Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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Beruang Records

Seres Produções started in 2000 due to a curiosity between DJ Satelite and his brother DJ Vamburgue, who saw their older sister's group producing songs for the Grupo Sindicato Album.

At that time, DJ Satelite and Vamburgue started producing Kuduro and invited friends to record on their beats. They were joined by one of their great friends Absinto aka Gelmiro Pireza, who today takes on another position on the label and does all the design work at the production company.

In 2002, they began to gain some notoriety in their neighborhood, Bairro Marçal, one of the peripheral areas of Luanda, due to the work they began to have with many artists in the area

Between 2004 and 2005 they recorded songs and produced some of the Hits that marked a new era for Kuduro and generations. Among them the hit "Comboio" by Lambas, the instrumental produced by DJ Marcelo "Esqueleto", "Se Desfio" produced by DJ Satelite and other great themes like Dança Killa "and" Na Palma da Mão ", which were part of the first album dos Lamba entitled "Staff of Ku-Duro", which in 2006 sold 10,000 copies of physical CDs, this being, at the time, the first album in Angola to reach the mark of 10,000 copies sold in six hours.

After the success previously made, in 2006 DJ Satelite, Bruno M and DJ Vamburgue, produced the album "Batida Única", which was the affirmation of the new generation of Kuduro and where they completely changed the metrics of Kuduro. Bruno M with his way of singing and creating, DJ Satelite and DJ Vamburgue meticulous in their choices about how the album could be, the three ended up doing a job with a lot of energy and success.

After experiencing many adventures in Kuduro, in 2008 DJ Satelite decided to leave the room for the world, and embarked on other waves looking for a focus for his career and new steps for his production company Seres Produções. That's how he decided to upgrade Kuduro to Afro House, and launched his first work of its kind in 2012.

With the growth of the label and the arrival of new artists to the house, there was a need to start publicizing all these arrivals to the world, and it was in 2014 that he started his journey through the digital world, more specifically the digital distribution through the various sales platforms. and streaming around the world.

Its presence in the world of Afro House, became a growing success, as it had already happened in the world of Kuduro, and with that it could not be different its structure that had always been strong and aligned. Then, in 2016, new members of the team appeared that helped to cement and disseminate the new footprints of Seres Produçōes for this new world of African Electronic Music.

Among them is DANYKAS DJ, who started by structuring small sections first, but quickly caught up with Seres' development and today is the label's manager, Dj and producer Rosario of the Mbambu Records group, which has been one of the elements that launches works assiduously with Seres Producoes, DJs and producers Over12, Inami, Afro Pupo, Wilson Kentura, Drunky Daniels, Dj Lesh SA, KOD and Bun Xapa who have also been impartial in the whole growth of this family.

Given the exposure that Seres Produções has been having over these years, the highlight gained in the various annual label charts around the world and the great demand on the part of artists to launch their work in it, Seres created two more SRPDS MUSIC record labels and DADSA MUSIC, which appear like this, to give continuity and even more opportunities to many talented artists who deserve their highlight.

Seres Producoes

Lump Records frames into the research of sounds that come from cultures in which music is part of the spiritual process of awakening and bring those vibrations to the dance floor of some of the most important clubs and festival worldwide.

Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories in particular cases. However, this is often without conventions or rules dictating how or which theories were combined.

Lump Records

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

Ninja Tune

Cinematique was found in the beginning of 2010 by Robin de Lange also known by some of his friends as the 'Manual Driver' for driving Manual Music artists around the country to their gigs. The label started as a Manual distribution label first and has become an official sister label of Manual Music since 1 January 2012.

Cinematique presents itselves as the widescreen of electronic music. It explores the boundaries from house to techno and everything in between. Cinematique offers a platform for open minded producers, known and unknown, who wants to spread their music into this universe. The label will have a strong focus on creativity, originality, danceability and diversity.

Cinematique is sometimes edgy, sometimes dreamy, sometimes naughty, but never boring. Releases have been supported by the likes of James Holden, Hernan Cattaneo, Sasha, Nick Warren, Eelke Kleijn, Laurent Garnier, Orde Meikle, Dr. Motte and many more.

"Music is opium for free. Try a little, try to consume me."

-Hooverphonic-

Beruang Records

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