Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Dawit Asfaha

Subb-an is an electronic music artist from Birmingham, UK, known for his dynamic DJ sets that fluidly traverse the spectrum between house and techno, seamlessly blending deep, groove-driven basslines with hypnotic rhythms. His sound is immersive and refined, creating captivating experiences on dancefloors worldwide.

A seasoned performer, Subb-an has left a lasting mark at iconic venues and festivals including Block9 at Glastonbury, Houghton, Sunwaves, and DC10. Recent standout sets at Panorama Bar and Fabric underscore his enduring influence and versatility as an artist.

With releases on respected labels such as One Records, Spectral Sound, and Phonica Records, Subb-an has firmly established himself as a producer of exceptional talent and creative vision. He has collaborated with celebrated artists including Mathew Jonson, Max Cooper, Seth Troxler, Enzo Siragusa, and Tom Trago. His productions have earned widespread support from a diverse roster of tastemakers across the global electronic scene, including Ricardo Villalobos, Sonja Moonear, Midland, Peach, tINI, Saoirse, Job Jobse, Sedef Adasi, Chris Stussy, Priku, Laurent Garnier, Shanti Celeste, Peggy Gou, and Anotr.

Looking ahead, Subb-an is set to release new music on forward-thinking labels including Peach Discs, X-Kalay, Yoyaku, and his own imprint, Sub Series, continuing his evolution as a boundary-pushing force in contemporary electronic music.

Subb-an

S.A.M.

Starting in Naples in the early nineties with productions for legendary labels like
the Italian UMM, and for more than 20 years, Tuccillo has been an integral part of
the winding paths of electronic music.
He evolved step by step with new influences but firm in his way of producing and
in his support for vinyl and its classic sound.
Over the years, both analog and digital instruments have been incorporated into
his studio.
Driven by a timeless sense of sound and flawless production, as part of his sonic
imprint, he prefers to mix manually on an analog mixer and modulate sounds
directly from the hardware or create his beats using old akais samplers.
Starting from Ibiza, Tuccillo has taken his sound and sessions to the most
outstanding clubs in the world.
He began his first venture as a record label founder in 2013 launching Unblock
Records.
Together with close friends they embarked on creating their first vinyl. Since then,
collaborations and remixes from artists such as Djebali, Dj Sneak, Robert Dietz,
Tomoki Tamura, Shaun Reeves and Satoshi Tomiie have been added.
This same year together with Tomoki Tamura, they create an alias for a
collaboration entitled "Doublet" which will be the name that will launch the vinyl
series.
Currently Tuccillo has resumed his passion for the "Chill out balearic" sound. Since
his arrival in Ibiza in 2000, thanks to this genre, his productions have undergone
collaborations with legends such as José Padilla. Together with another pioneer
from Ibiza, Dj Pippi in 2016 they launched the label "Modern Manners"
In this project Tuccillo also adds more collaborations such as Modonostro with the
vocalist Danielle Moore of Crazy P. and Mr. Few. or
also under the aliases Tuccinelli and FewLab.
At the beginning of 2020 Tuccillo created ”Electrobalearic”, the simple idea of
mixing two genres such as electro and Balearic beat is clear.
In the summer of 2021 he launched his personal project “House of Tucci, where he
took up his favorite game, the pure and deep house sound of the 90s ,
which includes releases with collaborations and remixes by Archie Hamilton and
vocalist Kindbud.
“A year later, Tuccillo starts the 2022 with a remix for Nightmare on Wax of his song
Wonder" from the LP "To Freedom" released on Warp Records for a special Vinyl
Remixes relase with other artists such Osunlade and Paul Woolford.
Afterwards he began working on his first EP "sunshine City" for the legendary NYC
label “Nu Groove records”
and at the same time a collaboration with vocalist Howard Perry and TradeCraft for
the song "I believe"
which will be released together in a special vinyl edition.
In the summer he also released his first EP on Kerry Chandler's label "Kaoz Theory”-
The Waves Ep.
Climbing the top100 House of the most important stores.
Tuccillo confirms to be an
important part for lovers of the classic House sound.
In 2024 Tuccillo is once again punctual with the releases, returning with his labels
Unblock and House of Tucci,
and also in his latest EP for Nu Groove "Frames Ep"
which features a collaboration with the Chicago legend Ron Carrol
"Don't Walk Away “.
Through the years Tuccillo has proven to be a constant and consistent creator.
His passion for searching for new sounds is tireless and it is difficult to define him
with a single musical genre.

Tuccillo

Still young but with experiences in the booth and studio well beyond his years, he has a fine array of tools at his disposal. Over the past years, the friendly character has excelled at many different musical styles, often ahead of the curve, but all intrinsically linked in Hux’s own inimitable style in a House to Tech House to Techno vein, all musically accomplished offerings that stir real emotion. Proof of that lies in his varied and vital discography. In 2020 alone he released across a string of top tier labels the likes of Knee Deep In Sound, Hot Haus, Moon Harbour, Repopulate Mars, Muna Musik, We Are The Brave & more. The aforementioned include many club hits and Dj Weapons. Always refusing to stay in one sonic niche for too long, Huxley – whether working solo or with collaborators – switches up his sound, tries new things and colours outside the lines with every new outing. Not afraid of a big hook or slaying bass line, he is an artist who unites a variety of sounds, styles and scenes with ease, and always proves as fun as he is well informed. As a Dj, Huxley is someone as comfortable headlining a vast festival stage as he is holding down a small and sweaty basement. He does so from Africa to Australia and is the sort of selector who always delivers a slick high impact dose of the good stuff. His youthful looks have adorned the pack-shot cover of Spotify’s hugely populated Electronic Rising playlist not once but twice already, showing he has that mass demographic appeal to the new generation of Spotify clubbers that are fanatical about the dance scene just as much as he is himself.

Huxley

Chris Carrier is one of those rare kinds of artists that have an omnipresent quality and yet do not seek to make their name bigger than the music itself. You may not know it but there is a 99% chance you have experienced some dancefloor-based elation at the hands of the Parisian maestro. Releasing his first EP in 1994, he has over 20 years under his belt as a producer and DJ, with a huge back catalogue of releases. With all of that in his locker, Carrier remains ardent in his quest to create more and more classic material and is revered as one of the most prolific and gifted producers around today.

Chris Carrier

Cab Drivers

Born Canadian of Italian decent, Paolo Rocco first made his mark as a DJ in the Montreal House/Electronic music scene as a young talent who was technically gifted and always determined to deliver quality story telling sets. Playing an average of 150 gigs a year since 2006 Paolo’s primary goal on the decks has always been to give people the same feeling he gets when the sound of a hot record hits his ears. Expanding on his roots as a disk jockey, Paolo Rocco entered the international House scene as a producer with his remix of the Round Table Knights “Say What?!” released on Jesse Rose’s “Made To Play Records”. Since then, his remixes and original works have been supported by industry heavy weights like, Damian Lazarus, Jesse Rose, Franck Roger, DJ Sneak, Reboot, Noir, Dubfire, Pirupa, Catz n Dogz, M.A.N.D.Y., Maya Jane Coles, Michael Mayer, Dennis Ferrer and many more… His first ever digital single "Move Body, Move Forward" (Klasse Recordings) cracked Beatport's top 25 main chart while holding number 6 in the top 100 Deep House category. This was only the beginning...Since his debut as a producer he has remixed anthems like Reboot's "Enjoy Music", released on well-respected House Music imprints like Real Tone, Noir, Defected... And has been consistently receiving international support from heavyweights in the scene. Presently being a part of the Real Tone Records family not just as a producer but also as an artist; be on the look out for Paolo's future ever innovating projects.

Paolo Rocco

Youandewan

Curator and resident of Pegatina, dj, producer, label manager, an artist with a background of many years and reference of a unique style mixing the past with the future with a naturalness that makes you feel in a special way every moment of his sets.

Javier Carballo

John Dimas found his way into DJing through clubbing. Inspired by the Chicago, Acid House, UK Garage, and Breakbeat he was hearing in Thessaloniki, Greece where he grew up after moving from Albania in the early 90’s. He bought his first records and taught himself to mix using two belt-driven decks and a homemade mixer that formed part of a high school project. He played his first gig two years later, in 2001, in a tiny bar where he remained as a resident for over four years before moving to Decadance, a larger venue that regularly booked artists from abroad.

Dimas was quickly snapped up by a major Greek booking agency and also Red Bull, who signed him a resident DJ for their nationwide party series. Dimas’ international bookings picked up quickly. Having carved himself a reputation with some lower-profile support slots across Europe, he’s now established himself as a highly respected DJ , acknowledged for the diversity in his selections and deep knowledge of music; scattered within all Dimas sets are various obscure cuts that even the most avid music fans are yet to discover. “I like peaks and troughs, and giving lots of different dynamics to keep things interesting,” he says. “I don’t like to be predictable with the records I play and love surprising the crowd.” Recent years have seen him perform at London’s Fabric, Ibiza’s DC10 and Amnesia, New York’s Resolute, Paris’ Rex, Bucharest’s Guesthouse, and all across Berlin, including Club der Visionaere and Watergate. It was a 2011 booking at this latter venue that inspired a 2012 move to the German capital.

Important, too, is Dimas’ production work. He began experimenting with production in 2007 and incorporates lots of edits into his sets. His 2018 XLR8R podcast consists only of these. On a release front, he’s maintained a steady output since his 2010 debut, pushing a futuristic fusion of techno & house sound that is clever, energetic and infectious.

Elsewhere, Dimas also heads up Elephant Moon, a record label through which he aims to search out and support new talent. The label does not accept demos; rather, Dimas himself hunts for artists, “so there is always a high quality maintained,” he says. The label celebrated its 11th release with Dimas’ album debut, One Against Time. “I had to the opportunity to express myself completely and draw from all my influences over the years,” he says.

In 2020 Dimas launched a second imprint SYNQ as well as Intermission Records with Voigtmann to release their debut album for their new collaborative project VO1GT.M4S. 2020 also saw the revival of his other alias Secret Universe, with a release on Gottwood Festival’s Nottwaxx Compilation and 2021 shows no signs of Dimas slowing down either with a full touring schedule for the latter part of the year, a release on Francesco Del Garda’s Timeless imprint, a second release on his label SYNQ as well as three remix projects out before the year’s end. In an aesthetic that’s long been overly saturated, Dimas has found a voice all of his own.

John Dimas

<Naamloos>

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