Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Observatory

Ascensius

Label based out of Toronto, Canada Focusing on highest quality of underground techno and tech house.

Unity Records

Codex is a sub label of Ukrainian techno imprint IAMT, created for Spartaque solo releases and remixes on his tracks made by the key players of modern tech scene. IAMT has been founded in 2010 by three leading Ukrainian techno DJs - Spartaque, Egor Boss and Ruslan Mays as concept between record label and indoor festival called 'I Am Techno'. Restarted in 2011 as IAMT and operated by Spartaque only the label raised up to a strong international brand, with parties around the world and loud events in Kiev the home base of imprint.

Codex Recordings

Illegal Alien Records is a Mexican record label of Electronic music focus on Techno, Electronica, Experimental and Ambient. Born in 2007 in Florida, USA, founded by the Mexican Ricardo Garduno.

The name ‘Illegal Alien’ was a status granted by the US government to all the immigrants who entered the country illegally were denominated like that. As a result of this, the rights of all illegal immigrants were limited or nullified in many cases. So, awarding this name to the label is a way to remember those immigrants around the world, whose objectives by leaving their countries of origin is to work for a better life and to show that, regardless of the status that other social groups attribute to us, it is possible to reach objectives.

Illegal Alien Records

Sleaze Records is a UK techno label from Glasgow, Scotland.

For the best part of a decade label boss Hans Bouffmyhre has been releasing great music from a mixture of established, big name artists and also fresh up and coming artists. The label has received some amazing support over the years from techno pioneers like Richie Hawtin, Carl Cox, Adam Beyer, Dave Clarke, Chris Liebing, Speedy J, Len Faki, Luke Slater and many more.

The Sleaze Records artist roster has included the likes of Gary Beck, Cari Lekebusch, Dustin Zahn, Perc, Par Grindvik, Alex Bau, Kyle Geiger, Audio Injection, Monoloc, Jonas Kopp, Samuel L Session, Flug, Hans Bouffmyhre and many more talented artists.


Sleaze Records (UK)

Tronic is one of the most established and longest-running techno labels in the world. Founded in 1994 by Christian Smith while he was attending University, the label now has over 430 releases under its belt. Christian and his team have paved the way for many artists including ANNA, Dosem, Wehbba, and more recently Drunken Kong. Tronic's main philosophy is simple: nonpurist, honest, house and techno. The label has released countless of artist albums and is regularly supported by the top players in the industry. Some outstanding releases have been Christian Smith's remixes of Carl Craig's seminal 'At Les" song, which has become one of the biggest vinyl sales releases of the past decade. Other notable releases and remixes came from Laurent Garnier, and Underworld. The weekly Tronic Radio show is being syndicated on over 120 stations worldwide and has had over 500 shows. With regards to events, Tronic has had a successful 15-week season in Ibiza at the 3000-capacity Eden super club, while also hosting arenas at established festivals, and doing over 100+ club events worldwide from Tokyo to London, Sao Paulo, and Detroit.

Tronic

Gallya and Metodi Hristov launches a new sub label on Set About - Set About South!

The idea behind the label is to be a boutique music platform, which will release no more than once a month. It will be focused just on music, not followers and give new talents a chance to shine.

Set About Music

Record label based in Portugal by Robert Hoff.

trau-ma

I Am Techno is new label founded by well-known Ukrainian artists Spartaque & Egor Boss. We are proud to present our first release by Spartaque. With the original version you will find great techno tunes from the remix-contest winners: Force Emotions & Patrick Oushen, Drevov. So feel free to rock your dance floors with Ukrainian techno vibes!

IAMT

Planet Rhythm’s is a dutch techno label, that is currently owned by Triple Vision Music Group. The label was originally founded by Glenn Wilson back in the early 90's in Sweden with the help of Adam Beyer, Umek, Gaetek, Thomas Krome, Slobodan & Patrick Skoog and many more local techno producers at the time.

The label then changed ownership around 2005 to keep growing into its current form with more than 100 releases and a huge roster of modern day techno producers, with artists like Fanon Flowers, Radial, Bas Mooy, Exium, Scalameriya, Sleeparchive, Yan Cook,TWR72, Emmanuel, Re:Axis, Giorgio Gigli, VSK, DJ Boss, D. Carbone, Christian Wünsch, Matrixxman, Oscar Mulero, Echologist, Woo York and many more both well known and upcoming artists.

With a steady stream of releases, Planet Rhythm has always played an important role, and it will continue to be a landmark, explore the boundaries , search for talent that design the future, and expand its catalog with strong, solid and often versatile techno. Techno is too big of a concept to limit its self to just 1 approach and 1 direction.

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