Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Opani Rec.

What is MATERIA? A journey where the want, need & desire to feel the real techno sound is understood. Where music lovers can digest the passion in the percussion, the energy of people all around the world intertwined and coming together, experience the sensation of letting go - elements that constitute the foundation for what some may never get to fully experience... a pure musical journey. Welcome MATERIA - where techno is valued as a religion, the truest religion of all which unites through sound people of all colours, nations, beliefs and sex - where the rules require two things: listen and live. Fasten your seat belts and enter MATERIA!


Materia

Illegal Alien Records is a Mexican record label of Electronic music focus on Techno, Electronica, Experimental and Ambient. Born in 2007 in Florida, USA, founded by the Mexican Ricardo Garduno.

 

The name ‘Illegal Alien’ was a status granted by the US government to all the immigrants who entered the country illegally were denominated like that. As a result of this, the rights of all illegal immigrants were limited or nullified in many cases. So, awarding this name to the label is a way to remember those immigrants around the world, whose objectives by leaving their countries of origin is to work for a better life and to show that, regardless of the status that other social groups attribute to us, it is possible to reach objectives.

Illegal Alien LTD

Unknown Territory is a new techno imprint based in Glasgow, Scotland.
Ran by Lex Gorrie, and co owned by Hans Bouffmyhre. Send Demos too - unknown_territory@hotmail.co.uk

Unknown Territory

ＡＲＴＳ is a Techno Independent Label founded by Emmanuel, There are 4 Platforms (12" Format, and Digital), Arts Ltd, Arts Collective, Arts Transparent and Arts Digital Series as well.
"Pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the art and cultural realm."

The Collective:
Emmanuel / SLS / Jonas Kopp / Terrence Dixon / I:Cube / Mark Broom / Boner M / Cleric / Sawlin / James Ruskin / Radio Slave / Dax J / Valmay / Roman Poncet / Robert Hood / Farceb/ Psyk / /Subjected/ Acronym / Kitkatone / Vincent Vidal / Recid/ Infektion/ Netsh / Denise Rabe / Rrose / Disrupted Project / Traumer / Karim Sahraoui / Hironori Takahashi / Iori / Zoltan Solomon / Grad U / Ixm aka Kaelan / Hydergine / Jeff Rushin / Keith Carnal / Shlomo / Inigo Kennedy / I Hate Models / Judas / 0[Phase] / Antigone / Geinst/ Par Grinvik / Echoplex / Slam / Roberto / ASC / Unbalance / Farrago / Parallx / Fabrizio Lapiana / Introversion / Amelie Lens / Opuswerk / Vase / Asmar / Yan Cook / Alfredo Mazzilli / Ersalz Olfolkz / AWDHA / 3KZ / Forward Strategy Group / Joe Farr / Tim Tama / [KRTM] / Earwax / Power Culture / Linn Elisabet / Julian Muller /Ferdinger / MRD / Kmyle / Non Reversible / Kozlov / NN / Raär / Roberto Clementi / Henry Greenleaf / Lorne Malvo / Tensal / Chontane

ARTS

Italian based label Founded by Sasha Carassi.

Phobiq

Berlin Techno label founded in 2016.
Also a sublabel of Eclipse Recordings
Has received support from artists such as: Richie Hawtin, deadmau5, Joseph Capriati, Amelie Lens, Nicole Moudaber, Deborah De Luca, Chris Liebing, Umek, and many others.

Black Square Recordings

When Joton launched "Newrhythmic Records", it was very clear for him what he wanted from this new label, and of course, the time and effort to devote to it.But things do not always go as planned and sometimes, they go better.Newrhythmic Rec. has required more dedication than expected, but nowadays the state of maturity of the label also entered the most optimistic estimate.

In less than a decade, Newrhythmic has reached greater projection than the artist that put him into orbit: fifty producers have posted a release or  have remixed original tracks taken from Newrhythmic Records release; and they are not always inexperienced artists who try to make themselves known on any label that wants to host their work: Cast a glance at the names that have signed works for NR.

And this was a change that Joton had to accept according to the approach that he had done with Newrhythmic Records: soon, it ceased to be a small footplate for launching new values and started being  a young label with signing titles or with the help of "the greatest beasts" of European techno, headliners and mythical names that, for some reason, feel concerned by this proposal. The main immovable and self-defining premises stick to the projection of artists and their works that will orbit near the original industrial dark techno in Berlin, Birmingham and the birthing of the best known techno: Detroit. The new releases that NewRhythmic Could admit, had to convey a definite and direct relationship with these cribs of the most purist techno. But of course two decades after its appearance, these releases also had to bring something new and fresh, but always without distorting the essence of old school techno.

And so it has been and remains: Newrhythmic regularly surprises us with new artists, young prospects, rookies who have met Joton and his career and that have experienced the "smell" of this veteran from Leon and that invites them into his Newrhythmic family.

NewRhythmic Records

Tronic is one of the most established and longest-running techno labels in the world. Founded in 1994 by Christian Smith while he was attending University, the label now has over 430 releases under its belt. Christian and his team have paved the way for many artists including ANNA, Dosem, Wehbba, and more recently Drunken Kong. Tronic's main philosophy is simple: nonpurist, honest, house and techno. The label has released countless of artist albums and is regularly supported by the top players in the industry. Some outstanding releases have been Christian Smith's remixes of Carl Craig's seminal 'At Les" song, which has become one of the biggest vinyl sales releases of the past decade. Other notable releases and remixes came from Laurent Garnier, and Underworld. The weekly Tronic Radio show is being syndicated on over 120 stations worldwide and has had over 500 shows. With regards to events, Tronic has had a successful 15-week season in Ibiza at the 3000-capacity Eden super club, while also hosting arenas at established festivals, and doing over 100+ club events worldwide from Tokyo to London, Sao Paulo, and Detroit.

Tronic

Home based in Rotterdam. Owner of Mord Records and previously Audio Assault/Arms [RIP]. Released on Mord, Mote Evolver, CLR, 47, Perc Trax, Planet Rhythm, PoleGroup, Sleaze...

MORD

Illegal Alien Records is a Mexican record label of Electronic music focus on Techno, Electronica, Experimental and Ambient. Born in 2007 in Florida, USA, founded by the Mexican Ricardo Garduno.

The name ‘Illegal Alien’ was a status granted by the US government to all the immigrants who entered the country illegally were denominated like that. As a result of this, the rights of all illegal immigrants were limited or nullified in many cases. So, awarding this name to the label is a way to remember those immigrants around the world, whose objectives by leaving their countries of origin is to work for a better life and to show that, regardless of the status that other social groups attribute to us, it is possible to reach objectives.

Opani Rec.

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