Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Max Essa

Freestyle Man

Kennedy

steadily and consistently since then, mostly on his own labels Freerange and Delusions Of Grandeur.  Releases such as 'Dangly Panther', 'A Love Like This' and 'Solitude' continue to be choice cuts for many DJ's whilst 'These Times' and 'Porchlight And Rocking Chairs', two more recent deep house anthems, were remixed by Dixon and KiNK to serious effect. &nbsp;

His current stat count as a remixer has reached triple figures and the acts to receive his midas touch include everyone from&nbsp;Osunlade, Solomun, Detroit Swindle and Josh Wink through to Kerri Chandler, Joey Negro and Terrence Parker.

Equally at home making club-focused music as well as more experimental, downtempo productions, the ideas continue to flow freely from his studio in Essex, UK and with over two decades of experience to draw on we see clearly that the fire is still burning as brightly as ever.

Jimpster

Starting in Naples in the early nineties with productions for legendary labels like
the Italian UMM, and for more than 20 years, Tuccillo has been an integral part of
the winding paths of electronic music.
He evolved step by step with new influences but firm in his way of producing and
in his support for vinyl and its classic sound.
Over the years, both analog and digital instruments have been incorporated into
his studio.
Driven by a timeless sense of sound and flawless production, as part of his sonic
imprint, he prefers to mix manually on an analog mixer and modulate sounds
directly from the hardware or create his beats using old akais samplers.
Starting from Ibiza, Tuccillo has taken his sound and sessions to the most
outstanding clubs in the world.
He began his first venture as a record label founder in 2013 launching Unblock
Records.
Together with close friends they embarked on creating their first vinyl. Since then,
collaborations and remixes from artists such as Djebali, Dj Sneak, Robert Dietz,
Tomoki Tamura, Shaun Reeves and Satoshi Tomiie have been added.
This same year together with Tomoki Tamura, they create an alias for a
collaboration entitled "Doublet" which will be the name that will launch the vinyl
series.
Currently Tuccillo has resumed his passion for the "Chill out balearic" sound. Since
his arrival in Ibiza in 2000, thanks to this genre, his productions have undergone
collaborations with legends such as José Padilla. Together with another pioneer
from Ibiza, Dj Pippi in 2016 they launched the label "Modern Manners"
In this project Tuccillo also adds more collaborations such as Modonostro with the
vocalist Danielle Moore of Crazy P. and Mr. Few. or
also under the aliases Tuccinelli and FewLab.
At the beginning of 2020 Tuccillo created ”Electrobalearic”, the simple idea of
mixing two genres such as electro and Balearic beat is clear.
In the summer of 2021 he launched his personal project “House of Tucci, where he
took up his favorite game, the pure and deep house sound of the 90s ,
which includes releases with collaborations and remixes by Archie Hamilton and
vocalist Kindbud.
“A year later, Tuccillo starts the 2022 with a remix for Nightmare on Wax of his song
Wonder" from the LP "To Freedom" released on Warp Records for a special Vinyl
Remixes relase with other artists such Osunlade and Paul Woolford.
Afterwards he began working on his first EP "sunshine City" for the legendary NYC
label “Nu Groove records”
and at the same time a collaboration with vocalist Howard Perry and TradeCraft for
the song "I believe"
which will be released together in a special vinyl edition.
In the summer he also released his first EP on Kerry Chandler's label "Kaoz Theory”-
The Waves Ep.
Climbing the top100 House of the most important stores.
Tuccillo confirms to be an
important part for lovers of the classic House sound.
In 2024 Tuccillo is once again punctual with the releases, returning with his labels
Unblock and House of Tucci,
and also in his latest EP for Nu Groove "Frames Ep"
which features a collaboration with the Chicago legend Ron Carrol
"Don't Walk Away “.
Through the years Tuccillo has proven to be a constant and consistent creator.
His passion for searching for new sounds is tireless and it is difficult to define him
with a single musical genre.

Tuccillo

Egyptian born and now Barcelona based, as an artist Raxon is testament to the adage that passion and determination will take you where you want to be.


Raxon

Martin Iveson aka "Atjazz", Music Writer, Producer, Mix Engineer, Mastering Engineer, Label Owner & DJ
From his misspent youth skateboarding the frontier towns of North Eastern England, Martin Iveson arrived into the UK’s Midland scene in the early nineties, here he was to take a job at a new computer games development studio by the name of Core Design Ltd., this company is now synonymous with Lara Croft and the series of Tomb Raider games.

Not content with scoring this, one of the world’s most famous video games, Martin left the company 13 years later to concentrate more on his own studio environment in which to channel his musical aspirations further, and invite other musicians and producers to do the same.

The success of his early works including his first EP ‘Story’ in 1996 led to the well-received album ‘That Something’, which was later licensed in Japan by Sony/Kioon in 1998. This debut album also featured cover artwork by Fujio Akatsuka, very well known in Japan for his Illustrations and animated cartoons. With two further albums, ‘Labfunk’ & ‘Labresults’ following soon after, Atjazz had at this time established himself as a distinct and inspirational voice in the underground music scene.

Martin has also been a prolific remixer throughout his career remixing and reworking songs & works for artists such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias & Omar to name but a few and was even requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records. Martin is still remixing heavily as he states that remixing has helped to launch his production techniques forward and it’s the perfect practice pitch for trying out new ideas and breaking moulds within a diluted industry. “Remixing helps to hone your sound and allows the producer to print their trademark into another space”

Martin’s trademark sound has been requested on many occasions by top class vocalists including Clara Hill, Robert Owens, Ernesto and many more for their own artist album projects and also rubbing shoulders with some amazing musicians & producers along the way. 

2009 saw Martin close his label Mantis Recordings due to harsh industry changes and from these ashes came the Imprint appropriately named ‘Atjazz Record Company’, which has flown to great heights within the digital realm and has seen many fantastic and sought after releases including his 3rd long player ‘Full Circle’. This label concentrates heavily on Martin’s productions and collaborations. Atjazz Record Company is a new chapter for Atjazz but with a continuation of his trademark sound.

Martin ‘Atjazz’ Iveson is in demand across the world: Whether it be renowned producer, sought after remixer, or floor filling DJ, Martin gives his heart to hold the soul…

Atjazz

Multi-award winning, London based producer, songwriter and DJ; Maya Jane Coles got into making music as a teenager inspired by rap and trip-hop before later working in other genres from house and techno under her own name through to dubbier, bass driven music under her Nocturnal Sunshine alias.

Maya’s debut release was back in 2008 on Dogmatik with the “Sick Panda 12". Later releasing on underground labels such as Mobilee, 20:20 Vision, and Hypercolour. Maya’s “What The Say” proved a pivotal release, an instant house classic, which was later integrated into mega hits “Truffle Butter” by Nicki Minaj and Katy Perry’s “Swish Swish”.

In 2013, Maya released her debut album “Comfort” on her own label, I/AM/ME. The album won many accolades and featured collaborations with Tricky, Miss Kittin, Kim Ann Foxman, and Nadine Shah amongst others. This was followed in 2015, by Maya's debut eponymously named Nocturnal Sunshine album.

Maya’s sophomore release came in 2017 with the double album “Take Flight” in 2017, containing downtempo as well as house tracks; with featured coming from frequent Maya’s collaborators Chelou and GAPS.

Maya also found the time that year to support Depeche Mode on their European stadium tour. Indeed, as a DJ Maya has toured in over 40 countries releasing mix compilations for DJ-Kicks (2012) and fabric (2014).

Maya’s is also widely known for her extensive list of remixes which includes reworking the xx  Little Dragon, Ella Fitzgerald, Bonobo, and Sia.

Maya Jane Coles

Sandrino

There aren’t many people that can say that they have devoted their entire life to electronic

music, Florian is most certainly one of them. DJ, producer, lecturer, plus label owner? Yes,

Kruse has ticked all the boxes.

Florian Kruse

Ian Pooley

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Le 3 cose che i DJ pro odiano di più nei siti di musica? Vediamole una per una. "Text Overlay": Le tre grandi frustrazioni

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Panoramica

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Below the Horizon, Vol. 1

The Clean Trip - Remixes

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