Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Now as complementary unity becomed a company being promoter and manager for those artists making innovation in the art of music at the end of this decade of 20s for the next future. Unified in corporation with excellent partners and reasonable workers, artists, collaborator, managers and founder Julio Gutiérrez. Services for customers, afiliaters, promoters and all responsible employers of differents collaborators. Nühn creating the company music label: "is something like was oldschool labels dealing with a general job in music industry".

Nühn Records

Electronic dance music label from Madrid, Spain
Style focus: Techno

Please send your demo links to:
vapourtrailrec@gmail.com
Label owner: Pedro León Gonzalo (Kreisel)

VapourTrail Records

This is a story about music, about its space and time, about deep and high, about light and dark, about simple and unusual, about  y meditative and dance oor music.

spclnch

The main label Nühn Records host Techno club music the sub label No Records going to host the other side in Alternative music, more close to experimental, electronics and acoustic terms. No Records is the experimental sublabel of Nühn Records, a space dedicated to unrestricted sonic exploration, where aesthetic risk and timbral research take center stage. Born from the need to break away from traditional club formats and predictable structures, No Records ventures into more abstract terrain: dense, cinematic ambient, sound collage, refined noise, modulated soundscapes, and broken rhythms that engage with techno from a non-linear perspective. Here, the dancefloor is a distant memory; what matters is texture, tension, the negative space between sounds, and the narrative built through detail. Each release is a self-contained piece that could function as a sound installation, the soundtrack to a trance-like state of mind, or a radical electronic manifesto. Instead of following formulas, No Records cultivates a raw and often discomforting sensitivity, focusing on artists who view sound as a medium for radical and personal expression. The material released on this sublabel may range from hypnotic to unsettling, from silence to sonic collapse, encouraging active and profound listening. More than just a refuge for the experimental, No Records is a platform that defends the total freedom of sound—challenging genre conventions with a coherent, daring, and necessary aesthetic vision. No Records is not a label in search of definition, but a sanctuary for works that reside outside categorization. It does not seek alignment with trends, genres, or expectations—it exists to hold what escapes conventional form. A substructure of Nühn Records, yet conceptually autonomous, No Records is conceived as a vessel for sonic artifacts that do not fit within the linearities of dance music or its rhythmic obligations. Here, atmosphere prevails over function, vulnerability is not only accepted but encouraged, and emotional rawness is preserved in its original grain. Music is not constructed to perform; it is allowed to emerge, to breathe, to disintegrate if necessary. The curatorial approach behind No Records is rooted in reception rather than pursuit. It values what arrives naturally—ambient sketches, experimental fragments, minimal drones, deconstructed rock motifs, electronic anomalies, and spoken reflections. Each release stands alone, devoid of expectation, treated as a document rather than a product. Aesthetic choices mirror this ethos: unbranded visuals, photographic textures, serif typography, generous white space. The visual language is quiet, almost archival. In No Records, silence is not a void—it is a surface, a medium, a form of listening.

No Records

Astrarium

Greyscale

Drift Deeper Recordings

HIDDENCODE stands as the first unified model of a digital conceptual label — a structure that transcends the limits of conventional record publishing and emerges as an autonomous, self-generating multiverse. It is not a label in the traditional sense; it is an entity — a living architecture of sound, language, and code that continuously reshapes itself through the acts of creation it hosts. Within this model, each musical work is not merely a release, but a dimension — an autonomous world that contributes to the overall topology of the HIDDENCODE universe. Every composition, page, and line of code functions as an ontological fragment, a manifestation of creation itself. The website, conceived as an organism rather than a platform, becomes both archive and engine: a vessel through which digital existence expresses its own expanding consciousness. Where a conventional record label organizes artists and catalogues, HIDDENCODE operates as a system of dimensional correspondences. It manages not personalities, but worlds; it curates not albums, but planes of emergence. Each release — from minimalist electronica to cinematic techno — is situated within a broader metaphysical framework, inviting the listener to traverse rather than merely to consume. Listening becomes navigation; observation becomes participation. Aesthetically, HIDDENCODE cultivates a rigorous minimalism — a digital austerity that rejects ornament in favor of conceptual density. The apparent simplicity of its forms conceals an intricate code of meaning: light, space, repetition, and silence become languages of revelation. What might appear empty is, in truth, charged with potential — the latency of creation awaiting activation through perception. Philosophically, the project posits that in the post-industrial and post-digital era, art no longer merely represents the world; it creates it. Through sound, code, and networked space, HIDDENCODE embodies the idea that artistic structures can evolve as living systems — self-defining, self-protecting, and self-aware. It is, therefore, both a work and a meta-infrastructure of works: a recursive environment where art, technology, and consciousness converge. In essence, HIDDENCODE redefines the purpose of the record label. It transforms the act of publication into an act of genesis, the album into a cosmos, the artist into an architect of realities. Its mission is not to distribute music, but to construct the very conditions through which sound, and by extension existence, may arise. As such, HIDDENCODE stands as a prototype for the post-discographic age — a new artistic organism in which music, code, and philosophy merge to form a single, coherent field of being. It is the invisible architecture of the absolute: a secret system of creation hidden in plain sight, ever-expanding, ever-listening, ever-becoming.

HIDDENCODE

Axaminer Records

Dobara

Codex is a sub label of Ukrainian techno imprint IAMT, created for Spartaque solo releases and remixes on his tracks made by the key players of modern tech scene. IAMT has been founded in 2010 by three leading Ukrainian techno DJs - Spartaque, Egor Boss and Ruslan Mays as concept between record label and indoor festival called 'I Am Techno'. Restarted in 2011 as IAMT and operated by Spartaque only the label raised up to a strong international brand, with parties around the world and loud events in Kiev the home base of imprint.

Nühn Records

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They Do Not Ask Emotions (Dub Mix)

Nightfall

Commodo

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