Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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C2-Datei

Nick Curly

Stefano Noferini

Butch

Denis Horvat

Arndt Roerig and Marko Vidovic – known as Tube & Berger – started their musical journey over a decade ago. Since then, the house producers and in-demand remixers have put out two acclaimed studio albums, released on an array of prestigious labels and played constant gigs around the world.

After early experiments in the world of punk music, the German duo’s first breakthrough came with their 2004 hit ‘Straight Ahead’, which featured the vocals of Chrissie Hynde and shot straight to the top of the dance charts. Since this early success, their output has evolved significantly by incorporating real-life recordings and samples into their music. Their intricate, emotion-laden production style creates records that are organic and evocative, without losing that dance floor punch essential for the modern-day DJ.

Tube & Berger have undoubtedly helped to shape the house genre, crafting several scene defining records in the last couple of years. Most notable is ‘Imprint of Pleasure’, a heart-wrenchingly poignant dance floor anthem released on Suara Records that has provided the soundtrack for festivals and dance floors for many years.

Last year, Tube & Berger and Junior Jack's collaboration track 'E Samba 2018' was a massive No.1 hit. In 2019, Tube & Berger's remix for Samim - ‘Heater' became a global dance floor hit and instantly rushed to the No.1 spot on the main charts before staying there for weeks.

In terms of live performances, Tube & Berger never tire. They are proven Ibiza heavyweights with frequent shows at ANTS in Ushuaia and Hï Ibiza. Festival-wise, they’ve headlined at Tomorrowland, Loveweek Festival, Eastport Festival, Claptone's Masquerade and played dates at ADE including 'All Gone Pete Tong' and multiple Toolroom Showcases.

Tube & Berger

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

Miguel Bastida

Ramon Tapia was born and raised in Holland, with a Dutch mother and Chilean father – his upbringing had an eclectic mix of cultures which in turn developed and influenced his decision to become a musician.

In 2023 Ramon entered into the Raw Techno techno Top 10 charts with a bang, like his collaboration with Gaston Zani ‘Friction’ on Planet Rhtyhm and ‘Circular’ on Christian Smith’s  Tronic Music in 2024 .

Working in his teen years in Antwerp’s famous record store ‘USA import’ he sculpted a broad taste in music and his production skills along the way gradually learning how to produce tracks solo, with a solid foundation in pounding techno and hardcore scene.

He found his resurgence in the 00’s, forging a new school techno sound with his release ‘Land Of Drum’ on Pocket the sublabel of Music Man, a release on Gayle San’s label Equator and more house styled tracks on New York’s legendary Strictly Rhythm label. That's where his name catapulted into the limelight, becoming the biggest turning point for his career, resulting in a residency at Sankey’s Ibiza for three years, multiple bookings around the globe, rapidly growing loyal fan base and global recognition.

With an impressive collection of releases on some of the biggest labels, Ramon started his very own imprint - Say What? Records in 2012. The label delivers a proper dancefloor-ready Techno from respected names and new kids pulling the wagon for the new generation under Ramon’s supervision.


Ramon Tapia

There is a fine line between genius and insanity that Basti Grub has been balancing on for over 10 years. A time of intrepid experimentation with different musical influences and stylistic outbursts. A multi-faceted coming of age process that has made him what he is today - a creative madman whose mental orchestra never stops.

Whether its different instruments, modular systems or synths Basti Grub who was born in Frankfurt loves the unpredictable and never limits himself by thinking in conventional terms.

From a very early age onward it became clear that Basti´s fascination with music would take center stage in his life. The roots: reggae music, a Roland MC 303, turntables and life-changing trips to Omen and Robert Jonson which would lay the foundation to Grub´s concept of club-orientated sound.

About two years ago Basti Grub made a musical leap forward that took him to where he was already aiming for in his beginnings – a sophisticated minimalist yet groovy sound with high standards. This development did not go unnoticed and led to Basti Grub becoming the producer one of the Techno institution Timo Maas.

Basti Grub is currently working on his fourth studio album and participating in a variety of new and interesting projects that are yet to come out

Basti Grub

SIS's first experience with electronic music was more or less accidental. Inspired by hearing Dj Karotte play percussive Indian-style beats at Frankfurt U60 Club at the age of 21, he decided on the spot that this would be his future.

Burak Sar aka Sis was born in 1980 in Michelstadt, southern Germany, and from a very young age was Inspired by his musician father, who introduced him to a myriad of musical instruments and rhythms with his Turkish musical group. Sis formed a rock band and played the drums, but after his dancefloor epiphany he bought a pair of Technics 1210s and learned how to mix. Within a short period of time spent developing his DJ skills, he began playing in small clubs and parties around Frankfurt and Mannheim.

Not content with limiting himself to DJing, Sis began learning the ropes of production, drawing on his musical roots to craft his own unique style of House Music. Sis gained confidence with his first release (Lilly from the Valley EP, Amused Rec.) in 2006, and he soon gathered more momentum. Following a release for 8bit Rec. (Voices of Istanbul EP), international attention came at the end of 2007 with his first EP for Cecille Rec. (La Garua/Orgsa), a record which sold out within a day in shops across Europe. 

His second release for Cecille (Nesrib) was a real bomb, playlisted by all the top DJs around the globe. A number of other tracks followed, then came "Trompeta", arguably the hit track of summer 2008. After handing "Trompeta" to Ricardo Villalobos at Robert Johnson club in Frankfurt, Villalobos liked it so much that he decided to release it on his own boutique label Sei es Drum, which up to that point had only showcased Ricardo's own productions. Both DJs and DJ press agreed that Sis was one of that year’s best breakthough acts, as Groove Magazine awarded him "Producer of the Year" and "Track of the Year" (1st Nesrib, 2nd Trompeta) honours in their end of year poll, and Raveline named him the #2 Live Act of the year and Newcomer of the year.

Riding a well-deserved wave of hype, Sis he has delivered further well-received release for Welcome to Masemenos and Connoisseur Recordings, and followed this up by establishing own label, Cocolino Records. The future continues to look bright for Sis, and in 2011 he will release his debut project with Get Physical Music, with more quality tracks and DJ/live sets on the horizon.

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production.
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm.
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby.
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno.
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor.
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration.

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Reinier Zonneveld

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