Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Over Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

Over ons — Volumo

{artists:, :2} - {albumTitle} van {recordlabelTitle} · Prijs: {price} · Catalogusnummer {catalogNumber} · MP3, WAV, AIFF & FLAC · Onbeperkt opnieuw downloaden

{albumTitle} van {recordlabelTitle} op Volumo

{artists:, :2} - {albumTitle} van {recordlabelTitle} bij Volumo

Top {contributorTitle} tracks, releases & albums. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

{contributorTitle} muziek downloaden op Volumo

Beste {genres: :1} artiesten tracks & releases {currentYear} {paginationText}. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Beste {genres: :1} artiesten tracks, releases & albums van {currentYear} op Volumo – {paginationText}

{chartName} van {author} - Volumo · MP3, WAV, AIFF & FLAC · Onbeperkt opnieuw downloaden

{chartName} van {author}

{chartName} van {author} - Volumo

{genreTitle} muziek {genreDescription} {currentYear}: nummers, releases & albums. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

{genreTitle} {currentYear} muziek downloaden op Volumo

Top {genreTitle} {currentYear}. Beste aanbevolen releases & albums {paginationText}. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Top {genreTitle} {currentYear}: beste releases & albums op Volumo {paginationText}

Exclusieve {genreTitle} muziek: nummers, releases & albums {paginationText}. Volumo - Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Exclusieve {genreTitle} muziek downloaden op Volumo {paginationText}

Muziek van {contributorTitle} · Download in MP3, WAV, AIFF & FLAC · Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s

Beste {genres: :1} labels {currentYear}: nummers, releases & albums {paginationText}. Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Beste {genres: :1} labels {currentYear} muziek downloaden op Volumo {paginationText}

Nieuwste Electronic-, Dance- & House-muziek {currentYear} downloaden {paginationText}. Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download in MP3, WAV, AIFF & FLAC.

Nieuwste Electronic-, Dance- & House-muziek {currentYear} downloaden op Volumo {paginationText}

{artists:, :1} - {trackTitle} van {recordlabelTitle} · Prijs: {price} · Onbeperkt opnieuw downloaden · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Uitgebracht op {releaseDate} · MP3, WAV, AIFF & FLAC

{artists:, :1} - {trackTitle} van {recordlabelTitle} bij Volumo

Pancratio

Sweely

Lauer

Mathew Jonson really is one of a kind.

He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another.

His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)

His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.

And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.

He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.

Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.

It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)

"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.

After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.

His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.

"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.

In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.

Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.

"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"

You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.

"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other. You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne

Mathew Jonson

Youandewan

Australian DJ and producer Katie Campbell, whose breezy tracks vary between techno, electro, and breaks.

Roza Terenzi

German born and Amsterdam based Retromigration has been carving out a name for himself in the last year by producing a refreshing and raw sound in his in music. It's a deliberate and elegantly explosive blend capable of giving shape to deep, immersive beats that look toward the future while paying tribute to the past. With only a handful of releases under his belt, the producer and DJ with Nigerian and Ghanaian roots, has already made waves with releases on Wolf Music, Healthy Scratch, Rhythm Section and Heist Recordings  with forthcoming projects and  his debut album with Wolf Music coming in the beginning of next year. Retromigration is cementing himself as someone to watch.

Retromigration

Fantastic Man

Das Komplex

Massimiliano Pagliara

Octo Octa

<Naamloos>

Albumnummer

Album {title}

Album {title} is ingetrokken

Artwork voor {title}

Charttitel

Artiest {name} verwijderen? Hiermee worden alle albums, charts, playlists en andere inhoud die door je account wordt beheerd permanent verwijderd. Muziekalbums die door andere contentleveranciers aan Volumo zijn geleverd (indien aanwezig) blijven zichtbaar en gekoppeld aan het artiestprofiel, maar je verliest de controle over het profiel totdat je het opnieuw opeist. Deze actie kan niet worden teruggedraaid, behalve door handmatig alle gegevens opnieuw in te voeren en alle bestanden opnieuw te uploaden. Weet je zeker dat je wilt doorgaan?

Label {name} verwijderen? Hiermee worden alle albums, charts, playlists en andere inhoud die door je account wordt beheerd permanent verwijderd. Muziekalbums die door andere contentleveranciers aan Volumo zijn geleverd (indien aanwezig) blijven zichtbaar en gekoppeld aan het labelprofiel, maar je verliest de controle over het profiel totdat je het opnieuw opeist. Deze actie kan niet worden teruggedraaid, behalve door handmatig alle gegevens opnieuw in te voeren en alle bestanden opnieuw te uploaden. Weet je zeker dat je wilt doorgaan?

Directe berichten (voor contentproviders)

Bewerk album {title}

Voer charttitel in

Fout bij ophalen van {title}

Als je een contentprovider bent, verlies je ook al je geverifieerde artiesten en labels en wordt alle door gebruikers aangemaakte inhoud (albums, enz.) uit de winkel verwijderd en gewist. Alle onbetaalde verdiensten gaan ook verloren.

Als je je release exclusief wilt publiceren, ga dan naar het {album} en vul het veld {exclusive} in. Het gebruik van “Exclusive” in titels kan tot irrelevante zoekresultaten leiden.

Maak kennis met Volumo’s deelbare visuals. We weten dat je veel tijd steekt in het perfectioneren van je sound en stijl, dus hebben we het makkelijk gemaakt om binnen enkele seconden promo-afbeeldingen en video's te genereren. Pas ze aan zoals jij wilt, download ze, en gebruik ze overal—op social media of in je eigen content.

Het lijkt erop dat de titel onnodige spaties binnen haakjes bevat. Verwijderen?

Het lijkt erop dat de titel in hoofdletters is geschreven, wil je deze fout herstellen?

Het lijkt erop dat de albumtitel een catalogusnummer bevat. Verplaats je dit naar het juiste veld?

Het lijkt erop dat de tracktitel een mix-versienummer bevat. Naar het juiste veld verplaatsen?

Naam

Ga vervolgens naar je playlistsectie en maak een nieuwe playlist aan. Begin met het geven van een titel aan je playlist. Dit kan je definitieve titel zijn of gewoon een tijdelijke. Klik daarna op "Playlist maken."

Als je playlist klaar is, ga naar "Mijn playlists." Hier kun je een cover uploaden, je chart hernoemen en een beschrijving toevoegen over jezelf, je sound of de sfeer die je wilt creëren. Je kunt ook de volgorde van de tracks aanpassen.

Pauzeer {title}

Speel {title} af

Titel van de playlist

Klaar om te delen? Klik op de drie puntjes naast je playlist en kies "Publiceren als een chart", geef een pakkende omschrijving, selecteer de cover, en voilà - jouw ranking staat online!

Regelmatige updates over inhoud op Volumo

Verkoopmeldingen (voor contentaanbieders)

Selecteer de artiestnaam of labeltitel die in het chart-auteursveld wordt weergegeven

Toon tracktitel

Begin met typen van een chart- of tracktitel, of een artiest- of labelnaam om resultaten te zien.

Begin een landnaam te typen om resultaten te zien

Begin met typen van een genre om resultaten te zien

Begin met typen van een track- of albumtitel, of een artiest- of labelnaam om resultaten te zien.

Stop {title}

Het album {title} is verwijderd

De eerste 24 uur nadat je track online staat zijn echt cruciaal—dan kijkt het algoritme mee. Of het nu Volumo, YouTube of Instagram is, die eerste piek aan weergaven, opslaan, delen en interactie laat het platform weten: ‘Deze moet gepusht worden.’ Als je meteen je fans, vrienden en netwerk mobiliseert, maak je meer kans op een plek in algoritmische playlists of extra zichtbaarheid. Dus upload niet alleen, maar zorg dat je content klaar hebt, stuur je mailinglijst aan en wees actief in de reacties. Die eerste dag bepaalt de toon van je hele releasecyclus.

De titel bevat de naam van de artiest. Je hoeft de naam van de artiest niet toe te voegen aan de titel, dit wordt automatisch gedaan

Titel

De top 3 dingen waar pro-DJ's een hekel aan hebben bij muzieksites? We zetten ze op een rij. "Tekst overlay": De grote drie frustraties.

Tracktitel

Track {title}

Track {trackTitle} kan alleen gekocht worden als onderdeel van het album {albumTitle}.

Track {trackTitle} verwijderd uit {playlistName}

Album {title} intrekken? Daarna moet het album opnieuw worden gecontroleerd voordat het wordt gepubliceerd.

Naamloos

Het gebruik van “Volumo” in titels kan leiden tot irrelevante zoekresultaten.

Wij, Volumo, zijn de verantwoordelijke voor jouw persoonsgegevens en gebruiken cookies om inhoud en advertenties te personaliseren, om sociale mediafuncties aan te bieden en om ons verkeer te analyseren. We delen ook informatie over je gebruik van onze website met onze sociale media-, advertentie- en analysepartners die deze kunnen combineren met andere informatie die je aan hen hebt verstrekt of die ze hebben verzameld vanuit jouw gebruik van hun diensten.

Je hoeft de tracks niet te nummeren in de titel, ze worden automatisch genummerd

het is mogelijk om een klacht in te dienen bij de toezichthouder, maar neem eerst contact met ons op via {address}, wij zullen ons best doen om het probleem op te lossen.

Pancratio

Overzicht

Top tracks

Top releases

Love Letters

Genres

In sociaal

Gerelateerde artiesten