Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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DN Re-Edit

Lonya Koval is a artist on a mission, through an uncompromising passion for the music he creates and performs. As a DJ and world-renowned producer, he continues to drive the vibrant electronic music scene.

A hallmark of quality stamped through an ever-increasing catalogue of innovative work, a string of cross-genre hits, has been a constant theme, while Lonya’s production work continues to scale new heights with his ground-breaking sonic architecture. Lonya’s distinctive sound has seen him courted by the industry’s blue-chip imprints.
In tandem with a successful production career, a strong presence behind the decks has also been an integral component of Lonya’s musical persona and transformed him into a global phenomenon.

As music curator, Lonya has been at the epicentre of the industry with his own label Asymmetric Recordings/Dip. Through an unparalleled familiarity with the electronic scene, Lonya has been able to oversee the creation of an esteemed label that has grown into a major force. The years of experience has allowed him to take a holistic view when recruiting new musical talent, intuitively knowing when to take a step back and when to advise as the artists under his tutelage blossom into the next generation of successful producers.
An artist at the vanguard of the industry, Lonya continues to shape underground music through experienced hands and a golden touch that wields an aural magic, delighting fans and club goers in equal measure.

Lonya

Tom Novy

Hackatone

For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front.

Matthias Tanzmann

Christian Burkhardt

SIS's first experience with electronic music was more or less accidental. Inspired by hearing Dj Karotte play percussive Indian-style beats at Frankfurt U60 Club at the age of 21, he decided on the spot that this would be his future.

Burak Sar aka Sis was born in 1980 in Michelstadt, southern Germany, and from a very young age was Inspired by his musician father, who introduced him to a myriad of musical instruments and rhythms with his Turkish musical group. Sis formed a rock band and played the drums, but after his dancefloor epiphany he bought a pair of Technics 1210s and learned how to mix. Within a short period of time spent developing his DJ skills, he began playing in small clubs and parties around Frankfurt and Mannheim.

Not content with limiting himself to DJing, Sis began learning the ropes of production, drawing on his musical roots to craft his own unique style of House Music. Sis gained confidence with his first release (Lilly from the Valley EP, Amused Rec.) in 2006, and he soon gathered more momentum. Following a release for 8bit Rec. (Voices of Istanbul EP), international attention came at the end of 2007 with his first EP for Cecille Rec. (La Garua/Orgsa), a record which sold out within a day in shops across Europe. 

His second release for Cecille (Nesrib) was a real bomb, playlisted by all the top DJs around the globe. A number of other tracks followed, then came "Trompeta", arguably the hit track of summer 2008. After handing "Trompeta" to Ricardo Villalobos at Robert Johnson club in Frankfurt, Villalobos liked it so much that he decided to release it on his own boutique label Sei es Drum, which up to that point had only showcased Ricardo's own productions. Both DJs and DJ press agreed that Sis was one of that year’s best breakthough acts, as Groove Magazine awarded him "Producer of the Year" and "Track of the Year" (1st Nesrib, 2nd Trompeta) honours in their end of year poll, and Raveline named him the #2 Live Act of the year and Newcomer of the year.

Riding a well-deserved wave of hype, Sis he has delivered further well-received release for Welcome to Masemenos and Connoisseur Recordings, and followed this up by establishing own label, Cocolino Records. The future continues to look bright for Sis, and in 2011 he will release his debut project with Get Physical Music, with more quality tracks and DJ/live sets on the horizon.

The brothers duo Audio Junkies are Daniel Rave and Yoav 'Joe' Rave aka JoMaJo. Over the years they have become amongst Tel Aviv's busiest dj's, their innovative sets and wide musical repertoire have earned them a great following, performing in top Electronic venues and clubs, In Israel, Brazil, Mexico & Europe. Audio Junkies have released on labels such as Renaissance, Audio Therapy, Hotfingers, Definitive, Monique Musique, Sudbeat, Factomania, Global Underground, Elevation, and their music received massive support from Sasha, Dave Seaman, Wally Lopez, Noir, Audiojack, Nick Warren, John Aquaviva, Hernan Cattaneo, X-Press 2, Tiger Stripes, to name a few. Audio Junkies live act is a dancefloor oriented show, the live includes original productions and remixes made by Audio Junkies, the live show also includes an electric guitar, synths and controllers.

Audio Junkies

Junior Sanchez has been a dynamic force in the world of house music, consistently pushing boundaries with his diverse sounds. His extensive catalog boasts releases on renowned labels like Defected, Relief, Mad Tech Records, Strictly Rhythm, and Nervous Recordings. Noteworthy remix credits include Madonna, Gorillaz, Jamiroquai, Daft Punk, Chrvches, Azealia Banks, and Ariana Grande.

As 2023 concludes, Junior's recent releases on Planet E, Wh0plays, Circus Recordings, Club Bad, and Defected, along with the attention-grabbing collaboration with Dance System as Freqazoids, showcase his continued impact. With plans for a sophomore album in 2024, Junior Sanchez remains a headline act on global stages, from Ultra in Miami, Korea, and Singapore to Pacha and Ushuaia in Ibiza, demonstrating no signs of slowing down.

Junior Sanchez

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation.

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night.

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize.

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday.

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself.

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs.

Danny Tenaglia

Roger Sanchez is a house music legend whose career is defined by creativity and passion for the underground. Rising from NYC’s vibrant scene, he has become a globally celebrated DJ, producer, and label head. He is the founder of Undr The Radr and Stealth Recordings, releasing cutting-edge tracks and collaborating with artists such as Ella Henderson, Jem Cooke, Hugel, Chico Castillo (Gipsy Kings), and Fedde Le Grand. With decades in the industry, a Grammy win, and iconic Ibiza residencies, Roger continues to inspire fans and artists worldwide.

Roger Sanchez

<Naamloos>

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Wij, Volumo, zijn de verantwoordelijke voor jouw persoonsgegevens en gebruiken cookies om inhoud en advertenties te personaliseren, om sociale mediafuncties aan te bieden en om ons verkeer te analyseren. We delen ook informatie over je gebruik van onze website met onze sociale media-, advertentie- en analysepartners die deze kunnen combineren met andere informatie die je aan hen hebt verstrekt of die ze hebben verzameld vanuit jouw gebruik van hun diensten.

Je hoeft de tracks niet te nummeren in de titel, ze worden automatisch genummerd

het is mogelijk om een klacht in te dienen bij de toezichthouder, maar neem eerst contact met ons op via {address}, wij zullen ons best doen om het probleem op te lossen.

DN Re-Edit

Overzicht

Top tracks

Nieuwste releases

Classics, Vol. 3 (I Wanna Rock You Remixes)

Giorgio Moroder Club Remixes Selection 3 - Back to the Roots

Giorgio Moroder Themes Remixes, Vol. 1

Genres

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