Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Alek Biotic

Wehbba is an emblematic electronic music DJ/Producer from Brazil, having his name featured across the world on respected labels such as Drumcode, Kompakt and Hotflush.

Wehbba

Thomas Schumacher was eleven years old when Depeche Mode released Construction Time Again. "I'll never forget sitting at home, listening to the album in my headphones, trying to figure out how they made those sounds."
Thirty-five years later, Thomas Schumacher still burns with curiosity. The Berlin-based DJ and producer makes light of his status as one of the most successful, versatile artists in electronic music. "What I love about Techno is that it demands that you constantly challenge and reinvent yourself."
Thomas Schumacher is always pushing his own boundaries. "The art of being relevant," he says, "is to repeatedly forget what you know.” In his early days producing music, he had to learn how to physically create the sounds he heard in his head. Now, as a virtuoso, the challenge is to use his breadth and depth of musical knowledge to convey profound emotion. "Techno is not just a tool to make people dance" he says, "it is a very personal, intimate way of connecting."
This intimacy fuels the unique vibe of a Thomas Schumacher DJ set. He likens what he does to being the captain of a ship. “I purposely steer my sets into rough waters. I want to help people get out of their heads and into their bodies. I create a safe space for people to lose their minds, in the best possible way. They know they don't need to worry or be afraid, because I’ve got them. I know what I'm doing. They can let go and just be."
When not guiding clubbers through seas of sound, Schumacher reaches them via his productions on labels like Drumcode; Arts, Noir Music and his own label Electric Ballroom. The more he creates, the more there is to explore, the more opportunities to invent, connect, and imagine. "I am always the one to change it up," says Thomas. "My ongoing ambition is to connect with the people, every single time. Thats why I do what I do and love it so much. I have never seen a reason to compartmentalise my music and my life. Everything is energy and everything is connected."
On Beatport Thomas’ remix of the classic “The House Of House” became his third number one hit within the past 24 months after “Stella”- a propulsive anthem dedicated to his daughter and “Wonder”, his collaboration with Victor Ruiz - once again reinforcing his place as one of the Techno greats.

Thomas Schumacher

Hamburg based techno duo Kaiserdisco have established themselves as one of Germanys top exports to come out of the last decade. The synergy between Patrick Buck and Frederic Berger has resulted in a successful and consistent release schedule on many top labels including Drumcode, Get Physical, Suara, Terminal M and Tronic, and an endless list of top notch remixes.

Kaiserdisco

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

George Privatti

Nicole Moudaber

Format:B

Axel Karakasis

Raul Mezcolanza

When it comes to describing Nadja Lind, a dispassionate third person box ticking exercise doesn't really cut it. Sure, she has the credentials: a DJing career that kicked off on New Years Eve 2003 and has spawned a typically globetrotting calendar (b2b with Terry Francis at Fabric London, b2b with Silicone Soul@ Time Club Manila, Tresor Berlin...), a production career that has seen several works as either a solo artist or with Klartraum production buddy Helmut Ebritsch, and the dizzying heights of being co-owner of the Lucidflow imprint, a record label which has seriously started to rack up quality releases and remixes, seeing the likes of John Digweed and Hernan Cattaneo pluck from the catalogue, a seal of quality like no other. Tick, tick, tick... the facts are all there.

What this doesn't get across is the sheer warmth of personality that Nadja brings to your world once invited in. As barmy as a bag of cats, you can guarantee that there is one person at the gig that will be jumping harder than all the rest, and that is the lady in charge of the buttons herself. It's true; I've seen it at fabric London. Beaming smiles and effervescent personality, this shines through in her music: the serious tropes of Dub Techno and Deep Tech House are drawn upon and spun through a web of energy, a jolt from the defibrillators to the weary heart of the House music scene.

Her ceaseless energy is now spreading through into her performances; not content to just spin other people's tracks one after another, Klartraum have branched out into live performances featuring their own tracks and live jams. Also, since the start of 2012, Nadja's sets (barring her marathon 6 hour Audio Olympian excursions) are now populated purely with her own hand crafted distinctive sound, thanks to a back catalogue that is pretty much humungous. Venues such as the world renowned Fabric and infamous Kazantip festival have been treated to this unique vision.

Continents and countries such as Australia, India, Kenya, USA, Asia, Mexico have been treated to the Nadja touch. A cheeky partnership with those fans of Dark Rooms and Dubs, Silicone Soul, is blooming into some exclusive DJ mix and label collaboration parties. Plus the eternal draw of a bulging production catalogue that will continue to deliver a spectrum from Dub and Chill Out to the straight up Techno of her Luci-fer alias, working solo and with illustrious names such as Brendon Moeller, Saytek, Grunbox, Omar Salgado, G-Man (a.k.a. LFO), Lulu Rouge and Paul Loraine.

So there we have it; the past, present and future of Nadja Lind, all boxes ticked, facts present and correct.

Nadja Lind

Aitor Ronda’s concrete roots can be traced back to 90’s techno. His personal commitment to the mutant and clubbing techno has been in force since 1996, when he began to play his first vinyl records. In 2001, when he decided to release on that format for the very first time, while he decided to create his own Drakos (where he signed “Trilogy” alongside DJ Rush) and Upfront imprints too. Since then the Barcelona-based DJ/Producer has built a real solid music career -accumulates 20 years of experience- that culminates now with its new brand/project: WHACK

WHACK it's a fantastic two-headed monster. A label and events, a double shelter ideal for his greatest passion ever: techno sounds in its widest range of styles and forms. Important to remember at this point Aitor Ronda's mastery and skills both in the recording studio – in the middle of nowhere and where he spends hours and hours- and the DJ booth. Accurate techniques acquired throughout all these years playing his sounds at massive festivals and venues as Sónar, Monegros, Privilege, Space Ibiza, Florida 135, Egg London and many more. In the same way as critically acclaimed published on record labels such as Terminal M (Monika Kruse’s label), Octopus (Sian’s label), or the mighty Tronic (Christian Smith´s label) without forgetting Pig&Dan’s own Elevate imprint, where he has been piling up a quite good bundle of absolute bangers and fantastic EPs. Including “Tweezer”, this track became #1 of world techno best sellers in 2018.

Aitor Ronda

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Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

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Alek Biotic

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