Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Pinco

Since debuting on 2020vision recordings in the mid-00’s Audiojack have risen to become one of electronic music’s most exciting and unique duos. Now releasing on Crosstown Rebels, they also run the record label Gruuv, and have built a stellar reputation for their epic back-to-back DJ sets

Audiojack

Riva Starr

Darius Syrossian

Detlef

Still young but with experiences in the booth and studio well beyond his years, he has a fine array of tools at his disposal. Over the past years, the friendly character has excelled at many different musical styles, often ahead of the curve, but all intrinsically linked in Hux’s own inimitable style in a House to Tech House to Techno vein, all musically accomplished offerings that stir real emotion. Proof of that lies in his varied and vital discography. In 2020 alone he released across a string of top tier labels the likes of Knee Deep In Sound, Hot Haus, Moon Harbour, Repopulate Mars, Muna Musik, We Are The Brave & more. The aforementioned include many club hits and Dj Weapons. Always refusing to stay in one sonic niche for too long, Huxley – whether working solo or with collaborators – switches up his sound, tries new things and colours outside the lines with every new outing. Not afraid of a big hook or slaying bass line, he is an artist who unites a variety of sounds, styles and scenes with ease, and always proves as fun as he is well informed. As a Dj, Huxley is someone as comfortable headlining a vast festival stage as he is holding down a small and sweaty basement. He does so from Africa to Australia and is the sort of selector who always delivers a slick high impact dose of the good stuff. His youthful looks have adorned the pack-shot cover of Spotify’s hugely populated Electronic Rising playlist not once but twice already, showing he has that mass demographic appeal to the new generation of Spotify clubbers that are fanatical about the dance scene just as much as he is himself.

Huxley

Avant-garde soundscapes and sonic experimentation define Upercent, the unorthodox artist who has forged his own path in electronic music. Influenced by his Valencia roots and guided by a singular vision, he has earned critical acclaim with releases on Innervisions, Kompakt, Diynamic, Cult Order, TAU, Crosstown Rebels, Essential Part and Watergate Records. His music has connected through collaborations and reworks with artists such as Jimi Jules, Ivory, Marcus Worgull, Adana Twins, Aera, BLOND:ISH and Innellea. Always evolving, Upercent remains one of the most distinctive voices in contemporary electronic music.

⦿ Bookings: rober@essential-part.com

Upercent

Bringing his African ethnic roots together with his good Italian taste, Tamango Records boss Yaya is one of the hottest names in the electronic music scene. Yaya grew up in Turin, where the tunes of his father - percussionist and leading voice of the “M’bamina” ensemble - helped him to discover his inner sense of rhythm, thus starting his relationship with music at an early age and performing as a drummer around the city. Since joining the mighty Desolat family back in 2009, he never stopped moving between the biggest meccas of European electronic music, playing at the best clubs and festivals from all over the world. Besides his unique DJ sets, Yaya is also a prolific producer: after releasing on some of the most respected underground labels, he went on and in 2016 founded his own imprint Tamango Records which has seen names from the likes of Loco Dice, Enzo Siragusa, Cuartero, Manda Moor, Mason Collective, Fleur Shore, Sidney Charles, Toman, Rich NxT and S.A.M. to name a few.

Yaya

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

George Privatti

Danniel Selfmade Dj/Producer its variant style in the Electronic / techno melodic & Deep tech.

The tracks that Danniel Selfmade releases are absolutely and consistently outstanding. Danniel has a hugely varied musical style and importantly Danniel’s music appeals very much to both men and women. Danniel's music is funky, subtle, layered, sexy and melodic with strong baselines and complex arrangements.

Note the recent Nº1, with the remix for M.A.N.D.Y. & Booka Shade, from Get Physical's classic Body Language, & Nº1, with the track WHY HERE from Dpe, on beatport.

Additionally, a huge number of Industry Leading DJs have charted Danniel Selfmade’s music and Infamous Recordings label, including Richie Hawtin, Marco Carola, Pig&Dan,Tim Green, Nicole Moudaber, Dubfire, Adam Beyer, Joseph Capriati, Neverdogs, Mathias Kaden ect… In recent years has played in clubs around the world in locations like Mallorca, Ibiza, Germany, London, Turkey, Italy, Beirut and Japan, . DJing in Clubs such as BCM Planet dance , Pacha, Bora Bora, Privilege Ibiza, The Egg London, Tresor Berlin, Rheingold, Mandarino, Tag club Venice . . ..

This new year is focussing on a sound that has the unique personal style and a big electronic project….. Templanza live.

Danniel Selfmade

Frank Heinrich, known as Reboot, began crafting tracks on studio equipment with his savings while most kids his age were just discovering video games and
girls. Growing up in Frankfurt, Germany, he was deeply influenced by Sven Väth’s Omen club. Reboot’s production style is a blend of various musical genres including 
latin, dub, reggae, world music, jazz, funk, and R&B, making his music a unique mix of club-oriented house and minimal sounds. His tracks, often described as 'complex polyrhythmic architecture,' captivate dance floors worldwide. Reboot’s debut album 'Shunyata' (2010) showcased his command over intelligent and exotic sound structures. This was followed by 'Deep_V' (2014) and 'aLive' (2016), with contributions from renowned artists like Ricardo Villalobos and Kölsch. His extensive discography includes releases on labels like Cécille, Cadenza, Cocoon and Defected, spanning over 300 releases and remixes. He has successfully toured major global events, including Awakenings, Ultra
Music Festival, Tomorrowland, and renowned clubs like Hi Ibiza, Womb Tokyo and Fabric London. After a deliberate phase of retreat in recent years—marked
by personal reflection and transformation, Reboot returns with renewed energy, creative clarity, and a bold vision for the future

the journey continues

Reboot

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Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

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ZODIAC CIRCUS II

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