Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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schNee

Nick Curly

Since their founding in 2005, the DJ and producer duo Pornbugs has made a name for themselves by creating captivating music for the dance floor. With a unique blend of deep house, tech house, and minimal house, enriched with soulful grooves, they create an immersive experience that touches people's hearts.

Pornbugs stand for authenticity and quality – their raw, building sound reflects these values.

Their music connects people on a deep emotional level and invites them to dive into a world full of passion and energy. With their relentless drive to push musical boundaries and constantly evolve their sound, they have quickly secured a prominent place in the global music scene.

Over the past two decades, Pornbugs have performed in renowned clubs and at festivals across North and South America as well as Europe, including cities like New York, São Paulo, San Francisco, Buenos Aires, Medellín, Bogotá, Montreal, London. Even today, their distinctive sound captivates audiences at their gigs.

In 2006, they founded their own label Bondage Music to not only release their own music but also provide a platform for other talented artists. The label has since established itself as a significant force in global electronic music, releasing works from artists such as Markus Homm, Steve Bug, NTFO, and Mihai Popoviciu.

Don’t miss the chance to experience this dynamic duo live! Pornbugs continue to set new standards in the house genre and invite you to be part of their musical journey.

Pornbugs

Oliver Schories

Greek mastermind Echonomist represents the true definition of ‘artist’. His prolific output combined with his ability to experiment with a variety of styles and liberated approach, are essential components of his artistic nature. With years of experience already under his belt, Echonomist has gone through a leap in his development recently, with releases on Innervisions, Afterlife, TAU, and Kompakt, among others, establishing his production prowess. Working with such influential labels has not only boosted his profile but, more importantly, demonstrated that his musical ability has reached an impeccable standard, acknowledged by label heads like Dixon, Ame, Tale Of Us, Michael Mayer, and Adana Twins. Both on a solo tip and in collaborative projects Echonomist’s talent shines through and he’s primed for continued success at the very highest level...

Echonomist

Sascha Braemer is no stranger to the global House scene, to which he has contributed with an enormous amount of tracks in the past decades like ‘No sense’ or ‘Forlorn’. It is rare to find those within this scene, who have not yet danced to ‘Caje’ or got the lyrics of ‘People’ spinning in their head.Saschas roots go back to playing at Raves in Berlin during the wild 1990s at the age of 20. He since has devoted his commitment and passion with a genuine love for what he is doing to house music in all its deepest forms.Besides building an impressive discography in the past years, he travelled around the globe to play various shows reaching from small underground clubs up to impressive crowds of thousands at Festivals such as ADE and Fusion. He lights up clubs and festivals with a pleasure driven mix of deep melancholic melodies nevertheless touchingly warm synth basslines. His sets are characterized by independently distinctive sounds, and so are his productions where he puts a lot of focus into details to create the sophisticated Braemer style.It is certainly a long list of international clubs to be mentioned, notably Hive (Zurich), Watergate, Bar25, Kater (Berlin), Nest (Toronto), Rex Club (Paris), Live Rca (Bangkok), Sunshine Nation Factory (Singapore) plus festivals, such as Feel, SMS, Time Warp, Sea You, Züich Openair, Love Family Park or DGTLHe started his well-known label Whatiplay in 2014 not only to give his own releases a platform, moreover to support like-minded young talents he continuously meets along his way. Sascha furthermore released on highly regarded labels such as Get Physical, Kindisch, Bar25, Katermukke, Stil vor Talent, Dirtybird, Parquet Rec., Universal Music, CR2 Rec., ITH Defected House or Compost. His remixes, such as Eagles & Butterflies’ ‘Lost in a Dream’ are well known and played around the globe.

Sascha Braemer

"I´m neither afraid of showing my emotions nor to include them in my music."

Few people bring a truly original sound to House music. It's all very well making some nice grooves and working the dancefloor, but when it comes to longevity and leaving an indelible mark on the genre and the wider musical sphere, you've got to bring something new to the table. At a relatively young age, Hamburg's Martin Stimming did just that. "I want people to see me as an evolving artist, where you never know what exactly you get - but you know that it's Stimming."

Stimming

Martin Landsky has now been living and breathing underground house and techno for almost three decades. Sure, when he first started out in the early eighties he was mainly playing to school friends, but dance music and DJing had already got him under their spell, and it’s been that way ever since. After experimenting with homemade mixtapes and breakdancing in local crews, house and techno arrived in his Hamburg hometown and he fell immediately in love. Soon graduating to playing ‘proper’ DJ sets in clubs around Germany, Martin was amongst the first to be playing these new electronic sounds and even had his own night at the legendary Front Club, where he became known for his fresh selections. Now, years later, there is barely a club or festival anywhere in the world that he hasn’t headlined.

Largely inspired by black music, it wasn’t long before Martin began crafting his own productions and a debut release came in 1997 on MC Projects London. It was the start of what has turned out to be an illustrious production career that now takes in underground hits like ‘Bloodhound’ (which was remixed by Steve Bug and got re-released as a certified classic in 2009 on an esteemed Decks Records sub label) as well as the huge underground anthem that joined together DJs from all backgrounds, namely the ubiquitous ‘1000 Miles’ on Poker Flat.  A key member of Steve Bug’s Poker Flat family, Martin also released his debut LP, In Between, on the same label in 2001. Other successes that define the slick, sleek and seductive house and tech fusions Martin serves up are ‘The Composer’, also on Poker Flat , ‘Morning Caffeine’ on Mobilee and many more besides. What’s more, as a remixer, Martin’s unique touches have been put on music by everyone from Booka Shade to John Tejada, Miss Kittin to Pan-Pot.

“I like to experiment,” says the Berlin based Martin. “I don’t follow one style. I have no templates at all, but my music has to be deep and has to have balls.” Anyone who has danced to one of the man’s considered and coherent sets around the world will attest to that: they are compelling things that call up a diverse array of genres, not just the latest big hits, and importantly never lose sight of an essential groove.

In the background to all this, Martin has also worked for Container Distribution and later for Word And Sound – one of the world’s largest distributers – since 1995, but has also been boss of his own label. Effortil Records (later renamed Intim Recordings) ran from 1998 until 2002 and was responsible for Phonique’s very first two releases as well as Marco Resmann’s debut and won plenty of acclaim with DJs and dancers alike.

Martin continues to work on new EPs and exciting collaborations and after so long in the game has a truly 360 degree understanding of dance music. It is for that reason that he is such a vital part of house and techno’s underground world.

Martin Landsky

Music speaks louder than words..

Contact/Mixing/Remix requests/Ghost productions:


Mass Digital

Miyagi has created and developed his very own unique sound during the past years. A mixture between deep house, tech house and techno draws through his tracks, as well as his DJ-sets, producing a deep, hypnotic and melodic atmosphere. His productions are released on labels like Einmusika, Katermukke or his own Lost Diaries. Worldwide bookings are scheduled to take Miyagi across the globe to play gigs everywhere from Chicago, Berlin, London, Copenhagen and Cape Town, to Seoul, San Francisco, New York and Paris.

Miyagi

Madmotormiquel... First things frst: Try pronouncing that. Or maybe don't – it's all about the music after all. Born and raised in west Berlin Michel Neigenfnd – what his parents named him – had only music and collecting records on his mind from an early age. Influenced by British ‚77 punk- rock and US punk from the late 80ies he soon realised musical boundaries were nothing for him. His equally large passion for hip-hop paved the way to frst electronic productions. Big beat, drum ‚n‘ bass, acid techno, early spiral tribe stuff...His frst fusion festival in early 2000 as well as many illegal open airs and parties in a Berlin flled with open spaces after the fall of the wall, made clear the path he would take. Up until then a party DJ with diverse genres, his passion for techno/house music steadily grew. Through own events with Bachstelzen, a collective of organisers that has greatly influenced Berlin‘s party scene with its events in elaborately themed off-locations, the course was set for frequent techno/house DJ gigs. In 2006 his own productions started gathering appeal on different netlabels followed by the frst real release together with Sebo and Nayan Soukie on Sasse‘s label Mood Music in 2010. Following further releases, the Boys Don‘t Eat EP on Katermukke brought a frst taste of international success, as well as regular airplay on national and international radio. John Digweed even signed two tracks from the URSL 08 (Everything Will Change EP) and re-released them on his extremely successful Live In London mix. Further productions for Canadian, US and British labels followed as well as several releases on German labels. The steadily growing success of the URSLRecords label which Madmotormiquel has been running together with Sebo and Soukie & Windish since 2010, has been a continuing reason for being booked way beyond the boundaries of Berlin. Two Brazil tours, gigs all over Europe – over a hundred in 2012, productions which regularly feature in charts of notable Djs such as Martin Landsky, Tim Green, Tube & Berger, Robosonic and Dirty Dor̈ ing leave the undoubtable impression somebody knows what he‘s doing. In the studio as well as behind the decks.

Madmotormiquel

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