Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Eric Essebag

Roland Clark

Junior Sanchez has been a dynamic force in the world of house music, consistently pushing boundaries with his diverse sounds. His extensive catalog boasts releases on renowned labels like Defected, Relief, Mad Tech Records, Strictly Rhythm, and Nervous Recordings. Noteworthy remix credits include Madonna, Gorillaz, Jamiroquai, Daft Punk, Chrvches, Azealia Banks, and Ariana Grande.

As 2023 concludes, Junior's recent releases on Planet E, Wh0plays, Circus Recordings, Club Bad, and Defected, along with the attention-grabbing collaboration with Dance System as Freqazoids, showcase his continued impact. With plans for a sophomore album in 2024, Junior Sanchez remains a headline act on global stages, from Ultra in Miami, Korea, and Singapore to Pacha and Ushuaia in Ibiza, demonstrating no signs of slowing down.

Junior Sanchez

Seumas Norv

From the underground clubs of the UK to global festival stages, Grace Bones is a dominant force in the UK House / Garage scene. The current moniker of renowned UK-born, LA-based music producer, DJ, remixer, and hit-maker James Hancock, Grace Bones is the culmination of years of sonic evolution and dance floor domination.

With over 250 + releases, two gold records, and a genre-spanning legacy that includes Rave, Drum & Bass, Garage, and House, Grace Bones brings a deep musical heritage with a razor-sharp edge. He has notched up 26 Top 100 Dance records and 12 Top 10s.

His music has landed on the most respected labels in the business: Sony, EMI, Nervous Records, Snatch Records, Dopewax, Stealth, Moxy Muzik, King Street and many more—proving his sound is not only in demand but shaping the very future of House & Garage music.

Grace Bones

Mr. V

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

Demuir

It can’t be missed that Dennis Quin has emerged his way up into the scene as one of the most exciting names Worldwide, after being Amsterdam’s best kept secret for a while.  
The Dutch native Quin has got a mature, though refreshing sound identity that you simply don’t hear that often.

Quin’s passion for House music started in the early nineties inspired with the Chicago / NY House sound, Dennis bought his first vinyl records (his first records by: Kerri Chandler, Todd Terry and Masters At Work) he got, Dennis is a true curator of undiscovered sounds to apply in his current work as a producer.

HIS MUSIC, HIS SOUND

His signature sound is being adapted in today’s global House scene. Being diverse sound wise, but always consistent within his own productions, Dennis Quin claims the spotlight he deserves.

Dennis Quin's music is irresistible. He has a unique and unmistakable sound, combining heavy bass-lines with infectious rhythms that make the dance-floor heave. His melodies conjure up all sorts of emotions, while his hypnotic grooves are guaranteed to leave any crowd entranced. Whether you're into thumping Tech House or sublime Deep House, Dennis Quin always delivers something special. And with his impressive discography,

His long-lasting legacy as a selector and tastemaker within the scene has earned him recognition from industry professionals, chart success and legions of loyal fans. With each release, Dennis Quin continues to defy expectations with his sublime production skills, creating timeless bangers that effortlessly bridge past and present. His tracks never fail to take listeners on an unforgettable journey through the evocative sounds of classic house music.

It's no wonder why this maestro of modern House Music continues to captivate audiences around the globe.

Highlighting his collaboration and friendship with Kerri Chandler, his successful remix of Kerri’s - You’re In My System opened doors internationally.

It was a matter of time that the music of Dennis nowadays gets heavily supported by the likes of Chris Stussy, Jamie Jones, Seth Troxler, Louie Vega, and Benny Rodrigues.  Next to all of the massive club and festival support Dennis is a regular at BBC Radio 1 and doing resident live mixes on a regular base at the Dutch National Radio SLAM! (The Boom Room)

Being asked by Kerri Chandler to play B2B multiple gigs last year, and also played b2b with Benny Rodrigues, the Dutch king of House and Techno,

No hype, rather timeless music. One of the highlights in 2025 is the forthcoming Dennis Quin remix for legends Moodymann & Louie Vega next to an official Masters At Work Remix seeing the light of day later on on the iconic US Nervous Records label

DENNIS QUIN THE ARTIST

A When it comes to performing, Dennis transforms into a true passionate crowd-focussed DJ when he enters the booth.

Besides being the most friendly giant of the scene he is playing most often exclusive unreleased tracks of his own and cheeky private reworks / edits that makes him stand out for sure.

Dennis performed at shows in Miami, Chicago, New York and even in Tokyo, a regular at Amsterdam renowned festivals like Straf_Werk, Mystery Land, and iconic club venues all over the world like Fabric London, Spybar Chicago, Amnesia Ibiza, Pacha Barcelona just to name a few.

Dennis has got a reputation for creating the most unique and exciting atmosphere. His sets draw on a range of different styles and influences, Dennis is always focussed playing new, mostly his own exclusive music in his sets.

He definitely knows how to work the room. Drawing on over a decade of experience, he has a knack for reading the energy of the crowd and crafting sets that keep people dancing all night long. Whether it's a sweaty warehouse rave, Summer Festival or an intimate club-setting with sweaty gritty vibes, Dennis knows how to set the vibe and keeps things moving.

Always being able to adjust to the right setting without making concessions to his own fingerprint sound.

RELEASES

With previous original Hit records like ‘ Move Out Of My Way’ Dennis Quin turned heads. Being streamed on Spotify more than 6.6 mln times, charted at the MTV Europe Big 20 Chart Show in 2018 he turned heads.

in 2025 he reached 1.4M monthly listeners and over 10k followers on Spotify.

His second most successful track is the highly respected remix of ‘ You’re In My System’ (Kerri Chandler, Jerome Sydenham) released on Ibadan Records, Selling out 2 represses in a few weeks time, there’s no doubt that this Dennis Quin interpretation of the original will always be a timeless record. Yet again in 2023 officially re-released but this time as an official collaboration with Kerri.

With his diversity in styles he managed to get signed to the renowned Slapfunk’s Sister label ‘Dungeon Meat’ with an original solo EP in 2024 (Vinyl only).

2025 sees a lot of new music on a wide variety of labels such as Dungeon Meat, Constant Sound and Dennis will launch his new imprint this summer.

Dennis released his music on labels such as Beeyou, Dungeon Meat, Constant Sound, Eastenderz, PIV and Kaoz Theory and will release in 2025 on Factory 93 Records, MAW records and more to come.

Dennis Quin

Hector Moralez

Paul Najera

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