Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

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Ovnimoon Records

Spiral Music

Transcape Records

n the last decade Berlin became a magnetic force of culture. With an enormous appeal to artists from all areas of expertise including music, design, architecture, theatre, dance and everything that helps the evolution of imagination and creativity. This is why it should come to no surprise that it is the birth place of both Iono Music and its founder - Matthias Sperlich.

Like many other labels, Iono Music was born in order to give its founder, Cubixx aka Matthias Sperlich, the freedom he needed to release his first creation as Koaxkaos – "Evolutyon". After he met Murus in 2003 at a Psytrance festival, they started working together for several years, and so Iono Music was established in 2005. Unlike many other labels, which are affected by fashion, hype and commercial factors, Iono Music has been motivated by the radiation that the music transmits and the way the body reacts to it. If the music changes the molecules and atoms into ion then it means it has been ionized*. The Ionization process can only be fully successful if your music is high quality Electronic music. Iono Music's main emphasis is on Progressive Psytrance and yet any Electronic style is accepted as long as it stands out of the others – after all it has to reach the top atmosphere to be an Iono…

Matthias Sperlich was born in 1977 in Berlin, Germany. He has over 15 years of experience behind the decks and has a long time love affair with electronic music. He works as a professional VFX artist for cinema and TV, which allows him to pursue his passion and vision of extraordinary music, while being guided by his perfectionist's standards. Since the beginning Cubixx knew that Iono Music could succeed only if he chooses each artist with extra care, examining every aspect to see if they belong in the Iono family. Thus all the artists and dj's you see in our website were picked one by one, after proving to be not only excellent artists but also great people.

Iono Music never stops to evolve, always being one step ahead with technology and new initiatives it had grown to be an exciting international label. Always on the move, Iono Music promises to give you the top notch music this atmosphere can offer.

"The Ionosphere is a shell of electrons and electrically charged atoms and molecules that surrounds the Earth, stretching from a height of about 50 km to more than 1000 km. It owes its existence primarily to ultraviolet radiation from the Sun." (Taken from Wikipedia.org)

Iono Music

YELLOW SUNSHINE EXPLOSION :
YOUR ULTIMATE SOURCE FOR PSYCHEDELIC TRANCE, GOA TRANCE, PROGRESSIVE TRANCE, PSY TRANCE, FULLON AND MINIMAL TRANCE !

Yellow Sunshine Explosion (YSE Records) is a Sublabel of Millennium Records Ltd


Yellow Sunshine Explosion

Reson8 Music

Signed to Antu Records and Maharetta Records in 2010, Hypnoise started as a duo and nowadays is run solo by Juan Fontoira.

First release L.S.D. (Logical Structures Database) was a total success, reaching tops in charts and played all around turning Hypnoise into a reference in the scene. After a few tracks on different labels they released their 2nd Ep Organic Machinery on their brand new label Maharetta Records, follow by their Remixed Ep Retrospective with the collaboration from well-knowns Sonic Species, Ital and Tron, and again it was a total blast on the dancefloors and charts, reaching the Top 5 on worldwide releases for a few weeks.

His Debut Album Dimensional Shifting, released in 2014 by Antu Records, was a total success hitting Top 1 on various international charts around the globe, Since then, he has being riding the wave travelling and rocking at the most prestigious festivals and parties around the globe, Including Boom Festival (Portugal), Freqs of Nature (Germany) , Shankra (Swiss) , The Experience (Thailand), Sunburn (India), Ritual (Mexico), Rezonance (South Africa), Origin (South Africa) and the list goes on ...

In 2018 he signed with the well known Sacred Technology Records and release his second studio album ´Dance Among the Spirits´.

In the meantime had been releasing many tracks in different labels as Nano Records, Free Spirit, 24/7 recs, Antu Records,.... and worked in different collaborations with top notch artist.

Always researching and developing his sound, Hypnoise continues stomping the psychedelic trance scene with his higher dimensional productions.

Sacred Technology

Future Music Records is a psy-trance label which was established in 2016 by FM Bookings and Iboga Records. Focusing on psy-trance tunes moving between 138 - 144 Bpm, the label features some of the most renowned psy talents of the genre, like GMS, Man With No Name, Rinkadink, Earthling and GLO.

Future Music Records

OM or AUM is a sound, considered the original primordial creative expression, from which the universe manifested itself. It is said to be the sound that contains all the vibrations & sound scape.

We live in a Digital Era, which is our present, it is also the way of our future. All technology works on digital encoding, signaling & programmes . Psychedelic Music is also made using softwares, digital programs & hardware that work on digital signals.

Our releases has the sound that contains unique sounds and vibrations in a high voltage combination of futuristic elements all together as one, making it one very powerful sound language that has the energy to create an everlasting impact on all who rejoice in it. This is the language that binds the past, our present and the coming future.

Digital Om

UK record label founded in 1998. A decision was made to shake things up. Once that was done, says John 00 Fleming, that change took on a life of its own". The "it" JOOF refers to is ‘Editions’ - his rule-adverse compilation series, which is currently on the touchline, warming up for its fifth outing. The most apparent modification is in the number of DJs mixing it, which has leapt - quadrupling (yup!) from one to four. "Originally I was just going to bring in one other, but amazing co-mixing suggestions kept coming up. Those suggestions turned into options and, well, here we are!"

"It has says John allowed for the album to become a far more focussed affair". With runtimes regularly pushing five hours, Vols. 1 thru 4 were nothing less than odysseys into the fantastic minutiae of progressive. Epic, deep sonic probes, endeavouring to explore every corner of an arguably limitless genre. Beatport all-genre chart toppers and agents of scene change (they played their part in unlocking ASOT door to Progressive last year) ‘JOOF Editions’ mixes became the new apotheosis in journeys by a DJ. In 2019 however, ‘JOOF Editions’ is getting both smaller and larger. With the series’ door opened to a cadre of label friends and fellow defenders of the electronic music underground, joining him in 2019 are Gai Barone, Paul Thomas and Tim Penner.

To accommodate, John’s reined in the legendarily expansive limits of his own mix. However the release’s overall musical length has almost doubled in size again. Each of the handpicked DJs had up to two-hours with which to make the case for their own particular tract of progressive. "It’s very much the best of all worlds, John feels. It’s allowed me to become even more focussed on a couple of bandwidths, while my co-mixers travel their own lanes, broadening the release as a whole". Fleming’s fifth is the perfect truncation of the ‘JOOF Editions’ you know and love. Its wonderful spacey intro calcifies swiftly into a chunkier, more groove-hardy thing. Incorporating housier undertones along the way, Basil O'Glue’s ‘Nekyia’ and - in its Facade variation - ‘Shrine’ sit alongside Stan Kolev’s ‘Ananda’. Delivering one stunning, toughly percussive and echoically-intense sequence after another, it culminates with ‘Arise’ and ‘Timelapse’ – a double hit from Jerome Isma-Ae. At the midpoint, John’s mix traverses subtlety but unmistakable onto darker, more robust terra. JOOF’s own ‘Drop From The Vile’ and Miika Kuisma’s ‘Tri-be’ shadow Airwave’s ‘Perth To San Diego’, themselves prefacing a dozen other killers. Mix-matters come to the most anthemic of heads through Oliver Prime’s envisioning of LSG’s ‘Netherworld’.

The first of JOOF’s ‘Editions’ guest-mixers is the suddenly-everywhere Canadian, Tim Penner. A man with a notable passion for progressive’s more abstract and avant-garde natures, Tim’s delivers a ceaselessly fascinating two hours of music. Needlework-fine in its mixing, precisely nuanced and exploratory in the sonics, it courses with the latest soundware from The Stupid Experts, Rick Pier O'Neil, ACUMEN, Be Morais and others. Alongside, naturally, is a respectively significant dose of Penner’s own material, sourced from his just-released ‘Radio Silence’ album. Bringing Tim on board, John said: "Once in each decade you come across a genius of a producer. One that is so far forward thinking you’re unsure where to place them in the genre sphere. That’s Tim Penner in a nutshell". 

"No introduction necessary!" however is how John heralds ‘Editions 5’s next-to-the-decks. (Heck, he’ll give him one anyway!). "Gai Barone is a producer who - from Sasha to Armin van Buuren, exists outside every bubble. His hypnotic melodies have become irresistible to every music lover. Its not just talent either, Gai is one of the loveliest most humble artists on this planet." In his quest to do justice to the Editions’ remap, the Italian’s gone to some extraordinary lengths. An album capsule perched atop a mix-comp rocket, whether it be original or remix, Gai’s had a hand in no less than 14 of the 17 tracks in his mix. Aliases too? You betcha. Charlotte Petitte, Dead Panther, Tannura Revolutionary Blocks, Celvee, Ayer Astura, Barra Uno – all extraordinary, all new Barone masks and monikers.

Last and by no means least is moonlighting FSOE UV A&R man, Paul Thomas. Welcoming Paul, John says: "The latest new breed rising over the past couple of years getting on the radar of the likes of Hernan Cattaneo, Nick Warren along with touching a chord with the Trance world too, says John. One of the standout Progressive DJ/Producers over the past few years", Paul Thomas angles his mix a touch later-night than his co-mixers. Elevating its tempo, through key tracks like Dmitry Molosh’s ‘Sacra’, Molosh’s rewire of Aly & Fila vs. Ferry Corsten’s ‘Camellia’ and Paul’s own ‘Joheia’ & ‘Lorax’ numbers, he brings greater emphasis to melodica, lift and endzone drive.

Ovnimoon Records

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