlist

Klaar om te delen? Klik op de drie puntjes naast je playlist en kies "Publiceren als een chart", geef een pakkende omschrijving, selecteer de cover, en voilà - jouw ranking staat online!

Verkoopmeldingen (voor contentaanbieders)

Selecteer de artiestnaam of labeltitel die in het chart-auteursveld wordt weergegeven

Toon tracktitel

Begin met typen van een chart- of tracktitel, of een artiest- of labelnaam om resultaten te zien.

Begin een landnaam te typen om resultaten te zien

Begin met typen van een genre om resultaten te zien

Begin met typen van een track- of albumtitel, of een artiest- of labelnaam om resultaten te zien.

Stop {title}

Het album {title} is verwijderd

De eerste 24 uur nadat je track online staat zijn echt cruciaal—dan kijkt het algoritme mee. Of het nu Volumo, YouTube of Instagram is, die eerste piek aan weergaven, opslaan, delen en interactie laat het platform weten: ‘Deze moet gepusht worden.' Als je meteen je fans, vrienden en netwerk mobiliseert, maak je meer kans op een plek in algoritmische playlists of extra zichtbaarheid. Dus upload niet alleen, maar zorg dat je content klaar hebt, stuur je mailinglijst aan en wees actief in de reacties. Die eerste dag bepaalt de toon van je hele releasecyclus.

De titel bevat de naam van de artiest. Je hoeft de naam van de artiest niet toe te voegen aan de titel, dit wordt automatisch gedaan

Titel

De top 3 dingen waar pro-DJ's een hekel aan hebben bij muzieksites? We zetten ze op een rij. "Tekst overlay": De grote drie frustraties.

Tracktitel

Track {title}

Track {trackTitle} kan alleen gekocht worden als onderdeel van het album {albumTitle}.

Track {trackTitle} verwijderd uit {playlistName}

Album {title} intrekken? Daarna moet het album opnieuw worden gecontroleerd voordat het wordt gepubliceerd.

Naamloos

Het gebruik van “Volumo” in titels kan leiden tot irrelevante zoekresultaten.

Wij, Volumo, zijn de verantwoordelijke voor jouw persoonsgegevens en gebruiken cookies om inhoud en advertenties te personaliseren, om sociale mediafuncties aan te bieden en om ons verkeer te analyseren. We delen ook informatie over je gebruik van onze website met onze sociale media-, advertentie- en analysepartners die deze kunnen combineren met andere informatie die je aan hen hebt verstrekt of die ze hebben verzameld vanuit jouw gebruik van hun diensten.

Je hoeft de tracks niet te nummeren in de titel, ze worden automatisch genummerd

het is mogelijk om een klacht in te dienen bij de toezichthouder, maar neem eerst contact met ons op via {address}, wij zullen ons best doen om het probleem op te lossen.

Left Minded

Overzicht

Top tracks

Nieuwste releases

Collections: Melodic 002

Empty Clips

Genres

Gerelateerde artiesten