Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Suzi S.

Traumer

Thomas Schumacher was eleven years old when Depeche Mode released Construction Time Again. "I'll never forget sitting at home, listening to the album in my headphones, trying to figure out how they made those sounds."
Thirty-five years later, Thomas Schumacher still burns with curiosity. The Berlin-based DJ and producer makes light of his status as one of the most successful, versatile artists in electronic music. "What I love about Techno is that it demands that you constantly challenge and reinvent yourself."
Thomas Schumacher is always pushing his own boundaries. "The art of being relevant," he says, "is to repeatedly forget what you know.” In his early days producing music, he had to learn how to physically create the sounds he heard in his head. Now, as a virtuoso, the challenge is to use his breadth and depth of musical knowledge to convey profound emotion. "Techno is not just a tool to make people dance" he says, "it is a very personal, intimate way of connecting."
This intimacy fuels the unique vibe of a Thomas Schumacher DJ set. He likens what he does to being the captain of a ship. “I purposely steer my sets into rough waters. I want to help people get out of their heads and into their bodies. I create a safe space for people to lose their minds, in the best possible way. They know they don't need to worry or be afraid, because I’ve got them. I know what I'm doing. They can let go and just be."
When not guiding clubbers through seas of sound, Schumacher reaches them via his productions on labels like Drumcode; Arts, Noir Music and his own label Electric Ballroom. The more he creates, the more there is to explore, the more opportunities to invent, connect, and imagine. "I am always the one to change it up," says Thomas. "My ongoing ambition is to connect with the people, every single time. Thats why I do what I do and love it so much. I have never seen a reason to compartmentalise my music and my life. Everything is energy and everything is connected."
On Beatport Thomas’ remix of the classic “The House Of House” became his third number one hit within the past 24 months after “Stella”- a propulsive anthem dedicated to his daughter and “Wonder”, his collaboration with Victor Ruiz - once again reinforcing his place as one of the Techno greats.

Thomas Schumacher

Nakadia

Riva Starr

Andhim

Tim Green’s ability to effortlessly manoeuvre and experiment across the spectrum of electronic music has never been more evident than it is today. Whether putting out melodic house under his own name, reverberating techno under his alias APIR or writing radio friendly alternative pop music under the moniker Invisible Minds, his work is always stamped with fearlessness.

Tim's father – a keyboardist, kept the family home flooded with the sounds of Pink Floyd and Joni Mitchell. Learning guitar from the age of 8, Tim played in bands as a teenager, but it was upon hearing Daft Punk’s Discovery album that he was firmly bitten by the electronic music bug. ‘First time I heard Discovery, I was blown away by what I heard, but at the same time confused. I could recognise a lot of the samples they used, as I knew the originals so well from growing up. But I couldn’t understand how they made this type of music. It was all new to me, coming from a strictly live band background. So I made it my mission to find out how and try for myself!

Tim Green

NIMA GORJI 

An Iranian-born Danish artist, Nima is an internationally recognized DJ and producer. While based in Ibiza, his influence and career span the globe, with over 30 years in the electronic music scene. He began his journey in Copenhagenâ€™s vibrant mid-â€™90s club culture, earning residencies and collaborations that paved the way for his global success.

Throughout his career, Nima has co-founded influential labels such as Welt Recordings and Need For Sound, and now leads his own imprint, NG TRAX. His diverse discography and consistent output showcase his dedication to the evolution of electronic music.

In Ibiza, as well as internationally, Nima continues to inspire through events like JOIN and MNML, bringing together artists and communities to celebrate music and connection on a global scale.

Nima Gorji

SIS's first experience with electronic music was more or less accidental. Inspired by hearing Dj Karotte play percussive Indian-style beats at Frankfurt U60 Club at the age of 21, he decided on the spot that this would be his future.

Burak Sar aka Sis was born in 1980 in Michelstadt, southern Germany, and from a very young age was Inspired by his musician father, who introduced him to a myriad of musical instruments and rhythms with his Turkish musical group. Sis formed a rock band and played the drums, but after his dancefloor epiphany he bought a pair of Technics 1210s and learned how to mix. Within a short period of time spent developing his DJ skills, he began playing in small clubs and parties around Frankfurt and Mannheim.

Not content with limiting himself to DJing, Sis began learning the ropes of production, drawing on his musical roots to craft his own unique style of House Music. Sis gained confidence with his first release (Lilly from the Valley EP, Amused Rec.) in 2006, and he soon gathered more momentum. Following a release for 8bit Rec. (Voices of Istanbul EP), international attention came at the end of 2007 with his first EP for Cecille Rec. (La Garua/Orgsa), a record which sold out within a day in shops across Europe. 

His second release for Cecille (Nesrib) was a real bomb, playlisted by all the top DJs around the globe. A number of other tracks followed, then came "Trompeta", arguably the hit track of summer 2008. After handing "Trompeta" to Ricardo Villalobos at Robert Johnson club in Frankfurt, Villalobos liked it so much that he decided to release it on his own boutique label Sei es Drum, which up to that point had only showcased Ricardo's own productions. Both DJs and DJ press agreed that Sis was one of that year’s best breakthough acts, as Groove Magazine awarded him "Producer of the Year" and "Track of the Year" (1st Nesrib, 2nd Trompeta) honours in their end of year poll, and Raveline named him the #2 Live Act of the year and Newcomer of the year.

Riding a well-deserved wave of hype, Sis he has delivered further well-received release for Welcome to Masemenos and Connoisseur Recordings, and followed this up by establishing own label, Cocolino Records. The future continues to look bright for Sis, and in 2011 he will release his debut project with Get Physical Music, with more quality tracks and DJ/live sets on the horizon.

Hailing from the city of Valencia, producer, remixer, DJ,

label owner and event promoter Edu Imbernon is a truly global electronic music proposition.

Edu has carved out an emotive, melodic sound focusing on songcraft that is all his own, writing and producing with live instruments and vocals alongside electronics and synthesised sounds. This sound was spawned by his anthemic remix of the xx"s “Crystalised" and has evolved more recently on “Fixing Fires” and “Bitter Fate” and “Underworld”.

Alongside this is a truly global touring schedule: over 30 countries across 5 continents with stand out sets at the world’s finest festivals such as Sonar, TomorrowLand, Coachella; its finest clubs and at the original home of dance music with consecutive Space Ibiza residencies before its closure.

Edu's "Fayer" brand has hosted events with the likes of Dixon, Ame, Maceo Plex, DJ Tennis, Solomun  and Tiga; meanwhile the label focuses on bridging the gap between the song based worlds of indie and electronica and the more club focused sounds of house and techno music, featuring music from David August, Agoria, WhoMadeWho, Adriatique, Cubicolor and Robag Wruhme. In the process, it has achieved five Beatport genre #1s, millions of streams, multiple positions on Spotify’s Viral charts, extensive BBC Radio 1, as well as DJ support that reads like a who’s who of underground electronic music.

Despite his long list of achievements thus far, this visionary Valencian is still somehow

in his twenties.

Edu Imbernon

Roland Clark

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Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

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