Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

The Selph

Since debuting on 2020vision recordings in the mid-00’s Audiojack have risen to become one of electronic music’s most exciting and unique duos. Now releasing on Crosstown Rebels, they also run the record label Gruuv, and have built a stellar reputation for their epic back-to-back DJ sets

Audiojack

Darius Syrossian

Still young but with experiences in the booth and studio well beyond his years, he has a fine array of tools at his disposal. Over the past years, the friendly character has excelled at many different musical styles, often ahead of the curve, but all intrinsically linked in Hux’s own inimitable style in a House to Tech House to Techno vein, all musically accomplished offerings that stir real emotion. Proof of that lies in his varied and vital discography. In 2020 alone he released across a string of top tier labels the likes of Knee Deep In Sound, Hot Haus, Moon Harbour, Repopulate Mars, Muna Musik, We Are The Brave & more. The aforementioned include many club hits and Dj Weapons. Always refusing to stay in one sonic niche for too long, Huxley – whether working solo or with collaborators – switches up his sound, tries new things and colours outside the lines with every new outing. Not afraid of a big hook or slaying bass line, he is an artist who unites a variety of sounds, styles and scenes with ease, and always proves as fun as he is well informed. As a Dj, Huxley is someone as comfortable headlining a vast festival stage as he is holding down a small and sweaty basement. He does so from Africa to Australia and is the sort of selector who always delivers a slick high impact dose of the good stuff. His youthful looks have adorned the pack-shot cover of Spotify’s hugely populated Electronic Rising playlist not once but twice already, showing he has that mass demographic appeal to the new generation of Spotify clubbers that are fanatical about the dance scene just as much as he is himself.

Huxley

Avant-garde soundscapes and sonic experimentation define Upercent, the unorthodox artist who has forged his own path in electronic music. Influenced by his Valencia roots and guided by a singular vision, he has earned critical acclaim with releases on Innervisions, Kompakt, Diynamic, Cult Order, TAU, Crosstown Rebels, Essential Part and Watergate Records. His music has connected through collaborations and reworks with artists such as Jimi Jules, Ivory, Marcus Worgull, Adana Twins, Aera, BLOND:ISH and Innellea. Always evolving, Upercent remains one of the most distinctive voices in contemporary electronic music.

⦿ Bookings: rober@essential-part.com

Upercent

Bringing his African ethnic roots together with his good Italian taste, Tamango Records boss Yaya is one of the hottest names in the electronic music scene. Yaya grew up in Turin, where the tunes of his father - percussionist and leading voice of the “M’bamina” ensemble - helped him to discover his inner sense of rhythm, thus starting his relationship with music at an early age and performing as a drummer around the city. Since joining the mighty Desolat family back in 2009, he never stopped moving between the biggest meccas of European electronic music, playing at the best clubs and festivals from all over the world. Besides his unique DJ sets, Yaya is also a prolific producer: after releasing on some of the most respected underground labels, he went on and in 2016 founded his own imprint Tamango Records which has seen names from the likes of Loco Dice, Enzo Siragusa, Cuartero, Manda Moor, Mason Collective, Fleur Shore, Sidney Charles, Toman, Rich NxT and S.A.M. to name a few.

Yaya

Frank Heinrich, known as Reboot, began crafting tracks on studio equipment with his savings while most kids his age were just discovering video games and
girls. Growing up in Frankfurt, Germany, he was deeply influenced by Sven Väth’s Omen club. Reboot’s production style is a blend of various musical genres including 
latin, dub, reggae, world music, jazz, funk, and R&B, making his music a unique mix of club-oriented house and minimal sounds. His tracks, often described as 'complex polyrhythmic architecture,' captivate dance floors worldwide. Reboot’s debut album 'Shunyata' (2010) showcased his command over intelligent and exotic sound structures. This was followed by 'Deep_V' (2014) and 'aLive' (2016), with contributions from renowned artists like Ricardo Villalobos and Kölsch. His extensive discography includes releases on labels like Cécille, Cadenza, Cocoon and Defected, spanning over 300 releases and remixes. He has successfully toured major global events, including Awakenings, Ultra
Music Festival, Tomorrowland, and renowned clubs like Hi Ibiza, Womb Tokyo and Fabric London. After a deliberate phase of retreat in recent years—marked
by personal reflection and transformation, Reboot returns with renewed energy, creative clarity, and a bold vision for the future

the journey continues

Reboot

Namito

Josh Butler

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

But Sidney Charles in his age of twenty-something already looks into many happy faces, when he enters the decks. Everybody, who understands this love-binding kind of music, has to live the urban movement behind it, the culture that brings people of all kinds together. Exactly these motions are fascinating the young man, born as Sidney Charles Hurricane Vieljans in Hamburg, Germany.

With the age of 15 Sidney Charles discovered the magic of the two black discs spinning on the 1210s. At the beginning Hip Hop, Soul, Funk, Breakbeat and Turntablism was Sidney´s medium to express his emotions. Highly delighted and inspirited by the time of late 80s and early 90s, when the movement, accompanied by young culture, began, Sidney Charles was finding the higher BPM-numbers of House & Techno were leading to more inspiration and happiness.

He is not a musician, nor a percussionist. He is a collector. A collector of culture and experiences. The energy and feeling around the music is what makes the difference and letting Sidney Charles not be one of manys.

Sidney Charles

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Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

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The Selph

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