Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Oliver Cheatham

"I make music for children. Google me." Dennis Ferrer has been on the forefront of electronic dance music for well over 15 years now, transitioning between styles and influences and keeping it interesting for club-goers and “heads” alike. Making techno & ambient in the 90’s, melodic house in the early 2000’s and reinventing himself again over the past few years, Ferrer has been focusing on a somewhat darker, more techno-influenced sound lately.  The year 2018 marks the return of Dennis Ferrer and his legendary Sunday parties to Blue Marlin Ibiza. The name of the night, ‘Misfits Society’, suits Ferrer perfectly as he’s not big on trying to fit in. Guests include Ferrer’s label mates and artists he’s most inspired by at the moment. Like always, with Dennis Ferrer the best is yet to come, as he shows no signs of slowing down.

Dennis Ferrer

Qubiko

Will Clarke

With an extraordinary passion for music and an explicit preference for vinyl, analog synthesizers and vintage sound, You can literary say the Melodymann breaths music.

His love is showen in his remarkable DJ performances and studio activities which can be heard on his own Melodymathics imprint and other well established labels from across the globe !

Although his identity is deliberately kept secret, we can tell that he has had several remix projects under different aliases for world-renowned artists such as Orlando Voorn and Rennie Foster.

Melodymann

Ryan Blyth

Josh Butler

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

CASSIMM is aka Alessio Caforio.

He’s a dj/producer who was born in the south of Italy in the 80’s.He is already well known under the name Alessio Caforio for his production and collaboration on labels such as « Stereo Production of Chus and Ceballos, »Hotfingers » and « 303 Lovers.
« Although Alessio has always been filled with passion for the music and has been a dj and musican since the age of 15, his career really started to sprout in Turin in 2007 where he moved to study as a sound engineer.

Alessio was the resident dj in the hottiest clubs in the city of Turin, he also worked in many clubs in the north of Italy including « Magazzini Generali » in Milan.

The CASSIMM project was born in 2012 and he was pleasantly surprised by the success of his first release, » Silent to Me  » as it flew straight to the top tenof Beatport indie Nudisco chart and licenced by Sony Columbia.
He actually works with many labels including « Sleazy Deep », « Spirit Soul records », « King Street » and « Beatdown » of Sonny Fodera where he proposes a sound going from deephouse to techouse.

CASSIMM moved to London in 2014 and straight away became a resident dj in one of London’s most famous clubs « The Aquarium » where you can find himevery weekend driving the crowd wild .You can also find guest dj’s such as Smokin Jo ,Alex Niggerman, Tiger Stripes, Betoko etc.

CASSIMM’s dj set is very versitale,he has the knack to be able to sense the mood of the crowd, and feeds them what they want.This is the product of many years of being a resident dj and musical lover.

CASSIMM

Kerri Chandler

В тексте про DJ Sneak есть одно нарушение твоих правил.

Что нужно исправить:

В конце упоминается «All World Entertainment» как букинг-агентство. Согласно твоим правилам, любые контактные данные или информация о заказе артистов (даже если это его собственное агентство) должны быть удалены.

Отредактированный текст:

In 1983, Carlos Sosa pka DJ Sneak, moved to the city of Chicago from The island of Puerto Rico, where his early musical experiences and Influences were rooted in salsa, meringue and famous Latin orchestras. Chicago, like Puerto Rico, is a city rich with musical styles and sounds. It was in Chicago that Sneak found inspiration in underground house music, Warehouse parties and "old school" mix tapes from the early pioneers - Farley Jackmaster Funk, Ralphi Rosario, Steve Hurley and local radio station shows played on WBMX. Sneak earned his nickname rocking designs in the graffiti tagging days and began working at retail stores as an airbrush artist, not long after he cultured the music industry world and began recording his first releases. While at retail stores Sneak developed his DJing skills around the city working regular mobile DJ jobs and local nightclubs. In an already saturated DJ pool, sneak focused on music production and started an independent label - Defiant Records. In 1992, using the fundamental studio pieces, Sneak began recording tracks with an unusual new style. In 1994, while still working at local store Gramophone Records sneak met Cajmere (green velvet) owner of Cajual and Relief Records. Cajmere released some of sneak's pivotal tracks and helped bring international recognition, with it, a global DJing career. In 1995, sneak's new sound revolutionized house music with inspirational sounds and rhythms never heard. The disco filtered house grooves became sneak's signature sound. Innovator to many, sneak's love for music spawned current talents such as Daft Punk, Basement Jaxx, Armand Van Helden. In 1996, Dj Sneak's "You can't hide from your bud" on Derrick Carter's Classic Recordings turn out to be something of a masterpiece, setting a blueprint for many subsequent 'filtered disco' tracks and preceding the wave of funky, disco-influenced house that would prove the massive popularity of Chicago underground music. From 1996 through the present day DJ Sneak is also a veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms. After years of development, DJ Sneak is a familiar name across the world's club circuit rocking down the best venues and events. A frequent visitor of Ibiza - the Island of spiritual parties and the Mecca of dance music culture, sneak has played a part in many of events involving the best production teams from England; Ministry of Sound, Cream, Manumission, Miss Money penny's to mention a few. A favorite in the United Kingdom's summer festivals for example Homelands, Creamfields, 'T' in the park in Scotland, Sneak has no mercy on the sound systems and on the scale of exiting DJs to grasp he remains part of the top 100 DJs of the world for 5 consecutive years. Recognized as the disco filter innovator his musical style is diverse from furious banging' Chicago tracks and Latin tribal beats to disco filtered reworks of retro classics with melodic rhythms that suit your soul. In 2001 Sneak launched a new record label 'Magnetic Recordings" where he's releasing all new music, compilations as well as introducing new talents and continue preaching the sound of Chicago House Music. The future bring about new light to DJ Sneak's journey focusing on the development and evolution of electronic music's struggle to be acknowledged as the sound of tomorrow.

DJ Sneak

<Senza titolo>

Titolo album

Album {title}

L'album {title} è stato annullato

Immagine per {title}

Titolo chart

Eliminare l'artista {name}? Questa operazione eliminerà definitivamente tutti gli album, chart, playlist e qualsiasi altro contenuto gestito dal tuo account. Gli album forniti a Volumo da altri fornitori di contenuti (se presenti) resteranno visibili e collegati al profilo dell'artista, ma perderai il controllo del profilo finché non lo rivendichi nuovamente. Questa azione è irreversibile, a meno che tu non inserisca manualmente tutte le informazioni e non carichi nuovamente tutti i file. Sei davvero sicuro di voler procedere?

Eliminare la label {name}? Questa operazione eliminerà definitivamente tutti gli album, chart, playlist e qualsiasi altro contenuto gestito dal tuo account. Gli album forniti a Volumo da altri fornitori di contenuti (se presenti) resteranno visibili e collegati al profilo della label, ma perderai il controllo del profilo finché non lo rivendichi nuovamente. Questa azione è irreversibile, a meno che tu non inserisca manualmente tutte le informazioni e non carichi nuovamente tutti i file. Sei davvero sicuro di voler procedere?

Messaggi direct (per i fornitori di contenuti)

Modifica album {title}

Inserisci il titolo del chart

Errore durante il recupero di {title}

Ogni track viene giudicata esclusivamente per il suo valore musicale, l’originalità, la qualità di produzione e per come funziona in un vero contesto da DJ. Se il suono è forte, qui è al posto giusto, che arrivi da un artista conosciuto o da un nome completamente nuovo. Le chart Focus sono pensate per i DJ e per chi scava nella musica e si fida più delle proprie orecchie che delle reputazioni.

Le Focus Charts sono selezioni curate scelte a mano dal team di curatela di Volumo, con una priorità chiara: la qualità del suono in sé. Queste chart non sono guidate da grandi nomi di artisti, label famose o hype di settore. Ogni track viene valutata esclusivamente per il suo valore musicale, l'originalità, la qualità di produzione e per come funziona in un vero contesto da DJ. Se il suono è forte, il suo posto è qui, che arrivi da un artista conosciuto o da un nome completamente nuovo. Le Focus Charts sono pensate per DJ e cercatori di musica che si fidano delle proprie orecchie più che delle reputazioni. Questo è uno spazio in cui i producer emergenti stanno naturalmente accanto ad artisti affermati e le release underground ricevono la stessa attenzione delle track delle label major. Se stai cercando musica elettronica fresca, scoprendo gemme nascoste o esplorando nuove direzioni dentro techno, house, minimal e generi affini, le Focus Charts su Volumo offrono un'esperienza di ascolto e download curata con attenzione, costruita per i DJ che mettono il suono al primo posto.

Se sei un content provider, perderai anche tutti i tuoi artisti e label verificati, e tutti i contenuti generati dagli utenti (album, ecc.) verranno rimossi dallo store ed eliminati. Tutti i guadagni non pagati andranno persi.

Se vuoi pubblicare il tuo release in esclusiva, vai su {album} e compila il campo {exclusive}. Usare “Esclusiva” nei titoli può portare a risultati di ricerca non pertinenti.

Ti presentiamo le visual condivisibili di Volumo. Sappiamo che dedichi molto tempo a perfezionare il tuo suono e stile, quindi abbiamo reso semplice generare immagini e video promozionali in pochi secondi. Personalizzali come preferisci, scaricali e usali dove vuoi—sui social o nei tuoi contenuti.

Sembra che il titolo includa spazi non necessari tra le parentesi. Vuoi rimuoverli?

Sembra che il titolo sia scritto in lettere maiuscole, vuoi correggere questo errore?

Sembra che il titolo dell'album includa un numero di catalogo. Spostarlo nel campo appropriato?

Sembra che il titolo del track includa un numero della versione mix. Spostarlo nel campo appropriato?

Nome

Poi vai nella sezione playlist e crea una nuova playlist. Inizia dando un titolo alla tua playlist. Può essere il titolo finale o solo uno provvisorio. Poi clicca su "Crea Playlist."

Quando la tua playlist è pronta, vai su "Le mie Playlist." Qui puoi caricare una cover, rinominare la tua chart e aggiungere una descrizione su di te, sul tuo sound o sulle vibrazioni che vuoi trasmettere. Puoi anche riordinare le track.

Metti in pausa {title}

Riproduci {title}

Titolo playlist

Pronto a condividere? Clicca sui tre puntini accanto alla tua playlist e seleziona "Pubblica come Chart", inserisci una descrizione accattivante, seleziona la cover e voilà - la tua classifica è pubblica!

Notifiche di vendita (per i fornitori di contenuti)

Seleziona il nome dell'artista o il titolo della label da mostrare nel campo autore del chart

Mostra titolo track

Inizia a digitare il titolo di un chart o track, oppure il nome di un artista o label per vedere i risultati.

Inizia a digitare il nome di un paese per vedere i risultati

Inizia a digitare un titolo di genere per vedere i risultati

Inizia a digitare il titolo di un track o album, oppure il nome di un artista o label per vedere i risultati.

Interrompi {title}

L'album {title} è stato eliminato

Le prime 24 ore dopo che il tuo track esce sono assolutamente cruciali: è il momento in cui l'algoritmo osserva. Che sia Volumo, YouTube o Instagram, quel primo picco di ascolti, salvataggi, condivisioni e interazioni dice alla piattaforma: ‘Ehi, questo merita di essere spinto.' Se riesci a coinvolgere subito fan, amici e rete, hai più possibilità di finire in playlist algoritmiche o ottenere maggiore visibilità. Quindi, non limitarti a caricare e rilassarti: preparati con contenuti da pubblicare, contatta la tua mailing list e sii attivo nei commenti. Quel primo giorno dà il tono a tutto il ciclo della tua release.

Il titolo contiene il nome dell'artista. Non è necessario aggiungere il nome dell'artista al titolo, verrà aggiunto automaticamente

Titolo

Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

Titolo del track

Track {title}

Il track {trackTitle} può essere acquistato solo come parte dell'album {albumTitle}.

Track {trackTitle} rimosso dalla playlist {playlistName}

Ritira l'album {title}? Dopo, l'album dovrà essere nuovamente moderato prima della pubblicazione.

Senza titolo

Usare “Volumo” nei titoli può portare a risultati di ricerca irrilevanti.

Noi di Volumo siamo i responsabili dei tuoi dati personali, utilizziamo cookie per personalizzare contenuti e annunci, per offrire funzionalità social e per analizzare il nostro traffico. Condividiamo inoltre informazioni sul tuo utilizzo del nostro sito web con i nostri partner social, pubblicitari e di analisi, che potrebbero combinarle con altre informazioni che hai fornito loro o che hanno raccolto dal tuo utilizzo dei loro servizi.

Non è necessario numerare i track nel titolo, vengono numerati automaticamente

è possibile presentare un reclamo all'organismo di regolamentazione, ma contattaci prima a {address}, faremo del nostro meglio per aiutare a risolvere il problema.

Oliver Cheatham

Panoramica

Top track

Ultime release

Go For It

Generi

Artisti correlati