Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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In The Lab Recordings

Celsius Recordings & Influenza Media. Run by Dreazz, Drum Origins & Nicon (aka Geoffrey van der Tuuk). Soulful drum & bass from Rotterdam, The Netherlands. Powered by Triple Vision.

Celsius Recordings

Four Corners

Rubricate Records

DIVIDID is an independent record label based in The Netherlands. The label was started by Mark McCann (ABIS), Jonathan Kievit (IMANU) & Lars Dingeman for a fresh output for their and other's music, Primarily Drum&Bass.

DIVIDID

Fokuz Recordings has been a cornerstone for soulful Drum & Bass music since 1999.

The current roster includes promising talents such as Macca & Loz Contreras, Malaky, Satl, Kasper, Silence Groove and Soligen & Type 2 all pushing forward their distinctive blend of tasty, soulful drum & bass. Always with regard for the past, but most definitely with an eye towards the future!

Fokuz Recordings

Drum & Bass event and Label, born in Rotterdam. Korsakov Music stands for everything the events stand for. We go big, we go hard, we don't compromise and we always aim to bring you the best drum 'n bass from every corner of the spectrum. This also applies to Korsakov Music Agency.

Korsakov Music

UTM-Records

UK Drum & Bass label. Pioneering underground sonics.
More than two decades since it was first conceived in a North London flat as a platform for drum & bass’s most forward-thinking artists, Critical Music has grown to become one of the most powerful and influential global forces in electronic music.

From its early years delivering cutting-edge sonics from now legendary producers such as Calibre, Break and Breakage, via scene-shaping releases from the likes of Mefjus, Enei and Ivy Lab, through to its modern role as an incubator for D&B’s most innovative young talent, Critical has continually evolved without ever sacrificing its core commitment to artistic integrity and restless progression.

The imprint has taken founder Kasra Mowlavi from young underground music obsessive emboldened by an early career working in the record industry, to not just label boss, but highly respected producer and DJ at parties worldwide and, of course, the label’s own Critical Sound club nights, festival shows and international tours.

Since the first event back in 2010, Critical Sound has helped carry the label’s artists and musical philosophy far and wide, from a residency at fabric, to hosting sold-out parties at Printworks, representing D&B at Barcelona’s highly discerning Sonar festival and taking over the main stage at Boomtown.

Now, Critical is in stronger health than ever – with a stable of exclusive artists nurtured via its talent-blooding sub-label Binary that includes some of the most exciting fresh talent around, including QZB, Particle, Simula, En:vy and Spectral, alongside a cohort of more established heads such as Calyx, Ivy Lab, Kasra himself and Enei.

As Kasra said to fabric back in 2017; “Music is all I’m good at.”

Looking back on almost a quarter of a century of the label that he’s dedicated the majority of his life to; it’s hard to do anything but agree.

In The Lab Recordings

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