Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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RIYthmica is a dynamic new record label dedicated to showcasing fresh talent from around the globe. With a focus on innovation and creativity, we strive to provide a platform for emerging artists to share their music and connect with audiences worldwide.

First Word Records was born in 2003 as a collaboration between myself (Aly Gillani - at that time a club promoter) and deejay Andy H. Frustrated by not seeing the music we loved get the exposure it deserved, we decided that there was a gap that needed filling. As the year came to an end a group of musicians, deejays, designers, emcees and producers had come together to cook up the fresh new sound of "Two Syllables", our debut compilation that was released in April 2004, preceded by a split 12" from Homecut Directive (ft Corinne Bailey Rae) and Tommy Evans.

Since then, the label has grown to house numerous artists, including Children Of Zeus, Tawiah, Kaidi Tatham, Allysha Joy, Eric Lau, Darkhouse Family, Tall Black Guy, Souleance and Quiet Dawn. The sound of our output has developed as we have as individuals – but the foundation is rooted in Hip Hop, Jazz and Soul.  This is music that's equally at home in the clubs as it is leaking out of your late-night headphones. Like Duke Ellington said - "If it sounds good, it is good".



First Word Records

From the very beginning it was planned that Peppermint Jam would remain an independently-distributed label as German distributors, at that time, were more focused on techno and trance, leaving vocal house largely untouched. The turning point, however, was the year 1996 – and Peppermint Jam’s first visit to the Winter Music Conference in Miami (an important international trade fair for electronic music). This milestone in the company’s history resulted in license enquiries from labels such as MAW as well as international collaborations. After their first self-produced releases, the label signed Ruffneck and “Everybody be Somebody” became their first real hit, soon followed by Boris Dlugosch’s “Keep Pushin” and “Hold Your Head Up High” (both featuring Inaya Day).

A key track in the label’s hugely successful 18 year history was, of course, 1998’s worldwide smash hit, ‘Horny.’

“A proper accident,” chuckles Mousse T. “The backing track grew out of the club version of a Michael Jackson remix I had done for his song “Ghost.” I had the beats and the groove and finished the production around 5 in the morning. I wanted to put it in the bin but when I played it Errol and Roger Sanchez they said “you have to put it out”. We called it “Horny” because of the horns and then wrote the lyrics around that. The result changed our lives.”

On the back of the song’s success, the label’s increased revenue and profile attracted some high profile collaborations, including the classic Boris Dlugosch rework of ‘Sing It Back’ by Moloko, and the infamous ‘Sex Bomb,’ featuring Tom Jones (a UK Top 3 smash). “Success allowed a bigger vision,” says Mousse T.

Peppermint Jam

Awen Records

KMT Records Sello discográfico fundado en el 2015 , con base en Buenos Aires Argentina & Tulum Mexico , compuesto por DJ y productores locales e internacionales unidos por la música. Generando distintos estilos como Downtempo , Slowhouse , Deep House, Afro House, Tech House & Progressive house.

KMT Records

Side UP Works is a label/party based in Barcelona. It’s a place of freedom an experimentation.

We like tech-rocker beats, disco dance and indie feeling. We believe the electronic music is a vital cultural movement of our generation, a communication channel and constant learning by which we seek to convey a message of respect, commitment and of course plenty of dancing...

Take a walk on the UP side.

DEMOS: sideupworksbarcelona@gmail.com

Side UP Works

Introducing our new sub-label, Desert Hearts Black. Remaining true to the values of our Desert Hearts Family and born from the minds of Marbs & Evan Casey, our new imprint aims to add another dimension of musicality to our ever-expanding movement of love. Focusing on heavier sounds, musical exploration, and the depths of late nights and early mornings, Desert Hearts Black has been set in motion to project the endless internal journey onto all of those willing to dig deeper. House, TECHNO, & Love… We Are All Desert Hearts.

Desert Hearts Black

Following Recent successful collaborations with Potential Badboy, Nia Chennai and Liam Bailey in 2024, UK producer duo Crate Classics return for their 2025 EP ‘Dimensions’. With dub plates that have been in rotation for the last year, the duo are back to follow their Jungle fire series.

Featuring, Xtrah of Playaz fame, 4 time Billboard charting producer Theevoni, “one-woman powerhouse”, FEMME, & up and comer Sly Daggerz on vox.

Crate Classics

A short word, a boundless vision.
ILINX is just one of the infinite emotions that we don’t know we feel, the desire to create chaos in a society which expects order, and everything to be in its right place.
ILINX was first defined by sociologist Roger Caillois, a major figure in game studies. This literally untranslatable word describes a temporary disruption of perception; a feeling of vertigo, dizziness, and disorientation.
It's the "strange excitement" caused by a destructive and senseless act.
Cailloios defined ILINX as a "sensual panic", the feeling you're spinning, falling down and getting out of control. He found a possible origin of the word in the ancient mystic rituals, where people danced and turned around themself , hoping to fall in a trance state and to reach an alternative reality.
This is our foundation, through which we present our musical journey.

RIY

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He Is On Time

Epoch

Million Volts / Human Error

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