Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Jean Bacarezza

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Gorge

Rico Puestel

Oliver Knight

Bio:  With a love of music from an early age, Col Lawton grew up in South Shields listening to artists such as The Jam, Stone Roses, Blur and Oasis. Using his pocket money to buy vinyl’s and tapes, Col was drawn to house music in the early 2000s when his ear for music changed.

Inspired by the emotions, rhythms and the feelings of house music, Col was first influenced by friends at house parties. One of his first inspirations was Stu Welford who showed him what to do and how to become a great DJ. His musical inspirations developed in the early 2000s when he discovered Naked Music with Col crediting Miguel Migs as an artist who first inspired him through his sounds and mixing. Another early musical inspiration was Mark Farina whose melodies and smooth mixing became a source of inspiration for Col.

As well as strong musical influences, Col is inspired daily by his family including his wife and son who make him work hard to achieve his dreams. Col also credits his good friendships, including Robbie Robinson, for believing in him and pushing him to achieve what they know he can.

Col was drawn to house music due to the feelings and emotions it evoked in him all those years ago. Today he still believes the feelings that house music generates acts as a trigger for him. His first live mix was in a bar in Newcastle and remembering how it felt to get that first mix right is something that has never left him.

Col loves to create music whether it is producing and looking for a particular sound that evokes those strong emotions or whether it is just creating music that brings new people into his life who love the same music as he does. His current musical inspirations include Scott Diaz, Sebb Junior, Manuel Costela, Muguel Migs and The Journey Men.

As a producer, Col is currently in the studio producing his sound, working with his team and spreading his wings by working in more clubs and at more events to show off what he can to do those who enjoy his deep/funky/jazzy style.

As his career grows and develops, Col hopes to create music that people will love and remember, either because they first heard it dancing in Ibiza with friends or because it is something they fell in love to having their first kiss. Music that matters is his blue print so his achievements will be measured on if he made good quality music that house music lovers love. Col also hopes to be able to travel the world perusing his dream and enjoy house music for the purpose it was made for – the feeling.

Col Lawton

DOMPE aka Dominic Wagner is a DJ & Producer with an absolute passion. A day without Music is a lost day for him. He describes himself as a restless person always searching for the next track and a perfect baseline. His Output is noticeably high. The Output of Releases have attracted for many attention, national and international

2016 he has signed on many named labels like: SNOE, LAPSUS, STYLEROCKETS, SUPERFANCY Rec., AUDIO SAFARI, WIRED and many more. 2017 it goes on with GET PHYSICAL, KITTBALL, MONKEY LEAGUE, STYLEROCKETS and JACK FRUIT RECORDINGS.

The cooperation with his friend Andreas Schreck, better known as AGENT! is a good one, with a real groove. They spend much time together in the Studio and one can be eager for the results. Their EP SULTAN was a big one in 2017 and played by CLAPTONE and many more.

His tracks can also be finding on many “Berlin-Sounds”-Compilations. Next to his own releases, he brings out several lovingly carried remixes for his buddies. 2017 he released on 3000 GRAD, LAUTER UNFUG, BRISE RECORDS, just to name some.

CLAPTONE put DOMPE´s Tracks in his Best of 2017 Playlist and cause of the 10th anniversary of HANNE & LORE DOMPE made his one Version of HOSHLE, fresh released on HEULSUSE.

Also not uncommon that he can listen to his own stuff while he stands in the clubs private. CARL COX, LAURENT GARNIER, MARCO CAROLA, RICHIE HARTWIN play his songs.

DOMPE´s Tracks stand for extraordinary vocals paired with optimal arranged Sounds and Baselines. Never boring and always innovative.

In the summertime 2016 he played in India (Bangalore) for the first Time, transforming the dance floor into a boiling dance extravaganza in nearly no time. But, of course, he was also finding on the German festivals floors, for example he played at NATURE ONE or DIE LETZTE WIESE. At the Beginning of 2017 he was invitated to Russia, Nischni Nowgorod.

The Berlin Scene appreciates his sets: DIE WILDE RENATE, BIRGIT & BIER, IPSE, RITTER BUTZKE are only some locations, he played. HAMBURG, KASSEL, NÜRNBERG, COLOGNE, WÜRZBURG and MUNIC, national everything was in the program.

In Addition to that he also has time to work as a successful label manager for the Berlin Imprint of the KIDDAZ.FM-Musicgroup named STYLEROCKETS and proves his talent for new sounds and high talented artists. With JACK FRUIT RECORDINGS he founded his own brand new Label in 2017. There were three releases until now. 2018 there will be some more, with other artists.

At the end of 2011 he moved from Cologne to Berlin. A decision he has never regretted. But he is a well-known man in the Rhineland. With some Buddies he had a Club called ELECTROKÜCHE.

It is not unlikely that he will release his third album 2018. 2011 there was his first one BEAT BACK on IMPULSE REC. and in 2013 PARADISE CITY was the second one on MIMIQUE Rec. So it´s time for something new, the year has just started.

Dompe

JAQUES LE NOIR, better known as Giacomo Bisciarri aka BSHARRY, start this project in 2014. It 'been featured numerous times in featured of Beatport and top of the charts of Beatport, Traxsource, Dj Tunes e Juno Download.

"Tequila" #1 in Dj Tunes chart and his famous track “Cocaina” #38 on Beatport House Chart.

He publishes his tracks with the most famous record labels around the world such as: Spinnin, Pacha, Hot Creations, CR2, Yoshitoshi, Ministry Of Sound, Sony, Armada, Kontor, Just Entertainment, Hotfingers, Toolroom, Warner, Univers al, Zulu Records, Enormous Tunes, Sirup.

Lately he signed his bomb track "Inside My Head" on Hot Creations, label of Jamie Jones.

He builds from deep house to techno genre, has no particular sources of inspiration, or artists that inspired you prefer.

His tracks are played and supported by the best DJs from around the world like: Mark Knight, Edx, Nora En Pure, Above & Beyond, Axwell, Carl Cox, Cedric Gervais, Dimitri Vegas & Like Mike, Abel Ramos, Albert Neve, Dr. Kucho!, Federico Scavo, Fedde Le Grand, Ferry Corsten, Gareth Emery, Gregor Salto, Gregory Klosman, Jamie Jones, Judge Jules, Joachim Garraud, Lost Frequency, Manuel De La Mare, Markus Shulz, MDE, Nari & Milani, Omnia, Quintino, Robbie Rivera, Sam Feldt, Seamus Haji, Sharam Jey, Sick Individuals, Stonebridge.

An artist who definitely does not go unnoticed.

Jaques Le Noir

Emily Fox

EMMA LX

<Sans titre>

Titre de l'album

Album {title}

L'album {title} a été retiré de la soumission

Visuel pour {title}

Titre du chart

Supprimer l'artiste {name} ? Cela supprimera définitivement tous les albums, charts, playlists et tout autre contenu géré par votre compte. Les albums de musique fournis à Volumo par d'autres fournisseurs de contenu (le cas échéant) resteront visibles et liés au profil de l'artiste, mais vous perdrez le contrôle du profil jusqu'à ce que vous le réclamiez à nouveau. Cette action est irréversible, sauf en ressaisissant manuellement toutes les informations et en téléversant à nouveau tous les fichiers. Êtes-vous absolument sûr de vouloir continuer ?

Supprimer le label {name} ? Cela supprimera définitivement tous les albums, charts, playlists et tout autre contenu géré par votre compte. Les albums musicaux fournis à Volumo par d'autres fournisseurs de contenu (le cas échéant) resteront visibles et liés au profil du label, mais vous perdrez le contrôle du profil jusqu'à ce que vous le revendiquiez à nouveau. Cette action est irréversible, sauf en ressaisissant manuellement toutes les informations et en retéléversant tous les fichiers. Êtes-vous absolument sûr de vouloir continuer ?

Messages directs (pour les fournisseurs de contenu)

Modifier l'album {title}

Saisissez le titre du chart

Erreur lors de la récupération de {title}

Chaque titre est jugé uniquement sur sa valeur musicale, son originalité, sa qualité de production et la sensation qu’il procure dans un vrai contexte de DJ. Si le son est solide, il a sa place ici, qu’il vienne d’un artiste connu ou d’un nom totalement nouveau. Les Focus Charts sont conçues pour les DJs et les diggers qui font confiance à leurs oreilles plutôt qu’aux réputations.

Les Focus Charts sont des sélections recommandées, soigneusement choisies par l’équipe de curation de Volumo, avec une seule priorité claire : la qualité du son lui-même. Ces charts ne sont pas portés par de grands noms d’artistes, des labels célèbres ou le battage de l’industrie. Chaque titre est jugé uniquement sur sa valeur musicale, son originalité, sa qualité de production et ce qu’il donne dans un vrai contexte de DJ. Si le son est solide, il a sa place ici, qu’il vienne d’un artiste reconnu ou d’un nom totalement nouveau. Les Focus Charts sont conçus pour les DJs et les diggers de musique qui font confiance à leurs oreilles plutôt qu’aux réputations. C’est un espace où les producteurs émergents côtoient naturellement des artistes confirmés, et où les sorties underground reçoivent la même attention que les titres de labels majeurs. Si vous cherchez de la musique électronique fraîche, si vous découvrez des pépites cachées ou si vous explorez de nouvelles directions dans la techno, la house, la minimal et les genres associés, les Focus Charts sur Volumo offrent une expérience d’écoute et de téléchargement recommandée avec soin, pensée pour les DJs qui mettent le son en premier.

Si vous êtes fournisseur de contenu, vous perdrez aussi tous vos artistes et labels vérifiés, et tout le contenu généré par les utilisateurs (albums, etc.) sera retiré de la boutique et supprimé. Tous les gains non payés seront également perdus.

Si vous souhaitez publier votre sortie en exclusif, veuillez aller sur {album} et remplir le champ {exclusive}. L'utilisation de « Exclusive » dans les titres peut entraîner des résultats de recherche non pertinents.

Découvrez les visuels partageables de Volumo. Nous savons que vous passez beaucoup de temps à peaufiner votre son et votre style, alors nous avons simplifié la création d'images et de vidéos promo en quelques secondes. Personnalisez-les comme vous voulez, téléchargez-les et utilisez-les où vous le souhaitez — sur les réseaux sociaux ou dans votre propre contenu.

Il semble que le titre contient des espaces inutiles à l'intérieur des crochets. Les supprimer ?

Il semble que le titre soit écrit en lettres majuscules, allez-vous corriger cette erreur ?

On dirait que le titre de l'album inclut un numéro de catalogue. Le déplacer dans le champ approprié ?

On dirait que le titre du titre inclut un numéro de version de mix. Le déplacer dans le champ approprié ?

Ensuite, rendez-vous dans la section playlists et créez une nouvelle playlist. Commencez par donner un titre à votre playlist. Cela peut être le titre final ou simplement un titre provisoire. Puis cliquez sur « Créer une playlist ».

Une fois votre playlist terminée, allez dans « Mes playlists ». Ici, vous pouvez téléverser une image de pochette, renommer votre chart et ajouter une description sur vous, votre son ou l'ambiance que vous recherchez. Vous pouvez aussi réorganiser les titres.

Pause {title}

Lire {title}

Titre de la playlist

Prêt à partager ? Cliquez sur les trois points à côté de votre playlist et sélectionnez « Publier en tant que chart », ajoutez une description accrocheuse, sélectionnez l'image de pochette et voilà — votre classement est en ligne !

Notifications de ventes (pour les fournisseurs de contenu)

Sélectionnez le nom de l'artiste ou le nom du label à afficher dans le champ auteur du chart

Afficher le titre du titre

Commencez à saisir le titre d'un chart ou d'un titre, ou le nom d'un artiste ou d'un label pour voir les résultats.

Commencez à saisir le nom d'un pays pour voir les résultats

Commencez à saisir un titre de genre pour voir les résultats

Commencez à saisir le titre d'un titre ou d'un album, ou le nom d'un artiste ou d'un label pour voir les résultats.

Arrêter {title}

L'album {title} a été supprimé

Les 24 premières heures après la sortie de votre titre sont absolument cruciales : c'est à ce moment-là que l'algorithme vous observe. Que ce soit Volumo, YouTube ou Instagram, ce premier pic d'écoutes, d'enregistrements, de partages et d'engagement dit à la plateforme : « Hé, ça vaut le coup de pousser ça. » Si vous arrivez à mobiliser vos fans, vos amis et votre réseau pour vous soutenir tout de suite, vous avez plus de chances d'atterrir dans des playlists pilotées par l'algorithme ou d'obtenir plus de visibilité. Alors ne vous contentez pas de cliquer sur “upload” et de vous poser : préparez du contenu à publier, contactez votre liste e-mail et soyez actif dans les commentaires. Cette première journée donne le ton de tout votre cycle de sortie.

Le titre contient le nom de l'artiste. Vous n'avez pas besoin d'ajouter le nom de l'artiste au titre, il sera ajouté automatiquement

Titre

Les 3 choses que les DJ pros détestent sur les sites de musique ? On fait le point. « Superposition de texte » : les 3 grosses frustrations

Titre du titre

Titre {title}

Le titre {trackTitle} ne peut être acheté que dans le cadre de l'album {albumTitle}.

Titre {trackTitle} retiré de {playlistName}

Retirer l'album {title} ? Ensuite, l'album devra être modéré à nouveau avant la publication.

Sans titre

Mettre à jour la description de la playlist

Utiliser « Volumo » dans les titres peut entraîner des résultats de recherche non pertinents.

Nous, Volumo, sommes responsables du traitement de vos données personnelles, utilisons des cookies pour personnaliser le contenu et les publicités, pour fournir des fonctionnalités de réseaux sociaux et pour analyser notre trafic. Nous partageons également des informations sur votre utilisation de notre site avec nos partenaires de réseaux sociaux, de publicité et d'analyse, qui peuvent les combiner avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services

Vous n'avez pas besoin de numéroter les titres dans le titre : ils sont numérotés automatiquement.

Il est possible de déposer une plainte auprès de l'organisme de régulation, mais contactez-nous d'abord à {address} : nous ferons de notre mieux pour aider à résoudre le problème que nous rencontrons.

Jean Bacarezza

Aperçu

Meilleurs titres

Dernières sorties

Berlin Selections 2022.2 - the Sounds of the City

Inside Ibiza 2022 - The Sound of the Island

Genres

Artistes associés