Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Astronomic Music

Six15 Music

Defected Records is a multi-award-winning independent British record label specialising in house music recordings, playlists, internationally syndicated radio shows, events and festivals, publishing, artist booking, artist management, promotions and more. Established in 1999 and now resembling more of a music media group with the label as its epicentre, the recipe for Defected Records’ success over the last 25 years has been its ability to evolve and adapt within the industry, while maintaining robust cultural values and musical identity. One of the longest running independent labels of its kind, Defected continues to advocate tirelessly for the cultural impact of house music in the UK and remains a well-respected constant in the music industry as it enters its next 25 years in business.

With an online community of over 12 million, Defected was one of the first house labels to embrace digital technologies and continues to be at the forefront of digital innovations, while cultivating a uniquely engaged audience, by far the largest of its kind. 2024 saw Defected expand its offerings with the collaborative Together series, ambitious livestreams, a world tour and limited-edition merch including ‘Defected: 25 Years In The House’, a 320-page hardback offering a “refreshingly candid insight into the moments that have defined the label’s history” - Clash Magazine. Appointed in 2022, Defected CEO and co-owner Wez Saunders describes the company’s mission as ultimately “to service our community while helping artists build longer lasting, more impactful, and more profitable careers”.

Established in 1999 by Simon Dunmore, Defected's first release was Soulsearcher's ‘Can't Get Enough’, which reached No. 5 in the UK singles chart. This early success was followed up with Roger Sanchez's ‘Another Chance’, which hit No. 1 in the UK singles chart in 2001. As well as a number of sister labels including DFTD, Glitterbox Recordings, Classic Music Company, Soulfuric, 4 To The Floor and Stay True Sounds, Defected also owns and manages artist projects and several catalogues of heritage house imprints.

Defected’s catalogue includes the work of artists such as Masters At Work, Honey Dijon, Inner City, Idris Elba, Dennis Ferrer, Marc Kinchen (MK), Sam Divine, Jamie Jones, John Summit, Love Regenerator (Calvin Harris), The Martinez Brothers, Hannah Wants, Duck Sauce, Gorgon City, Girls of the Internet, Peggy Gou and many more. In 2017, CamelPhat & Elderbrook’s ‘Cola’ was nominated for ‘Best Dance Recording’ at the Grammys, as well as at the Ivor Novello awards and is now multi-platinum. Endor’s ‘Pump It Up’ reached #8 in the UK OCC in 2019 and went multi-platinum, both unprecedented successes for an independent house music label in the UK. Grammy nods have since come for Honey Dijon, Luke Solomon and various Defected Music-published writers for Beyoncé’s Renaissance in 2023.

Most recently, in its 25th anniversary year, Defected paired talent from the label’s storied past with stars of its future as artists like Todd Edwards, Shermanology, Rudimental, TSHA, Mochakk, Kings Of Tomorrow, Julie McKnight, David Guetta and THEMBA, with many more appearing throughout the extra collaborative series Together. The label also continued to release genre-defining successes including Purple Disco Machine, Oden & Fatzo and delivering a multi-single deal with British icon Idris Elba as IDRIS.

Defected runs events globally, from standalone club nights and festival stages to its many Ibiza residencies since 2003; summer of 2024 saw Defected, Glitterbox and D4 D4NCE hold three lengthy residencies at Ushuaïa Ibiza, Hï Ibiza and O Beach Ibiza respectively. The group’s festival portfolio includes Defected Croatia, a flagship event that draws more than 5,000 people from all over the world annually, as well as Defected Malta and various other large capacity events and new ventures into Dubai. Defected’s event offering has continued to grow in recent years, including sold out shows at world-renowned venues such as London’s Printworks, DRUMSHEDS and Studio 338, Manchester’s The Warehouse Project, House of Yes in NYC, stages at Glastonbury and more for its 25th anniversary World Tour, with 2024 seeing the brand debut in Argentina, Canada, Cyprus, Italy, Poland and continue to expand in familiar territories.

Defected Records

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

Ninja Tune

German label, founded in 2012 by Sharam Jey.

Bunny Tiger

Monstercat is one of dance music's most influential independent record labels. Founded in Canada in 2011, its mission has always been to empower a creative and passionate community of artists and fans through innovation. Redefining music licensing for content creators and brands while championing world-renowned artists, Monstercat earned over 1.9 billion streams in 2019 and exceeds 150 million global streams monthly. (From the label).

Monstercat

Double Records

It is fair to say that Showtek never rest on their laurels. They have proven this time and time again. The same goes for their latest venture, their own record label: Skink. The label is intangible just like the particular species of lizard it is drawing its name from. The label embodies the characteristics of this unlikely emblem and so they will provide a diverse range of artists that represent different styles of music. Skink stands for a continuing musical evolution so expect plenty more music from Showtek as well as from other household names and new upcoming artists.

If you want to submit a demo, please head over to www.skinkrecords.com and check out our demodrop section!

Skink

Quantize Recordings

“Toolroom Records has come a long way in 15 years, from Mark Knight’s garden shed to international success. But it’s the development of new talent that sets the label apart.” ~ Mixmag

 Toolroom Records is known internationally as one of the most innovative major brands in dance music.After 15 years in the music industry, we are known for our passion for quality House music, and our close connection with the #ToolroomFamily – our international community of fans. Over the years we’ve signed and even discovered some legendary artists; we’ve led the way in an ever-changing industry, developing artists and even evolving ourselves – and this is just the beginning.Toolroom Records began in 2003 when emerging DJ/producer Mark Knight and brother Stuart Knight started the label. Quickly developing a fan base of professional and aspiring DJs, the label became synonymous with credible House and Tech House.‘Our mantra from the beginning was a simple one’ say Mark. ‘We wanted to be a record label run by DJs, for DJs. The kind of label that when you saw the artwork behind the counter of the record shop, you’d buy on sight.’Rising in tandem with the career of label figurehead Mark, Toolroom rapidly grew into an internationally known brand through some defining club records – most notably Mark Knight’s remixes of ‘Man With The Red Face’ and ‘You’ve Got The Love’, among a host of original material from Mark and other heavyweight dance artists.Toolroom has also diversified beyond a traditional record label model. We have successfully expanded into events, with Toolroom residencies and festival appearances all over the world.  Moving towards other media platforms, Toolroom Radio, hosted by Mark Knight, is an overwhelming success with over 16 million listens per week, and Toolroom Academy – the educational arm of the brand – offering a range of innovative production and DJ courses to the next generation of electronic music artists.‘It’s very a much a family thing’ says Mark. ‘When we talk about the Toolroom Family’, that’s not just a marketing slogan. We’re normal, level-headed people, but we’ve always dreamed big.’With a strong musical vision and a tight artist roster, this is still the start of a journey for Toolroom – and we want to share it with you.

Toolroom

First Word Records was born in 2003 as a collaboration between myself (Aly Gillani - at that time a club promoter) and deejay Andy H. Frustrated by not seeing the music we loved get the exposure it deserved, we decided that there was a gap that needed filling. As the year came to an end a group of musicians, deejays, designers, emcees and producers had come together to cook up the fresh new sound of "Two Syllables", our debut compilation that was released in April 2004, preceded by a split 12" from Homecut Directive (ft Corinne Bailey Rae) and Tommy Evans.

Since then, the label has grown to house numerous artists, including Children Of Zeus, Tawiah, Kaidi Tatham, Allysha Joy, Eric Lau, Darkhouse Family, Tall Black Guy, Souleance and Quiet Dawn. The sound of our output has developed as we have as individuals – but the foundation is rooted in Hip Hop, Jazz and Soul.  This is music that's equally at home in the clubs as it is leaking out of your late-night headphones. Like Duke Ellington said - "If it sounds good, it is good".



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