Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Bob Sinclar

Kathy Brown

Roland Clark

ATFC

Steven Mestre

Olav Basoski

Knee Deep

Warren Clarke

Johnny Corporate

Wilson Santos

King Unique

Soul Vision

LT Brown

Soulsearcher

Dajae

Awa Band

Cleptomaniacs

Sandy Rivera

J Majik

India

Onephatdeeva

Powers That Be

Kidstuff

As that well-known saying goes, “it does exactly as it says on the tin”. Those sought after DJ and production tools dug out from the Defected vaults and dusted off fresh for 2012. From label classics, Ibiza anthems, diva screams, straight up house joints and vocal stabs…they’re all here and ready to rock.


Defected Accapellas Deluxe Volume 1

1. Soulsearcher ‘Can't Get Enough’ (Accapella)
Written, Produced, Arranged & Mixed by Marc Pomeroy
Lead Vocals by Thea Austin
Backing Vocals by Donna Allen
Published by C-Wype Music (ASCAP)
‘Can't Get Enough’ contains a sample of ‘Let's Lovedance Tonight’ by Gary's Gang, used courtesy of Nervous Inc. Written by G. Turner & J. W. Tucci. Published by Mideb Music Inc. Also contains a sample of ‘Hot Shot’ by Karen Young used courtesy of Sunshine Entertainment Corp. Written by A. Kahn & K. Borusiewicz. Published by Carlin Music Corp.
P&C 1998 Defected Records under exclusive license from C-Wype Inc.

2. ATFC presents Onephatdeeva ‘In And Out Of My Life’ (Accapella)
Written by Aydin Hasirci
Produced by Aydin the Funki Chile at Fluid Ounce Studios, London
Engineered by Neil Combstock
Published by Andi Girl Music/ Smackin’ Music/administered by Warner Chappell Music
Vocal sample of ‘In And Out Of My Life’ by Adeva used courtesy of Easy Street Records Int'l, Corp. Additional writers P. Daniels / D. Parkin / T. Jackson 
Instrumental sample of ‘Right Here, Right Now’ by Fat Boy Slim used courtesy of Skint Records. Additional writers N. Cook / J. Walsh / T. Peters
P&C 1999 Defected Records Limited

3. Bob Sinclar ‘I Feel For You’ (Accapella)
Composed by Bob Sinclar & Frederic Poulet
Produced by Bob Sinclar for Mighty Bop Sessions
Engineered by Julien Jabre
Mastered at Metropolis
Published by MCA Music Ltd & Chrysalis Music Ltd
Includes a sample from ‘Look For Love’ by Cerrone. Additional Publisher:  Cerrone Music Sacem. Courtesy of Maligator Records/ C.Side Music
P&C 2000 Defected Records Ltd under exclusive license from Mighty Bop Sessions Inc

4. Bob Sinclar ‘I Feel For You’ (Feelapella)
Composed by Bob Sinclar & Frederic Poulet
Produced by Bob Sinclar for Mighty Bop Sessions
Engineered by Julien Jabre
Mastered at Metropolis
Published by MCA Music Ltd & Chrysalis Music Ltd
Includes a sample from ‘Look For Love’ by Cerrone. Additional Publisher:  Cerrone Music Sacem. Courtesy of Maligator Records/ C.Side Music
P&C 2000 Defected Records Ltd under exclusive license from Mighty Bop Sessions Inc.

5. King Unique ‘Love Is What You Need (Look Ahead)’ (Accapella)
Written by G. Jones & J. Burvick
Produced by Leon Roberts, Matthew Roberts, Stephen Cosgrove & Matt Thomas for Defected Management
Vocals by Faye Simpson
Mix Engineered by Leon Roberts
Published by EMI /EMI Unart Catalog Inc
P&C 2000 Defected Records Ltd

6. Sandy Rivera featuring LT Brown ‘Come Into My Room’ (Take It Back Accapella)
Written by Sandy Rivera & Littleton Brown 
Produced by Sandy Rivera for Kings of Tomorrow Productions
Vocals by LT Brown
Reproduced by Sandy Rivera & Jose Burgos AKA Soulvision
Published by Defected Music
P&C 1998 Defected Records under exclusive license from Sandy Rivera

7. Powers That Be vs Roland Clark ‘Planet Rock’ (Accapella)
Written by Pierre J, Giles Goodman, Roland Clark, Afrika Bambataa, Ralf Hutter & Emil Schult
Produced by Pierre J & Giles Goodman
Keyboards, Programming & Engineering by Pierre J
Vocals by Roland Clark
All replayed Planet Rock samples by Mark Summers
Published by Q-Songs/Air Chrysalis Scandinavia, Defected Music, Bambaataa Music, Kling Klang Musik GmbH & Copyright Control
P&C 2002 Defected Records Ltd

8. Steven Mestre & Wilson Santos ‘Judgements’ (Accapella) 
Written, Produced & Arranged by Wilson Santos & Steven Mestre
Words Written & Spoken by Wilson Santos
Engineered by Steven Mestre
Published by Defected Music Limited
P&C 2001 Fluential Records - a division of Defected Records Ltd

9. Bob Sinclar ‘Save Our Soul’ (Accapella)
Written & Composed by Bob Sinclar
Published by MCA Music Publishing Ltd
P&C 2001 Defected Records Ltd under exclusive license from Mighty Bop Sessions

10. MAW presents India ‘To Be In Love’ (Accapella)
Written by Joey Lattanzi & Vincent Montana, Jr
Reconstructed by ‘Little Louie’ Vega & Kenny ‘Dope’ Gonzalez for Masters At Work Productions Inc
Lead Vocal by India courtesy of RMM Records
Background Vocals by Lisa Fischer & Paulette McWilliams
Mix Engineer: Steven Barkan for Platinum Audio, NYC
Recording Engineer: Dave Darlington
Assistant Engineer: Brian Chew
Recorded & Mixed at Axis Studios, NYC
Mastered by Rick Essig at Frankford Wayne Mastering
Edited by Albert Cabrera for One Rascal Productions
Published by Vincent Montana, Jr. Music (ASCAP)
P 1997 MAW Records, Inc.
C 1999 Defected Records Ltd

11. Knee Deep ‘I'll Be There For You’ (Accapella)
Written by D. Lee, S. Doering & T. Freese
Produced by Knee Deep
Published by Just A Groovy Song/Universal Music
P&C 2000 Fluential Records, a division of Defected Records Limited, under exclusive license from Records Of Interest

12. Warren Clarke featuring Kathy Brown ‘Over You’ (Divapella)
Written by W. Clarke, P. Oxendale & G. Poole
Main Vocals by Kathy Brown
Backing Vocals by Angie Brown & Anna Ross
Mix Engineered by Kevin ‘K Boy’ Brooks
Assistant Engineer: Richard Searle
Vocals Recorded at ATFC Towers
Published by Defected Music Ltd, Bucks Music & Copyright Control
P&C 2001 Defected Records Ltd

13. Warren Clarke featuring Kathy Brown ‘Over You’ (Full Song Accapella)
Written by W. Clarke, P. Oxendale & G. Poole
Main Vocals by Kathy Brown
Backing Vocals by Angie Brown & Anna Ross
Mix Engineered by Kevin ‘K Boy’ Brooks
Assistant Engineer: Richard Searle
Vocals Recorded at ATFC Towers
Published by Defected Music Ltd, Bucks Music & Copyright Control
P&C 2001 Defected Records Ltd

14. Soul Vision ‘Don’t Stop’ (Accapella)
Written by Sandy Rivera, Jose Burgos & Joe Adams
Produced by Sandy Rivera for Kings of Tommorow Productions & Jose Burgos for Soul Creation Productions
Executive producers Sandy Rivera and Jose Burgos
Vocals by T.J.
Published by Defected Music & Regit Smada Productions
P&C 1999 Defected Records Ltd

15. Olav Basoski ‘Opium Scumbagz’ (Accapella)
Written, Produced & Mixed by Olav Basoski
Published by Bio Music
P&C 2000 Defected Records Ltd Under Exclusive License From Rhythm Import

16. Cleptomaniacs ‘Time Out For Love’ (Accapella)
Written by S. Luca, B. Tappert, J. Knight & M. Pomeroy
Produced & Arranged by Brian Tappert & John ‘Julius’ Knight
Vocal Arranged by Marc Pomeroy & John ‘Julius’ Knight
Vocals Performed by Donna Allen
Published by Lucky Three Music/International Music Network & Soulfuric Music/Universal Music
P&C 2000 Defected Records Ltd

17. Dajae ‘Everyday My Life’ (Accapella)
Written by Karen D. Gordon, Felix Stallings, Vito ‘Mr Jack’ Vicente
Published by Karen D. Gordon Music (ASCAP), Sherlock Holmes Music Publishing & Junior Jack Publishing
P&C 2000 Defected Records Ltd under exclusive license from Kid Dynamite Records (Brooklyn)

18. J Majik featuring Kathy Brown ‘Love Is Not A Game’ (Accapella)
Written by J Majik, Kathy Brown & D. Goldstein
Produced by J Majik & Danny Jay
Lead Vocals by Kathy Brown
Published by Copyright Control
P&C 2001 Defected Records Ltd

19. Awa Band ‘Timba’ (Accachant)
Written by Barbara Snow & Kayode Samuel
Produced by Mike Gray & Jon Pearn for Defected Management
Lead & Backing Vocals by Barbara Snow
Chorus Vocals by Kinacho Suarez, Neriou Joseph & Kayode Samuel
Backing Vocals by Marlont Powell
Engineered by Mike Gray, Jon Pearn & David Snell
www.fullintention.com
Published by Chrysalis Music & Defected Music
P&C 2000 Defected Records Ltd

20. Awa Band ‘Timba’ (Accapella)
Written by Barbara Snow & Kayode Samuel
Produced by Mike Gray & Jon Pearn for Defected Management
Lead & Backing Vocals by Barbara Snow
Chorus Vocals by Kinacho Suarez, Neriou Joseph & Kayode Samuel
Backing Vocals by Marlont Powell
Engineered by Mike Gray, Jon Pearn & David Snell
www.fullintention.com
Published by Chrysalis Music & Defected Music
P&C 2000 Defected Records Ltd

21. Johnny Corporate ‘Sunday Shoutin’’ (Accapella)
Written by Ray Ransom
Produced by Doug Smith & Richard Payton
Published by Caliber/WEB IV Music Inc. & Good High Music adm. by Sony/ATV Music Publishing (UK) Ltd
‘Sunday Shoutin’’ is an adaptation Ray Ransom’s ‘Living From The Mind’ Published by Sony/ATV Music Publishing (UK) Ltd
P&C 2000 Bargrooves under license from Defected Records Limited under exclusive license from R&E Music Limited / 4th Floor Records

22. Johnny Corporate ‘Sunday Shoutin’’ (Screamapella)
Written by Ray Ransom
Produced by Doug Smith & Richard Payton
Published by Caliber/WEB IV Music Inc. & Good High Music adm. by Sony/ATV Music Publishing (UK) Ltd
‘Sunday Shoutin’’ is an adaptation Ray Ransom’s ‘Living From The Mind’ Published by Sony/ATV Music Publishing (UK) Ltd
P&C 2000 Bargrooves under license from Defected Records Limited under exclusive license from R&E Music Limited / 4th Floor Records

23. Johnny Corporate ‘Sunday Shoutin’’ (Clapapella)
Written by Ray Ransom
Produced by Doug Smith & Richard Payton
Published by Caliber/WEB IV Music Inc. & Good High Music adm. by Sony/ATV Music Publishing (UK) Ltd
‘Sunday Shoutin’’ is an adaptation Ray Ransom’s ‘Living From The Mind’ Published by Sony/ATV Music Publishing (UK) Ltd
P&C 2000 Bargrooves under license from Defected Records Limited under exclusive license from R&E Music Limited / 4th Floor Records

24. Johnny Corporate ‘Sunday Shoutin’’ (Sundayapella)
Written by Ray Ransom
Produced by Doug Smith & Richard Payton
Published by Caliber/WEB IV Music Inc. & Good High Music adm. by Sony/ATV Music Publishing (UK) Ltd
‘Sunday Shoutin’’ is an adaptation Ray Ransom’s ‘Living From The Mind’ Published by Sony/ATV Music Publishing (UK) Ltd
P&C 2000 Bargrooves under license from Defected Records Limited under exclusive license from R&E Music Limited / 4th Floor Records

25. Kidstuff ‘Alright’ (Accapella)
Written & Produced by Mark Wilkinson, Paul Jackson & K-Boy Brooks
Engineered by Richard Searle @ Hello! Studios
Published by Problem Kids Publishing/Westbury Music Ltd & Copyright Control
P&C 2001 Fluential Records, a division of Defected Records Ltd

Defected Records

Defected Accapellas Deluxe, Vol. 1

Can’t Get Enough!

In And Out Of My Life

I Feel For You

Love Is What You Need (Look Ahead)

Come Into My Room feat. LT Brown

Come Into My Room

Planet Rock

Judgements

Save Our Soul

To Be In Love

I'll Be There For You

Over You feat. Kathy Brown

Over You

Don't Stop

Opium Scumbagz

Time Out For Love

Everyday My Life

Love Is Not A Game

Timba

Sunday Shoutin'

Alright

<Senza titolo>

Titolo album

Album {title}

L'album {title} è stato annullato

Immagine per {title}

Titolo chart

Eliminare l'artista {name}? Questa operazione eliminerà definitivamente tutti gli album, chart, playlist e qualsiasi altro contenuto gestito dal tuo account. Gli album forniti a Volumo da altri fornitori di contenuti (se presenti) resteranno visibili e collegati al profilo dell'artista, ma perderai il controllo del profilo finché non lo rivendichi nuovamente. Questa azione è irreversibile, a meno che tu non inserisca manualmente tutte le informazioni e non carichi nuovamente tutti i file. Sei davvero sicuro di voler procedere?

Eliminare la label {name}? Questa operazione eliminerà definitivamente tutti gli album, chart, playlist e qualsiasi altro contenuto gestito dal tuo account. Gli album forniti a Volumo da altri fornitori di contenuti (se presenti) resteranno visibili e collegati al profilo della label, ma perderai il controllo del profilo finché non lo rivendichi nuovamente. Questa azione è irreversibile, a meno che tu non inserisca manualmente tutte le informazioni e non carichi nuovamente tutti i file. Sei davvero sicuro di voler procedere?

Messaggi direct (per i fornitori di contenuti)

Modifica album {title}

Inserisci il titolo del chart

Errore durante il recupero di {title}

Ogni track viene giudicata esclusivamente per il suo valore musicale, l’originalità, la qualità di produzione e per come funziona in un vero contesto da DJ. Se il suono è forte, qui è al posto giusto, che arrivi da un artista conosciuto o da un nome completamente nuovo. Le chart Focus sono pensate per i DJ e per chi scava nella musica e si fida più delle proprie orecchie che delle reputazioni.

Le Focus Charts sono selezioni curate scelte a mano dal team di curatela di Volumo, con una priorità chiara: la qualità del suono in sé. Queste chart non sono guidate da grandi nomi di artisti, label famose o hype di settore. Ogni track viene valutata esclusivamente per il suo valore musicale, l'originalità, la qualità di produzione e per come funziona in un vero contesto da DJ. Se il suono è forte, il suo posto è qui, che arrivi da un artista conosciuto o da un nome completamente nuovo. Le Focus Charts sono pensate per DJ e cercatori di musica che si fidano delle proprie orecchie più che delle reputazioni. Questo è uno spazio in cui i producer emergenti stanno naturalmente accanto ad artisti affermati e le release underground ricevono la stessa attenzione delle track delle label major. Se stai cercando musica elettronica fresca, scoprendo gemme nascoste o esplorando nuove direzioni dentro techno, house, minimal e generi affini, le Focus Charts su Volumo offrono un'esperienza di ascolto e download curata con attenzione, costruita per i DJ che mettono il suono al primo posto.

Se sei un content provider, perderai anche tutti i tuoi artisti e label verificati, e tutti i contenuti generati dagli utenti (album, ecc.) verranno rimossi dallo store ed eliminati. Tutti i guadagni non pagati andranno persi.

Se vuoi pubblicare il tuo release in esclusiva, vai su {album} e compila il campo {exclusive}. Usare “Esclusiva” nei titoli può portare a risultati di ricerca non pertinenti.

Ti presentiamo le visual condivisibili di Volumo. Sappiamo che dedichi molto tempo a perfezionare il tuo suono e stile, quindi abbiamo reso semplice generare immagini e video promozionali in pochi secondi. Personalizzali come preferisci, scaricali e usali dove vuoi—sui social o nei tuoi contenuti.

Sembra che il titolo includa spazi non necessari tra le parentesi. Vuoi rimuoverli?

Sembra che il titolo sia scritto in lettere maiuscole, vuoi correggere questo errore?

Sembra che il titolo dell'album includa un numero di catalogo. Spostarlo nel campo appropriato?

Sembra che il titolo del track includa un numero della versione mix. Spostarlo nel campo appropriato?

Nome

Poi vai nella sezione playlist e crea una nuova playlist. Inizia dando un titolo alla tua playlist. Può essere il titolo finale o solo uno provvisorio. Poi clicca su "Crea Playlist."

Quando la tua playlist è pronta, vai su "Le mie Playlist." Qui puoi caricare una cover, rinominare la tua chart e aggiungere una descrizione su di te, sul tuo sound o sulle vibrazioni che vuoi trasmettere. Puoi anche riordinare le track.

Metti in pausa {title}

Riproduci {title}

Titolo playlist

Pronto a condividere? Clicca sui tre puntini accanto alla tua playlist e seleziona "Pubblica come Chart", inserisci una descrizione accattivante, seleziona la cover e voilà - la tua classifica è pubblica!

Notifiche di vendita (per i fornitori di contenuti)

Seleziona il nome dell'artista o il titolo della label da mostrare nel campo autore del chart

Mostra titolo track

Inizia a digitare il titolo di un chart o track, oppure il nome di un artista o label per vedere i risultati.

Inizia a digitare il nome di un paese per vedere i risultati

Inizia a digitare un titolo di genere per vedere i risultati

Inizia a digitare il titolo di un track o album, oppure il nome di un artista o label per vedere i risultati.

Interrompi {title}

L'album {title} è stato eliminato

Le prime 24 ore dopo che il tuo track esce sono assolutamente cruciali: è il momento in cui l'algoritmo osserva. Che sia Volumo, YouTube o Instagram, quel primo picco di ascolti, salvataggi, condivisioni e interazioni dice alla piattaforma: ‘Ehi, questo merita di essere spinto.' Se riesci a coinvolgere subito fan, amici e rete, hai più possibilità di finire in playlist algoritmiche o ottenere maggiore visibilità. Quindi, non limitarti a caricare e rilassarti: preparati con contenuti da pubblicare, contatta la tua mailing list e sii attivo nei commenti. Quel primo giorno dà il tono a tutto il ciclo della tua release.

Il titolo contiene il nome dell'artista. Non è necessario aggiungere il nome dell'artista al titolo, verrà aggiunto automaticamente

Titolo

Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

Titolo del track

Track {title}

Il track {trackTitle} può essere acquistato solo come parte dell'album {albumTitle}.

Track {trackTitle} rimosso dalla playlist {playlistName}

Ritira l'album {title}? Dopo, l'album dovrà essere nuovamente moderato prima della pubblicazione.

Senza titolo

Usare “Volumo” nei titoli può portare a risultati di ricerca irrilevanti.

Noi di Volumo siamo i responsabili dei tuoi dati personali, utilizziamo cookie per personalizzare contenuti e annunci, per offrire funzionalità social e per analizzare il nostro traffico. Condividiamo inoltre informazioni sul tuo utilizzo del nostro sito web con i nostri partner social, pubblicitari e di analisi, che potrebbero combinarle con altre informazioni che hai fornito loro o che hanno raccolto dal tuo utilizzo dei loro servizi.

Non è necessario numerare i track nel titolo, vengono numerati automaticamente

è possibile presentare un reclamo all'organismo di regolamentazione, ma contattaci prima a {address}, faremo del nostro meglio per aiutare a risolvere il problema.

Timba (Accachant)

Track correlati