Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Fish Legs Records

Freestyle Records

Lovemonk

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

Ninja Tune

Quantize Recordings

Defected Records is a multi-award-winning independent British record label specialising in house music recordings, playlists, internationally syndicated radio shows, events and festivals, publishing, artist booking, artist management, promotions and more. Established in 1999 and now resembling more of a music media group with the label as its epicentre, the recipe for Defected Records’ success over the last 25 years has been its ability to evolve and adapt within the industry, while maintaining robust cultural values and musical identity. One of the longest running independent labels of its kind, Defected continues to advocate tirelessly for the cultural impact of house music in the UK and remains a well-respected constant in the music industry as it enters its next 25 years in business.

With an online community of over 12 million, Defected was one of the first house labels to embrace digital technologies and continues to be at the forefront of digital innovations, while cultivating a uniquely engaged audience, by far the largest of its kind. 2024 saw Defected expand its offerings with the collaborative Together series, ambitious livestreams, a world tour and limited-edition merch including ‘Defected: 25 Years In The House’, a 320-page hardback offering a “refreshingly candid insight into the moments that have defined the label’s history” - Clash Magazine. Appointed in 2022, Defected CEO and co-owner Wez Saunders describes the company’s mission as ultimately “to service our community while helping artists build longer lasting, more impactful, and more profitable careers”.

Established in 1999 by Simon Dunmore, Defected's first release was Soulsearcher's ‘Can't Get Enough’, which reached No. 5 in the UK singles chart. This early success was followed up with Roger Sanchez's ‘Another Chance’, which hit No. 1 in the UK singles chart in 2001. As well as a number of sister labels including DFTD, Glitterbox Recordings, Classic Music Company, Soulfuric, 4 To The Floor and Stay True Sounds, Defected also owns and manages artist projects and several catalogues of heritage house imprints.

Defected’s catalogue includes the work of artists such as Masters At Work, Honey Dijon, Inner City, Idris Elba, Dennis Ferrer, Marc Kinchen (MK), Sam Divine, Jamie Jones, John Summit, Love Regenerator (Calvin Harris), The Martinez Brothers, Hannah Wants, Duck Sauce, Gorgon City, Girls of the Internet, Peggy Gou and many more. In 2017, CamelPhat & Elderbrook’s ‘Cola’ was nominated for ‘Best Dance Recording’ at the Grammys, as well as at the Ivor Novello awards and is now multi-platinum. Endor’s ‘Pump It Up’ reached #8 in the UK OCC in 2019 and went multi-platinum, both unprecedented successes for an independent house music label in the UK. Grammy nods have since come for Honey Dijon, Luke Solomon and various Defected Music-published writers for Beyoncé’s Renaissance in 2023.

Most recently, in its 25th anniversary year, Defected paired talent from the label’s storied past with stars of its future as artists like Todd Edwards, Shermanology, Rudimental, TSHA, Mochakk, Kings Of Tomorrow, Julie McKnight, David Guetta and THEMBA, with many more appearing throughout the extra collaborative series Together. The label also continued to release genre-defining successes including Purple Disco Machine, Oden & Fatzo and delivering a multi-single deal with British icon Idris Elba as IDRIS.

Defected runs events globally, from standalone club nights and festival stages to its many Ibiza residencies since 2003; summer of 2024 saw Defected, Glitterbox and D4 D4NCE hold three lengthy residencies at Ushuaïa Ibiza, Hï Ibiza and O Beach Ibiza respectively. The group’s festival portfolio includes Defected Croatia, a flagship event that draws more than 5,000 people from all over the world annually, as well as Defected Malta and various other large capacity events and new ventures into Dubai. Defected’s event offering has continued to grow in recent years, including sold out shows at world-renowned venues such as London’s Printworks, DRUMSHEDS and Studio 338, Manchester’s The Warehouse Project, House of Yes in NYC, stages at Glastonbury and more for its 25th anniversary World Tour, with 2024 seeing the brand debut in Argentina, Canada, Cyprus, Italy, Poland and continue to expand in familiar territories.

Defected Records

Rhemi Music

Remember me?

The girl from 1970

You said you loved my high-hats

Then stripped me out my vinyl

So you could put me on CD

When all you wanted

Was to download me

Remember me?

Disco

Disco

That's how it was when we all dated

Time stretched and syncopated

In my full afro and catsuits I exuded savior-faire, honey

You begged me to show you how to get down

Dancing just to me

I wanted to be free

And then I let you dance inside my Paradise Garage

You in my hut now

Said you'd house me

It was Love Hangover's and Pierre Cardin

Taking Saturday Mass with Larry 'n them

Penance was saying Grace Jones' man

All through that Donna Summer

Synthesise me, despise me, but can't magnetise me

Yeah, studio 54 baptised me

And you

Wasn't I the one that helped you lace up your dancing shoes?

So you could stomp up out that closet

Said you'd never apologise for being Gloriously Gaynor

Did you give a Diana Ross cloth

When you cha-cha-cha'd your way into the Loft?

And let David inside your Boney M

Let me tell you how the disc goes

They said my music turned Dru Hill up into Sisqo

I hear how you've married me into Hip-Hop and Soulful and Trance and Garage

I love that

But don't forget

My main name

Is Disco

Disco

Disco

Disco

Disco

Disco

Disco

Remember me?

The girl from 1970

Fish Legs Records

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