Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Dan Carraway

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Junior Sanchez has been a dynamic force in the world of house music, consistently pushing boundaries with his diverse sounds. His extensive catalog boasts releases on renowned labels like Defected, Relief, Mad Tech Records, Strictly Rhythm, and Nervous Recordings. Noteworthy remix credits include Madonna, Gorillaz, Jamiroquai, Daft Punk, Chrvches, Azealia Banks, and Ariana Grande.

As 2023 concludes, Junior's recent releases on Planet E, Wh0plays, Circus Recordings, Club Bad, and Defected, along with the attention-grabbing collaboration with Dance System as Freqazoids, showcase his continued impact. With plans for a sophomore album in 2024, Junior Sanchez remains a headline act on global stages, from Ultra in Miami, Korea, and Singapore to Pacha and Ushuaia in Ibiza, demonstrating no signs of slowing down.

Junior Sanchez

Lonya Koval is a artist on a mission, through an uncompromising passion for the music he creates and performs. As a DJ and world-renowned producer, he continues to drive the vibrant electronic music scene.

A hallmark of quality stamped through an ever-increasing catalogue of innovative work, a string of cross-genre hits, has been a constant theme, while Lonya’s production work continues to scale new heights with his ground-breaking sonic architecture. Lonya’s distinctive sound has seen him courted by the industry’s blue-chip imprints.
In tandem with a successful production career, a strong presence behind the decks has also been an integral component of Lonya’s musical persona and transformed him into a global phenomenon.

As music curator, Lonya has been at the epicentre of the industry with his own label Asymmetric Recordings/Dip. Through an unparalleled familiarity with the electronic scene, Lonya has been able to oversee the creation of an esteemed label that has grown into a major force. The years of experience has allowed him to take a holistic view when recruiting new musical talent, intuitively knowing when to take a step back and when to advise as the artists under his tutelage blossom into the next generation of successful producers.
An artist at the vanguard of the industry, Lonya continues to shape underground music through experienced hands and a golden touch that wields an aural magic, delighting fans and club goers in equal measure.

Lonya

Seumas Norv

Scott Diaz

Inaya Day

Jay Vegas

Fabio Vela

Jame Starck

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

<Senza titolo>

Titolo album

Album {title}

L'album {title} è stato annullato

Immagine per {title}

Titolo chart

Eliminare l'artista {name}? Questa operazione eliminerà definitivamente tutti gli album, chart, playlist e qualsiasi altro contenuto gestito dal tuo account. Gli album forniti a Volumo da altri fornitori di contenuti (se presenti) resteranno visibili e collegati al profilo dell'artista, ma perderai il controllo del profilo finché non lo rivendichi nuovamente. Questa azione è irreversibile, a meno che tu non inserisca manualmente tutte le informazioni e non carichi nuovamente tutti i file. Sei davvero sicuro di voler procedere?

Eliminare la label {name}? Questa operazione eliminerà definitivamente tutti gli album, chart, playlist e qualsiasi altro contenuto gestito dal tuo account. Gli album forniti a Volumo da altri fornitori di contenuti (se presenti) resteranno visibili e collegati al profilo della label, ma perderai il controllo del profilo finché non lo rivendichi nuovamente. Questa azione è irreversibile, a meno che tu non inserisca manualmente tutte le informazioni e non carichi nuovamente tutti i file. Sei davvero sicuro di voler procedere?

Messaggi direct (per i fornitori di contenuti)

Modifica album {title}

Inserisci il titolo del chart

Errore durante il recupero di {title}

Ogni track viene giudicata esclusivamente per il suo valore musicale, l’originalità, la qualità di produzione e per come funziona in un vero contesto da DJ. Se il suono è forte, qui è al posto giusto, che arrivi da un artista conosciuto o da un nome completamente nuovo. Le chart Focus sono pensate per i DJ e per chi scava nella musica e si fida più delle proprie orecchie che delle reputazioni.

Le Focus Charts sono selezioni curate scelte a mano dal team di curatela di Volumo, con una priorità chiara: la qualità del suono in sé. Queste chart non sono guidate da grandi nomi di artisti, label famose o hype di settore. Ogni track viene valutata esclusivamente per il suo valore musicale, l'originalità, la qualità di produzione e per come funziona in un vero contesto da DJ. Se il suono è forte, il suo posto è qui, che arrivi da un artista conosciuto o da un nome completamente nuovo. Le Focus Charts sono pensate per DJ e cercatori di musica che si fidano delle proprie orecchie più che delle reputazioni. Questo è uno spazio in cui i producer emergenti stanno naturalmente accanto ad artisti affermati e le release underground ricevono la stessa attenzione delle track delle label major. Se stai cercando musica elettronica fresca, scoprendo gemme nascoste o esplorando nuove direzioni dentro techno, house, minimal e generi affini, le Focus Charts su Volumo offrono un'esperienza di ascolto e download curata con attenzione, costruita per i DJ che mettono il suono al primo posto.

Se sei un content provider, perderai anche tutti i tuoi artisti e label verificati, e tutti i contenuti generati dagli utenti (album, ecc.) verranno rimossi dallo store ed eliminati. Tutti i guadagni non pagati andranno persi.

Se vuoi pubblicare il tuo release in esclusiva, vai su {album} e compila il campo {exclusive}. Usare “Esclusiva” nei titoli può portare a risultati di ricerca non pertinenti.

Ti presentiamo le visual condivisibili di Volumo. Sappiamo che dedichi molto tempo a perfezionare il tuo suono e stile, quindi abbiamo reso semplice generare immagini e video promozionali in pochi secondi. Personalizzali come preferisci, scaricali e usali dove vuoi—sui social o nei tuoi contenuti.

Sembra che il titolo includa spazi non necessari tra le parentesi. Vuoi rimuoverli?

Sembra che il titolo sia scritto in lettere maiuscole, vuoi correggere questo errore?

Sembra che il titolo dell'album includa un numero di catalogo. Spostarlo nel campo appropriato?

Sembra che il titolo del track includa un numero della versione mix. Spostarlo nel campo appropriato?

Nome

Poi vai nella sezione playlist e crea una nuova playlist. Inizia dando un titolo alla tua playlist. Può essere il titolo finale o solo uno provvisorio. Poi clicca su "Crea Playlist."

Quando la tua playlist è pronta, vai su "Le mie Playlist." Qui puoi caricare una cover, rinominare la tua chart e aggiungere una descrizione su di te, sul tuo sound o sulle vibrazioni che vuoi trasmettere. Puoi anche riordinare le track.

Metti in pausa {title}

Riproduci {title}

Titolo playlist

Pronto a condividere? Clicca sui tre puntini accanto alla tua playlist e seleziona "Pubblica come Chart", inserisci una descrizione accattivante, seleziona la cover e voilà - la tua classifica è pubblica!

Notifiche di vendita (per i fornitori di contenuti)

Seleziona il nome dell'artista o il titolo della label da mostrare nel campo autore del chart

Mostra titolo track

Inizia a digitare il titolo di un chart o track, oppure il nome di un artista o label per vedere i risultati.

Inizia a digitare il nome di un paese per vedere i risultati

Inizia a digitare un titolo di genere per vedere i risultati

Inizia a digitare il titolo di un track o album, oppure il nome di un artista o label per vedere i risultati.

Interrompi {title}

L'album {title} è stato eliminato

Le prime 24 ore dopo che il tuo track esce sono assolutamente cruciali: è il momento in cui l'algoritmo osserva. Che sia Volumo, YouTube o Instagram, quel primo picco di ascolti, salvataggi, condivisioni e interazioni dice alla piattaforma: ‘Ehi, questo merita di essere spinto.' Se riesci a coinvolgere subito fan, amici e rete, hai più possibilità di finire in playlist algoritmiche o ottenere maggiore visibilità. Quindi, non limitarti a caricare e rilassarti: preparati con contenuti da pubblicare, contatta la tua mailing list e sii attivo nei commenti. Quel primo giorno dà il tono a tutto il ciclo della tua release.

Il titolo contiene il nome dell'artista. Non è necessario aggiungere il nome dell'artista al titolo, verrà aggiunto automaticamente

Titolo

Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

Titolo del track

Track {title}

Il track {trackTitle} può essere acquistato solo come parte dell'album {albumTitle}.

Track {trackTitle} rimosso dalla playlist {playlistName}

Ritira l'album {title}? Dopo, l'album dovrà essere nuovamente moderato prima della pubblicazione.

Senza titolo

Usare “Volumo” nei titoli può portare a risultati di ricerca irrilevanti.

Noi di Volumo siamo i responsabili dei tuoi dati personali, utilizziamo cookie per personalizzare contenuti e annunci, per offrire funzionalità social e per analizzare il nostro traffico. Condividiamo inoltre informazioni sul tuo utilizzo del nostro sito web con i nostri partner social, pubblicitari e di analisi, che potrebbero combinarle con altre informazioni che hai fornito loro o che hanno raccolto dal tuo utilizzo dei loro servizi.

Non è necessario numerare i track nel titolo, vengono numerati automaticamente

è possibile presentare un reclamo all'organismo di regolamentazione, ma contattaci prima a {address}, faremo del nostro meglio per aiutare a risolvere il problema.

Dan Carraway

Panoramica

Top track

Ultime release

Relevance

Kenny Summit Presents Fresh Out The Box II

Forecast - The Near Future - 4 Years Of Asymmetric

Generi

Artisti correlati