Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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Vintage Keys Records

Binary Acoustics

Founded by John Digweed in 1999, Bedrock Records is home to some of the leaders of the electronic music scene; releasing tracks and remixes from the likes of Booka Shade ,Red Axes, Hannes Bieger, Pig&Dan, David Morales, Echonomist, Jonathan Kasper, Franky & Sandrino, Dino Lenny, Nick Muir Josh wink and many more

Bedrock Records

“Toolroom Records has come a long way in 15 years, from Mark Knight’s garden shed to international success. But it’s the development of new talent that sets the label apart.” ~ Mixmag

 Toolroom Records is known internationally as one of the most innovative major brands in dance music.After 15 years in the music industry, we are known for our passion for quality House music, and our close connection with the #ToolroomFamily – our international community of fans. Over the years we’ve signed and even discovered some legendary artists; we’ve led the way in an ever-changing industry, developing artists and even evolving ourselves – and this is just the beginning.Toolroom Records began in 2003 when emerging DJ/producer Mark Knight and brother Stuart Knight started the label. Quickly developing a fan base of professional and aspiring DJs, the label became synonymous with credible House and Tech House.‘Our mantra from the beginning was a simple one’ say Mark. ‘We wanted to be a record label run by DJs, for DJs. The kind of label that when you saw the artwork behind the counter of the record shop, you’d buy on sight.’Rising in tandem with the career of label figurehead Mark, Toolroom rapidly grew into an internationally known brand through some defining club records – most notably Mark Knight’s remixes of ‘Man With The Red Face’ and ‘You’ve Got The Love’, among a host of original material from Mark and other heavyweight dance artists.Toolroom has also diversified beyond a traditional record label model. We have successfully expanded into events, with Toolroom residencies and festival appearances all over the world.  Moving towards other media platforms, Toolroom Radio, hosted by Mark Knight, is an overwhelming success with over 16 million listens per week, and Toolroom Academy – the educational arm of the brand – offering a range of innovative production and DJ courses to the next generation of electronic music artists.‘It’s very a much a family thing’ says Mark. ‘When we talk about the Toolroom Family’, that’s not just a marketing slogan. We’re normal, level-headed people, but we’ve always dreamed big.’With a strong musical vision and a tight artist roster, this is still the start of a journey for Toolroom – and we want to share it with you.

Toolroom

UK Drum & Bass label. Pioneering underground sonics.
More than two decades since it was first conceived in a North London flat as a platform for drum & bass’s most forward-thinking artists, Critical Music has grown to become one of the most powerful and influential global forces in electronic music.

From its early years delivering cutting-edge sonics from now legendary producers such as Calibre, Break and Breakage, via scene-shaping releases from the likes of Mefjus, Enei and Ivy Lab, through to its modern role as an incubator for D&B’s most innovative young talent, Critical has continually evolved without ever sacrificing its core commitment to artistic integrity and restless progression.

The imprint has taken founder Kasra Mowlavi from young underground music obsessive emboldened by an early career working in the record industry, to not just label boss, but highly respected producer and DJ at parties worldwide and, of course, the label’s own Critical Sound club nights, festival shows and international tours.

Since the first event back in 2010, Critical Sound has helped carry the label’s artists and musical philosophy far and wide, from a residency at fabric, to hosting sold-out parties at Printworks, representing D&B at Barcelona’s highly discerning Sonar festival and taking over the main stage at Boomtown.

Now, Critical is in stronger health than ever – with a stable of exclusive artists nurtured via its talent-blooding sub-label Binary that includes some of the most exciting fresh talent around, including QZB, Particle, Simula, En:vy and Spectral, alongside a cohort of more established heads such as Calyx, Ivy Lab, Kasra himself and Enei.

As Kasra said to fabric back in 2017; “Music is all I’m good at.”

Looking back on almost a quarter of a century of the label that he’s dedicated the majority of his life to; it’s hard to do anything but agree.

Critical Music

Farplane Records

Secret Operations

Wellhead

Lump Records frames into the research of sounds that come from cultures in which music is part of the spiritual process of awakening and bring those vibrations to the dance floor of some of the most important clubs and festival worldwide.

Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories in particular cases. However, this is often without conventions or rules dictating how or which theories were combined.

Lump Records

Embassy of Music GmbH is an independent music label based in Berlin, operating since 2001. Initially bearing the name “Ministry of Sound Germany GmbH,” the company changed names following a management buyout in 2008. Founded and managed by Konrad von Löhneysen (formerly COO Logic Records in USA, UK and Germany , MD Jive Germany, MD Universal Records), Embassy handles both a German and international artist roster that has included Calvin Harris, David Guetta, Passenger, Bob Sinclar, Kid Cudi, Eric Prydz, Oceana, CrazyFrog, Carla Bruni, Simply Red, Mousse T, Moby, Robyn, Asgeir, Madness, Simple Minds, and Nena, as well as local artists such as Leslie Clio, Madeline Juno, Kay One, and Ali As.

Embassy One

Cinematique was found in the beginning of 2010 by Robin de Lange also known by some of his friends as the 'Manual Driver' for driving Manual Music artists around the country to their gigs. The label started as a Manual distribution label first and has become an official sister label of Manual Music since 1 January 2012.

Cinematique presents itselves as the widescreen of electronic music. It explores the boundaries from house to techno and everything in between. Cinematique offers a platform for open minded producers, known and unknown, who wants to spread their music into this universe. The label will have a strong focus on creativity, originality, danceability and diversity.

Cinematique is sometimes edgy, sometimes dreamy, sometimes naughty, but never boring. Releases have been supported by the likes of James Holden, Hernan Cattaneo, Sasha, Nick Warren, Eelke Kleijn, Laurent Garnier, Orde Meikle, Dr. Motte and many more.

"Music is opium for free. Try a little, try to consume me."

-Hooverphonic-

Vintage Keys Records

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Put Your Phone Away

Christmas Time Is Here

Never Wanna Go

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