Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Micah Baxter

Bursting onto the underground house scene in 2011, Max Chapman was just 23 years old when he released his first record. Since then the Essex based DJ and producer has taken on a journey of energy, creativity and unconditional passion and even bagged himself an overall number one on Beatport. It’s this passion that has been the drive and motivation behind Max’s flawless production, extensive versatility and limitless capabilities.

Just 8 months into his DJing career Max started up his own label, Resonance Records. To this day he still maintains his imprint, placing himself at the helm of showcasing exciting new talent from every corner of the globe. Utilising his resources, the label has since blossomed into a monumental platform for the finest underground tech-house music, and as a result, some of the artists involved are playing at the biggest parties in the world, week in, week out.

Storming through Continents such as North and South America, Australasia and Europe is now the norm. On a weekly basis he’s ploughing through set after set and pleasing all his fans. Space, Sankeys and Privilege are just some of the venues amongst the plethora of places Max has performed at and with lots planned for this year the sky is the limit.

Max's track 'Body Jack' climbed the Beatport Tech House chart pretty quickly and once into the top 100 it was unstoppable, reaching the top spot after 10 days of being released. It then went n to claim the overall number 1 across all genres a a few days later.

Releasing tracks and EPs on WOW!, Hot Creations, Snatch, Elrow, Lost, Madtech, Resonance and VIVa is now becoming a regular occurrence; earlier in 2016, Max was the only producer to have two tracks featured on VIVa’s compilation album, with ‘Freaks Come Out’ charting the highest out of the whole record. Not content with that, his debut album ‘Catch Me If You Can’ was given a 9/10 from Mixmag and DJ Mag, as well as hitting number 10 in the Beatport chart. Not only has he taken his sound to the airwaves with a residency on Pioneer Radio, he ticked a huge industry box with a set at Lost Beach club in Ecuador, as part of the Boiler Room network, which was the first ever Boiler Room in Ecuador and was streamed worldwide to thousands of people.

It’s easy to see why Adam Beyer, Riva Starr, Steve Lawler, Jamie Jones, Richy Ahmed, Hot Since 82, Loco Dice, Matthias Tanzmann, Pete Tong, Nic Fanculli and many more of the biggest names in the business are giving these tunes a spin on a weekly basis

Max Chapman

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

Miguel Bastida

After being exposed to House music of the 90's and early 2000's, Barcelona based Piem was destined to journey into the world of underground music. These early musical experiences helped to shape Piem into a firm favourite on the Barcelona club scene with a residency at W Barcelona and playing in venues like Pacha and Barcelona's biggest festival, Sonar.

Meanwhile, locking himself away in his studio honing his sound, Piem's dedication continues to pay off with releases on well revered labels: DFTD, Knee Deep in Sound, Relief, Crosstown Rebels, Sola and Moon Harbour. Piem has established himself across the world and is gaining recognition among fans, DJ peers and promoters. Piem has seen his music played by and performed on the same line ups as many renowned names such as Black Coffee, Carl Cox, Hot Since 82, Maya Jane Coles, MK, Nic Fanciulli, Pete Tong, Solardo and Camelphat.

Playing at some of the world's most iconic clubs: Club Space (Miami), Heart Nightclub (Miami), Space (Ibiza), Pacha (Ibiza), Amnesia (Ibiza), Club Room (Chile), Cavo Paradiso (Mykonos), and with over 3 million Spotify global streams to his name, Piem is reiterating why he is one to watch

Piem

Wally Lopez

When word comes to electronic music, Stanny Abram is full od spectacular stories. Not only that, we talk about musical genious, who has currently more than 1100 released tracks out there, including 6 studio albums on more that 100 international labels...

Stanny Abram

Ben Murphy a name that is constantly mentioned when talking about the new wave of artist talent on the scene is highly regarded Music Related founder, DJ & Producer - Ben Murphy.
Ben has quickly established himself as one of the UK’s rising stars on the underground House scene as his infectiously unique underground sound continues to enhance his already renowned reputation.
Never one to follow, Ben has cornered the market of the unexpected as each set boasts a journey as unique as his sound. His highly energetic style of rhythmic percussion, harmonious synths and chunky basslines with occasional snippets of provoking vocals produce a bounce that simply cannot be ignored.
A wealth of experience across some of the UK’s biggest and most famous venues has culminated with Ben boasting residencies with the super colossal Solid Grooves.

with some massive support from industry heavyweights including Jamie Jones, Loco Dice, Marco Corola, Prok Fitch, Joey Daniel, Sante, Yaya, Solardo, Stacy Pullen, Rossko, Neverdogs, Joseph Capriati, Richie Hawtin, Reelow, Michael Bibi and PAWSA, Green Velvet, forming just a small part of an illustrious list.

It is clear to see the path that Ben is taking leads to only one outcome. Success. His success is the reward for his dedication and passion to the scene with that one vital ingredient of which Ben Murphy has in abundance.

Ben Murphy

Owner of Kubbo
Supported by Marco Carola, Paco Osuna, Joseph Capriati, Nicole Moudaber, wAFF, Dennis Cruz, Neverdogs, Solardo, Eats Everything & Stefano Noferini.

Gustaff

Alan Nieves


Since 2014, Andy has been a driving force in the electronic music scene, captivating audiences on some of Mexico’s most iconic stages. Renowned for his impeccable music selection and innate ability to read the dancefloor, he has shared the spotlight with some of the most respected national and international artists in the industry. Peim Andy’s deep passion for house music naturally led him to music production, propelling his career onto the global stage. His tracks have been signed by renowned labels worldwide, including What NxT, Tzinah Records, La Zic, Kittball Records, Lapsus Music, 12 + 1 London, and Tied Chicago. His versatility extends to the vinyl format, with three standout releases on Defined Limited. With a consistent presence on major digital charts, Andy’s music continues to resonate with listeners around the globe. In 2020, his track “Don’t Want It” climbed to #6 on Beatport’s Minimal/Deep Tech chart, followed by “Stuart Bass,” which peaked at #28 in 2021. Peim His DJ sets and productions have been featured on top-tier radio stations, such as Ibiza Global Radio, Ibiza Sonica, Kiss FM, Mad Radio, So Good, and Somnia Talent Radio. Recently, Andy has taken his sound worldwide, performing in cities like Prague, Bogotá, Barcelona, and Toronto. He also curates events both locally and across Mexico, further solidifying his presence within the national music scene. As the founder of Outcast Music, Andy is committed to shaping the future of electronic music. Beyond crafting the label’s next releases, he collaborates with well-established artists while providing a platform for emerging talents. Through Outcast Music, Andy nurtures rising stars, offering them opportunities to showcase their work and connect with a vibrant global community, fostering creativity and innovation within the scene.

Andy Peimbert

Matt Egbert

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Les 3 choses que les DJ pros détestent sur les sites de musique ? On fait le point. « Superposition de texte » : les 3 grosses frustrations

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