Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Al-Faris

Stan Kolev

Hot Since 82

Yokshire based DJ & Producer.

Knee Deep In Sound

Hot Since 82

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Nick Curly

This music industry legend, trailblazer, and currently one of the hottest DJ’s and producers on the underground electronic music scene...Green Velvet... came into existence more than 25 years ago. In 1993 Green Velvet launched Relief Records and since that time has been a constant presence in the industry. When this very eccentric, green Mohawk wearing Green Velvet emerged, he sent shock waves throughout the House and Techno music scenes. What was even more intriguing was his background. Born in the southern suburbs of Chicago, IL he has always been an active athlete and focused student determined to follow his dream of becoming a chemical engineer. While he excelled scholastically he was socially introverted, but always committed to finding ways to share his enthusiasm for living. Even today, more than 25 years later...it is difficult to go to any electronic music festival or set and not hear music from Green Velvet/Relief Records. Crowds everywhere sing along when notable hits like: Bigger than Prince, Flash, La La Land, Lazer Beams, Live Stream, Preacher Man, Shake and Pop, Sheeple, Suga, and Voicemail, are blasting across the airwaves. Part of the history of Green Velvet and Relief Records is all about the Love.... Love of the music...Love of the fans...Love of other artists. The history of great releases on the label and artists speak to this.

Green Velvet

It's by no means a coincidence that Tim Engelhardt released his debut album on Steve Bug's Poker Flat label at the tender age of 17 years old. For his musical education began a full decade earlier, when he made his first encounter with classical music theory on the piano at home. Influenced by the musical leanings of his parents, with Mike Oldfield's compositions being particularly formative, Tim soon discovered the tracks of Cologne producer Robert Babicz, shifting his focus to computers and synthesizers as the primary means of production. In the midst of a diverse new generation of young producers who'd source their inspiration from a whole range of genres, Tim kicked off his career as he released his first vinyl EP at the age of 14. It's the combination of a deep-running music knowledge and an intuitive playfulness that Tim has been cultivating since then, expressing itself in a great love for harmony and expanding melodic structures, paired with an organic flow and atmospheric density. As a result, Tim's impressive output of the past years found a home on labels like Poker Flat, Cityfox, Watergate, Fryhide, Innervisions, Vivrant and, most recently, on Oliver Koletzki's Stil vor Talent, where his second album 'Idiosynkrasia' was released in 2020. His work in the studio is only one side of the coin, however, as Tim has been touring the globe extensively, playing dance floors at festivals and clubs in Australia, Africa, India, Europe and the US. Here, Tim found a home away from home in New York, where the renowned Cityfox awarded him with a permanent residency at the super-club Avant Gardner. His continuous presence in the Big Apple culminated in the musical contribution to the New York Timesbestseller project 'The Outlaw Ocean' by journalist Ian Urbina. During the touring drought of the pandemic and thanks to his tireless research in the studio, Tim was able to make a name for himself as a sound engineer, upgrading the mixdowns of other artists. Additionally he released numerous sample packs and software templates in 2021, aiding young artists in their own production quests. Tim Engelhardt's vision for the future: Art with personality – art that holds a piece of its creator at its heart. His mission is to translate the sounds in his head into reality as convincingly as possible. Which explains why Tim's productions don't really sound like the standard DJ fodder, as he delivers a well-rounded musical vision to the club floor, that is just as awe inspiring on the hi-fi system of your living room

Tim Engelhardt

Alan Fitzpatrick

Arndt Roerig and Marko Vidovic – known as Tube & Berger – started their musical journey over a decade ago. Since then, the house producers and in-demand remixers have put out two acclaimed studio albums, released on an array of prestigious labels and played constant gigs around the world.

After early experiments in the world of punk music, the German duo’s first breakthrough came with their 2004 hit ‘Straight Ahead’, which featured the vocals of Chrissie Hynde and shot straight to the top of the dance charts. Since this early success, their output has evolved significantly by incorporating real-life recordings and samples into their music. Their intricate, emotion-laden production style creates records that are organic and evocative, without losing that dance floor punch essential for the modern-day DJ.

Tube & Berger have undoubtedly helped to shape the house genre, crafting several scene defining records in the last couple of years. Most notable is ‘Imprint of Pleasure’, a heart-wrenchingly poignant dance floor anthem released on Suara Records that has provided the soundtrack for festivals and dance floors for many years.

Last year, Tube & Berger and Junior Jack's collaboration track 'E Samba 2018' was a massive No.1 hit. In 2019, Tube & Berger's remix for Samim - ‘Heater' became a global dance floor hit and instantly rushed to the No.1 spot on the main charts before staying there for weeks.

In terms of live performances, Tube & Berger never tire. They are proven Ibiza heavyweights with frequent shows at ANTS in Ushuaia and Hï Ibiza. Festival-wise, they’ve headlined at Tomorrowland, Loveweek Festival, Eastport Festival, Claptone's Masquerade and played dates at ADE including 'All Gone Pete Tong' and multiple Toolroom Showcases.

Tube & Berger

Mark Broom's Upcoming Gigs
Sun 22 Nov, 20
10 Years of Natural Selection (pt. 1) - FOLD (Live Stream) w/ The Advent, The Fear Ratio, 96 Back & more, FOLD, London E16 4SA, England

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A truly prolific artist, Mark Broom has a myriad of production credits to his name having worked with world renowned labels such as Blueprint Records, Rekids, M-plant, EPM, Cocoon, Bpitch Control, Warp Records and the legendary Ifach with Baby Ford.

It all started in the summer of ‘89 when he landed in Tenerife on vacation and stumbled across the delights of the emerging sounds of Chicago and Acid House. Returning to the UK, he immediately went in search of this new found music, a pair of turntables were bought and with it a musical career was born. He has also had the pleasure of reworking material from artists such as Robert Hood, Floorplan, Alan Fitzpatrick and Gary Beck.

Mark Broom

DJ/Producer, owner of Glasgow Underground

Kevin McKay

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