Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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The oldest label of the Molto Recordings Group has been rocking dancefloors with some cool italian house music for almost a decade, and is still alive and kicking with the best artists today! For sure you remember one of the strongest hit ever, that “Shined On Me” by Praise Cats feat. Andrea Love! It had an enormous impact everywhere in the planet and gave Sound Division the international prestige deserved.

Of a particular importance the deal we had with the german brand Great Stuff for Perfect Exceeder by Mason vs Princess Superstar and the follow up Quarter, exclusively licensed for the italian market on Sound Division!

Sound Division

Cafe De Anatolia is a Record Label and Artists Management Agency producing the best music mixture of genres and the highest quality of Ethno, Deep House, Chill Out, Oriental music, Folktronica, Electronica and Downtempo while managing some of the best artists in World.

Since 2017, there are many compilations, albums and EP's released by Cafe De Anatolia, compiled by prominent artists such as: Billy Esteban, Rialians On Earth, Dj Professor, Dj Brahms, DJ Manuel Defil, Nikko Sunset, Vudu Brada and others.

Some of the most popular releases are: Oriental Touch, Ethno, Caravan, Dune, Oriental Trip, Mediterraneo, The Silk Road, Best of Cafe De Anatolia.

A lot of exclusive artists of Cafe De Anatolia also make performances in the name of the brand around the World: Tunisia, Saudi Arabia, Greece, Italy, Romania, Macedonia, Morocco, Russia, Serbia, Austria and many more.

Cafe De Anatolia LAB

Cafe De Anatolia

Submental Records

Acalwan

House Heads

Superordinate Music

Vengeance Recordings

With less than two years since the first release the G-Mafia Records showed that did not come to play.It is among the biggest record labels in Brazil and one of the pioneer in the genre G-House in the world. Today stands out besides by his music releases but also for the parties they have performed in clubs in Brazil and the United States as Clash Club (SP), Club 33 (SP), Park.Art (PR) Sound & Nightclub(Los Angeles- CA).Recently G-Mafia had the track â€œCan U" among the three best-selling genre of Indie Dance / Nu Disco on Beatport staying more than a month in the Top # 10.

G-Mafia Records

Good Company Records, better known as GCR, was founded in 2014 by four individuals with one common objective- to publish some of the best house music our beautiful city has to offer. Headquartered in the Bushwick neighborhood of Brooklyn, GCR is right at home amidst a strong community of forward-thinking creators.

Of course, music is the soul of what we do, but the real story behind GCR is that of the intersection of several locally recurring dance music shows. Each with its own take on things like musical selection, lineup, and environment, these events are often organized and run by the artists themselves and help fuel this city's love affair with underground house music. The friendships and relationships formed during these parties have been everything. The result is an abundance of quality music deserving of a larger audience beyond the loyal following already sharing in it.

The character of our music is a manifestation of the people sharing in its creation on all levels, and without this good company there would be no Good Company Records. We take pride in our ability to bring great music to our city and intend to show the world what NYC's next generation has up it's sleeve. We are (late) 80's babies with a taste for the classic and a thirst for the inventive. There is this genre of music deeply rooted within us and we want to make it our own; we have to make it our own.

What we listen to makes us who we are, and for GCR that is house music. As we continue to develop our catalog, the mission to deliver fresh cuts from talented composers renews daily.

Good company. Great music.

Good Company Records

From the very beginning it was planned that Peppermint Jam would remain an independently-distributed label as German distributors, at that time, were more focused on techno and trance, leaving vocal house largely untouched. The turning point, however, was the year 1996 – and Peppermint Jam’s first visit to the Winter Music Conference in Miami (an important international trade fair for electronic music). This milestone in the company’s history resulted in license enquiries from labels such as MAW as well as international collaborations. After their first self-produced releases, the label signed Ruffneck and “Everybody be Somebody” became their first real hit, soon followed by Boris Dlugosch’s “Keep Pushin” and “Hold Your Head Up High” (both featuring Inaya Day).

A key track in the label’s hugely successful 18 year history was, of course, 1998’s worldwide smash hit, ‘Horny.’

“A proper accident,” chuckles Mousse T. “The backing track grew out of the club version of a Michael Jackson remix I had done for his song “Ghost.” I had the beats and the groove and finished the production around 5 in the morning. I wanted to put it in the bin but when I played it Errol and Roger Sanchez they said “you have to put it out”. We called it “Horny” because of the horns and then wrote the lyrics around that. The result changed our lives.”

On the back of the song’s success, the label’s increased revenue and profile attracted some high profile collaborations, including the classic Boris Dlugosch rework of ‘Sing It Back’ by Moloko, and the infamous ‘Sex Bomb,’ featuring Tom Jones (a UK Top 3 smash). “Success allowed a bigger vision,” says Mousse T.

Sound Division

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