Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

À propos de Volumo – une nouvelle génération de boutique de musique électronique pour DJ professionnels. Téléchargez les dernières sorties électroniques, dance et house au format MP3, WAV, AIFF et FLAC.

À propos de nous — Volumo

{artists:, :2} - {albumTitle} par {recordlabelTitle} · Prix : {price} · Catalogue n°{catalogNumber} · MP3, WAV, AIFF et FLAC · Retéléchargement illimité

{albumTitle} de {recordlabelTitle} sur Volumo

{artists:, :2} - {albumTitle} par {recordlabelTitle} sur Volumo

Top des titres, sorties et albums de {contributorTitle}. Volumo – boutique de musique électronique nouvelle génération pour DJ professionnels. Téléchargez en MP3, WAV, AIFF et FLAC.

Téléchargement de musique de {contributorTitle} sur Volumo

Meilleurs titres, sorties et albums des artistes {genres: :1} en {currentYear} sur Volumo - {paginationText}

{chartName} par {author}

{chartName} par {author} - Volumo

Musique {genreTitle} {genreDescription} : titres, sorties et albums {currentYear}. Volumo – boutique de musique électronique nouvelle génération pour DJ professionnels. Téléchargez en MP3, WAV, AIFF et FLAC.

Téléchargement de musique {genreTitle} {currentYear} sur Volumo

Top {genreTitle} {currentYear}. Meilleures sorties et albums en vedette {paginationText}. Volumo – boutique de musique électronique nouvelle génération pour DJ professionnels. Téléchargez en MP3, WAV, AIFF et FLAC.

Top {genreTitle} {currentYear} : meilleures sorties et albums sur Volumo {paginationText}

Musique {genreTitle} exclusive : titres, sorties et albums {paginationText}. Volumo – boutique de musique électronique nouvelle génération pour DJ professionnels. Téléchargez en MP3, WAV, AIFF et FLAC.

Téléchargement de musique {genreTitle} exclusive sur Volumo {paginationText}

Musique de {contributorTitle} · Téléchargez en MP3, WAV, AIFF et FLAC · Volumo – boutique de musique électronique nouvelle génération pour DJ professionnels

Meilleurs titres, sorties et albums des labels {genres: :1} en {currentYear} {paginationText}. Volumo – boutique de musique électronique nouvelle génération pour DJ professionnels. Téléchargez en MP3, WAV, AIFF et FLAC.

Téléchargement de musique des meilleurs labels {genres: :1} en {currentYear} sur Volumo {paginationText}

Téléchargement des nouveautés electronic, dance et house {currentYear} {paginationText}. Volumo – boutique de musique électronique nouvelle génération pour DJ professionnels. Téléchargez en MP3, WAV, AIFF et FLAC.

Téléchargement des nouveautés electronic, dance et house {currentYear} sur Volumo {paginationText}

{artists:, :1} - {trackTitle} par {recordlabelTitle} · Prix : {price} · Retéléchargement illimité · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Sortie le {releaseDate} · MP3, WAV, AIFF et FLAC

{artists:, :1} - {trackTitle} par {recordlabelTitle} sur Volumo

Nico

A leader in  global dance music, Louie Vega has painted an award-winning career from a palette mixed with everything from house, salsa and afro-beat, to jazz, hip hop, gospel and soul.

What distinguishes the Grammy winner and 7-time nominee as one of the best living house music deejays is his ability to evolve alongside the times, distill the current musical landscape through his unique taste and put his own timeless spin on his musical creations.

In 2020, his production team Masters At Work with Kenny Dope Gonzalez will revamp their label Maw Records, and will be releasing their full catalog worldwide via digital and streaming outlets. New Masters At Work Remixes for Dua Lipa (Via The Black Madonna’s Mix Tape), DJ Krust (on Crosstown Rebels), and new productions for the Maw Imprint by The Masters At Work.

Louie Vega has also teamed with The Martinez Brothers for a second single entitled “Let It Go” with Marc Bassy released July 10, 2020 on the titan record label Defected.

In NYC, Vegas' weekly residency night has inspired him to record an album for Nervous Records release coming early 2021 featuring his friends : Robyn, Honey Dijon, Bernard Fowler, Moodymann, Kerri Chandler, Anané, Lisa Fischer, Joe Claussell, Tony Momrelle, Karen Harding, & the super band Unlimited Touch.

Breaking down musical barriers and bringing people together through a love of music has always been Vega’s aim; his contributions continue to positively influence global dance music.


Louie Vega

Roland Clark

Their name says it all – Masters At Work. For over a decade, "Little Louie” Vega and Kenny "Dope" Gonzalez have shepherded dance music down new paths with their inventive production style and imaginative feel for different musical forms. The two native New Yorkers have amassed an overwhelming body of work in that time, one that includes hundreds of original productions, remixes and side projects, redefining the way we think of music in clubs. Vega and Gonzalez defiantly mix everything they can find – house, hip-hop, funk, disco, Latin, African and jazz – into a universal groove. And in doing so, MAW has become a cultural mélange unto itself, emblematic of the multicultural society in which we live.

Our Time Is Coming is the group's third official album, second under the MAW moniker, and first for Tommy Boy Records. Comprised of wonderful new compositions and a handful of their most popular singles from recent years, it is indicative of the ambitiously eclectic MAW sound: a vibrant dance groove culled from a mesh of Latin rhythms, jazz and soul. Vega and Gonzalez composed, produced and arranged the album's ten songs, using crafty studio work and live instrumentation and help from some regular collaborators (India, Roy Ayers) and a few special guests (Patti Austin, James Ingram, Stephanie Mills).

The Beginnings

"Little Louie” Vega and Kenny "Dope" Gonzalez officially started their union as Masters At Work in 1990. Vega, a prodigious DJ around New York, met Gonzalez, a producer, through burgeoning house DJ Todd Terry. Gonzalez’s song "Salsa House" was a favorite of Vega, who fell for its Latin-influenced, everything-goes flavor. Desiring to remix the song, Vega asked Terry for an introduction, and almost instantly the two bonded over their insatiable appetite for music of all kinds.

Vega was born in the Bronx in 1965 and raised in an environment rich with Latin music. His father was an accomplished saxophone player and his uncle was renowned salsa singer Hector Lavoe (of Fania All Stars fame). While Vega embraced the music of his Puerto Rican heritage, it was his pair of club-hopping sisters – regulars at David Mancuso's famous late-'70s Loft parties and at Paradise Garage – who introduced him to the vitality of dance music. Already taken with roller-disco and hip-hop, Vega attended Paradise Garage for the first time in 1980. There he witnessed the magic of DJ Larry Levan, whose ability to blend music from seemingly every genre and era into a seamless groove would foreshadow the spirit of Masters At Work. Through the mid-'80s, Vega began to make a name for himself as an up-and-coming DJ, playing house and freestyle in Bronx and Manhattan hotspots like Devil's Nest, Roseland and Studio 54. He was also doing remixes and original rhythm tracks, including one of his early breaks remixing Information Society's "Running" for Tommy Boy.

Gonzalez was born in Brooklyn in 1970. As a kid, he initially shunned Latin music, falling in love with the rebellious party beats of hip-hop. He worked as a buyer in a local record store while a teenager, mastering his skills as a DJ playing on the side. In the late-'80s, Gonzalez and a friend began organizing popular neighborhood block parties under the guise Masters At Work. Gonzalez met Todd Terry through these parties and lent Terry the fresh MAW moniker for two eventual club hits – "Alright, Alright" and "Dum Dum Cry." In return, Terry let Gonzalez borrow his drum machine and recording equipment, on which the blossoming producer recorded several tracks for the influential Nu Groove Records, including "Salsa House."

The MAW Union

The first collaboration between Vega and Gonzalez came in 1990 when Vega produced the debut album for singer Marc Anthony, an underground club prodigy at the time. Writing with India and other collaborators, and arranging the album himself, Vega brought in Latin masters Tito Puente and Eddie Palmieri to record the album, and turned to Gonzalez for some beats. Credited as “Masters At Work featuring Tito Puente and Eddie Palmieri,” the recording of the album set the conceptual framework for future MAW productions: combining live instruments with sampled beats, and veteran masters with new innovators. Soon others were seeking the MAW sound, and Vega and Gonzalez began remixing artists ranging from Debbie Gibson to Saint Etienne. They also began making their own original tracks, like "Blood Vibes," a hip-hop/reggae blend that marked their first original production, and "Our Mute Horn," a Miles Davis tribute track that gave a nod to their jazz influences.

As the Masters At Work sound became more pervasive in clubs, they became more sought after by artists and labels, eventually remixing Bjork, Deee-Lite, Neneh Cherry, Soul II Soul, Donna Summer, Janet Jackson, Daft Punk, Incognito, Brand New Heavies, Stephanie Mills and many, many more. Sometimes a MAW remix is literally a re-mixing of the original, like adding a bass line and some minimal keys (Daft Punk's "Around the World") other times, their remixes are total re-imaginations of the songs, as was the case with Saint Etienne's "Only Love Can Break Your Heart".

MAW also began producing for their own coterie of artists, like Barbara Tucker and salsa singer India, as well as for artists like Luther Vandross, BeBe Winans and George Benson. These were artists who had no foothold in the dance world but, based on their collaborations with MAW, were given instant respect. In addition to their own solo departures – e.g., Gonzalez’s hip-hop influenced guise The Bucketheads and Vega's DJ residencies at Sound Factory Bar – the group collected some of their own original tracks and released The Album in 1993. Alternating between hard, head-nodding hip-hop and more inspired house tracks, it was their first album released under the Masters At Work name.

Nuyorican Soul

MAW alter-ego Nuyorican Soul was born in 1993, a play on their heritage (Puerto Rican), residence (New York City) and style of music (soul). They debuted the guise on "The Nervous Track" (Nervous Records), giving us a glimpse of the Nuyorican concept – a groove that wasn't just thumping beats but musically sophisticated and engaging as well. A subsequent track, the hot club hit "You Can Do It (Baby)!" featuring George Benson, helped the project gain critical mass with fans, and after being signed by influential music maestro Gilles Peterson, Vega and Gonzalez recorded the first Nuyorican Soul album.

Released in 1997, the self-titled album was a mix of exemplary salsa, jazz and soul musicians (Roy Ayers, Eddie Palmieri, Jocelyn Brown). There was a discernable Latin jazz influence on songs like "Runaway" (a Salsoul Orchestra cover), a classic soul feel on the Rotary Connection gem "I Am The Black Gold Of The Sun," and a nod to hip-hop with a cover of Bob James' oft-sampled classic "Nautilus (Mawtilus)". Yet while the album's cover songs gave a nod to their influences, nobody could have imagined the timelessness of the Nuyorican sound.

Our Time Is Coming

Our Time Is Coming combines six new compositions with four popular MAW singles from recent years, all co-written, produced, arranged and mixed by Vega and Gonzalez, who recruited a number of friends and influences to add to the sessions.

The title track boasts the inimitable influence of Roy Ayers on vibes and background vocals. "Like A Butterfly (You Send Me)," the opening selection, features the lovely Patti Austin on vocals with lyrics co-written by Blaze and background vocals arranged by Austin. The legendary James Ingram appears on "Lean On Me." Elsewhere on Our Time Is Coming, the diversity of Vega and Gonzalez rears its head with the Latin-jazz-influenced "Pienso En Ti," featuring guitarist and vocalist Luis Salinas, and the deep-house funk of Billie’s "Every Now And Then." And it's nearly impossible to throw on the Soca-influenced "Work," (featuring Puppah Nas-T with vocals by Denise) and casually bob your head – this is a full-body experience.

It was a dream of Vega and Gonzalez’s to record with Afrobeat king Fela Kuti.  Unfortunately, their hopes were dashed when Fela passed away in August 1997. So instead, “MAW Expensive (A Tribute To Fela)” reworks Fela’s signature "Expensive Shit," maintaining its dedicated tribal flavor.

Our Time Is Coming is Masters At Work at their finest, a wonderful accomplishment especially given the scope of Masters At Work's robust discography. It's rare to see artists push their creative impulses so consistently and with such acceptance, and even more rare to see it sustained for so long. But as this album reveals, Vega and Gonzalez continue to do so with unequaled ability. If anything, the album's title is too appropriate, for as much as the artists have done in the last eleven years, there is certainly more that lies ahead.

Masters At Work

L/F/D/M

Rick Marshall

Mickey Nox

Raul Mezcolanza

Along with Masters at Work partner "Little" Louie Vega, Kenny "Dope" Gonzalez was one of the biggest figures in house music, and one of the prime connections between the underground and the mainstream. Together, Gonzalez and Vega produced and remixed an endless list of tracks that made an indelible impact upon dance music. With salsa, disco, and house acting as the primary common specialties the two shared, Gonzalez brought his immersion in rap music to the table, while Vega came from a freestyle angle. The duo helmed full-length albums, including some under the Masters at Work name, in addition to one with their ambitious Nuyorican Soul project. Apart from MAW, Gonzalez scored a huge crossover hit with the 1995 single "The Bomb! (These Sounds Fall Into My Mind)," released under his disco-house alias the Bucketheads. He's released numerous 12"s of breakbeats and rhythm tracks, as well as compilations and mix CDs dedicated to all of his myriad influences, particularly hip-hop (1998's Hip Hop Forever), disco (1992's Disco Heat), and '80s boogie (Roller Boogie 80's, 2004).

Like Vega, the Brooklyn-born Gonzalez was prolific on his own before and during the partnership, and started out as a DJ. In the '80s, Gonzalez founded the Dope Wax label while doing production for several New York dance labels, including Big Beat, Cutting, Nervous, and Strictly Rhythm (home to his releases as the Untouchables). Masters at Work actually began around this time, originating as a partnership between Gonzalez and Mike Delgado; the two organized parties under the name. A few years after Gonzalez aligned himself with Vega, he established the Bucketheads, a studio project that released a string of extremely successful singles and a full-length. Both "The Bomb" and "Got Myself Together" topped Billboard's U.S. club chart, and appeared on 1995's All in the Mind full-length.

Gonzalez released several solo productions under his own name throughout the early 2000s, through the Tu Chicks, Freeze, and TNT labels. His skills as a DJ were demonstrated with a pair of impressive releases for the U.K.'s BBE label, too: 1998's Hip Hop Forever was a triple-disc set, including an early-'90s-centric mix on one disc and the selections in full on the other two. The similarly formatted Disco Heat came four years later, and focused on underground disco and house classics from the late '70s. Throughout the remainder of the decade, he was a go-to DJ for quality mix albums. His highlights included Roller Boogie 80's (Traffic, 2004), Life:Styles (Harmless, 2004), Randy Muller's Best (Plaza, 2005), Choice: A Collection of Classics (Azuli, 2006), and Mixes P&P Records (P&P, 2007).

Along with Terry Hunter, Gonzalez formed Mass Destruction; their eponymous 2009 full-length included guest vocals by Byron Stingily and Lidell Townsell. 2010 compilation House Masters compiled two discs' worth of production and remix highlights from throughout Gonzalez's career. In 2011, he produced rapper Rasheed Chappell's album Future Before Nostalgia, released by Kay-Dee Records, the label Gonzalez co-founded with fellow cratedigger Keb Darge. The label also released Wild Style Breakbeats, a 2014 set consisting of Gonzalez' edits of breakbeats featured in the classic old-school hip-hop film Wild Style, spread across seven 7" singles. The producer continued releasing house singles on his own Dope Wax imprint, and returned to Strictly Rhythm with 2017 single "Talk Dirty," featuring vocalist Roland Clark. ~ Andy Kellman

Kenny Dope

Anthemic and bold, shamelessly nurturing your appetite for diversity on the dance floor - Leo Wood feeds your desire for big hooks, deep soul and poignant twists while traversing Deep House, Tech house, Alt Bass and Drum & Bass.

Its all about the music!

Leo is unleashing her distinct vocals  on some of our favourite dance labels - including Anjuna Deep, Defected, Warner, Hospital records, Crosstown Rebels, Liquicity, to name but a few.

You’ll discover her for one genre the lose yourself  in a journey of  new sound as you recognise a deep passion for great music with no limitations.

Leo Wood

<Sans titre>

Titre de l'album

Album {title}

L'album {title} a été retiré de la soumission

Visuel pour {title}

Titre du chart

Supprimer l'artiste {name} ? Cela supprimera définitivement tous les albums, charts, playlists et tout autre contenu géré par votre compte. Les albums de musique fournis à Volumo par d'autres fournisseurs de contenu (le cas échéant) resteront visibles et liés au profil de l'artiste, mais vous perdrez le contrôle du profil jusqu'à ce que vous le réclamiez à nouveau. Cette action est irréversible, sauf en ressaisissant manuellement toutes les informations et en téléversant à nouveau tous les fichiers. Êtes-vous absolument sûr de vouloir continuer ?

Supprimer le label {name} ? Cela supprimera définitivement tous les albums, charts, playlists et tout autre contenu géré par votre compte. Les albums musicaux fournis à Volumo par d'autres fournisseurs de contenu (le cas échéant) resteront visibles et liés au profil du label, mais vous perdrez le contrôle du profil jusqu'à ce que vous le revendiquiez à nouveau. Cette action est irréversible, sauf en ressaisissant manuellement toutes les informations et en retéléversant tous les fichiers. Êtes-vous absolument sûr de vouloir continuer ?

Messages directs (pour les fournisseurs de contenu)

Modifier l'album {title}

Saisissez le titre du chart

Erreur lors de la récupération de {title}

Chaque titre est jugé uniquement sur sa valeur musicale, son originalité, sa qualité de production et la sensation qu’il procure dans un vrai contexte de DJ. Si le son est solide, il a sa place ici, qu’il vienne d’un artiste connu ou d’un nom totalement nouveau. Les Focus Charts sont conçues pour les DJs et les diggers qui font confiance à leurs oreilles plutôt qu’aux réputations.

Les Focus Charts sont des sélections recommandées, soigneusement choisies par l’équipe de curation de Volumo, avec une seule priorité claire : la qualité du son lui-même. Ces charts ne sont pas portés par de grands noms d’artistes, des labels célèbres ou le battage de l’industrie. Chaque titre est jugé uniquement sur sa valeur musicale, son originalité, sa qualité de production et ce qu’il donne dans un vrai contexte de DJ. Si le son est solide, il a sa place ici, qu’il vienne d’un artiste reconnu ou d’un nom totalement nouveau. Les Focus Charts sont conçus pour les DJs et les diggers de musique qui font confiance à leurs oreilles plutôt qu’aux réputations. C’est un espace où les producteurs émergents côtoient naturellement des artistes confirmés, et où les sorties underground reçoivent la même attention que les titres de labels majeurs. Si vous cherchez de la musique électronique fraîche, si vous découvrez des pépites cachées ou si vous explorez de nouvelles directions dans la techno, la house, la minimal et les genres associés, les Focus Charts sur Volumo offrent une expérience d’écoute et de téléchargement recommandée avec soin, pensée pour les DJs qui mettent le son en premier.

Si vous êtes fournisseur de contenu, vous perdrez aussi tous vos artistes et labels vérifiés, et tout le contenu généré par les utilisateurs (albums, etc.) sera retiré de la boutique et supprimé. Tous les gains non payés seront également perdus.

Si vous souhaitez publier votre sortie en exclusif, veuillez aller sur {album} et remplir le champ {exclusive}. L'utilisation de « Exclusive » dans les titres peut entraîner des résultats de recherche non pertinents.

Découvrez les visuels partageables de Volumo. Nous savons que vous passez beaucoup de temps à peaufiner votre son et votre style, alors nous avons simplifié la création d'images et de vidéos promo en quelques secondes. Personnalisez-les comme vous voulez, téléchargez-les et utilisez-les où vous le souhaitez — sur les réseaux sociaux ou dans votre propre contenu.

Il semble que le titre contient des espaces inutiles à l'intérieur des crochets. Les supprimer ?

Il semble que le titre soit écrit en lettres majuscules, allez-vous corriger cette erreur ?

On dirait que le titre de l'album inclut un numéro de catalogue. Le déplacer dans le champ approprié ?

On dirait que le titre du titre inclut un numéro de version de mix. Le déplacer dans le champ approprié ?

Ensuite, rendez-vous dans la section playlists et créez une nouvelle playlist. Commencez par donner un titre à votre playlist. Cela peut être le titre final ou simplement un titre provisoire. Puis cliquez sur « Créer une playlist ».

Une fois votre playlist terminée, allez dans « Mes playlists ». Ici, vous pouvez téléverser une image de pochette, renommer votre chart et ajouter une description sur vous, votre son ou l'ambiance que vous recherchez. Vous pouvez aussi réorganiser les titres.

Pause {title}

Lire {title}

Titre de la playlist

Prêt à partager ? Cliquez sur les trois points à côté de votre playlist et sélectionnez « Publier en tant que chart », ajoutez une description accrocheuse, sélectionnez l'image de pochette et voilà — votre classement est en ligne !

Notifications de ventes (pour les fournisseurs de contenu)

Sélectionnez le nom de l'artiste ou le nom du label à afficher dans le champ auteur du chart

Afficher le titre du titre

Commencez à saisir le titre d'un chart ou d'un titre, ou le nom d'un artiste ou d'un label pour voir les résultats.

Commencez à saisir le nom d'un pays pour voir les résultats

Commencez à saisir un titre de genre pour voir les résultats

Commencez à saisir le titre d'un titre ou d'un album, ou le nom d'un artiste ou d'un label pour voir les résultats.

Arrêter {title}

L'album {title} a été supprimé

Les 24 premières heures après la sortie de votre titre sont absolument cruciales : c'est à ce moment-là que l'algorithme vous observe. Que ce soit Volumo, YouTube ou Instagram, ce premier pic d'écoutes, d'enregistrements, de partages et d'engagement dit à la plateforme : « Hé, ça vaut le coup de pousser ça. » Si vous arrivez à mobiliser vos fans, vos amis et votre réseau pour vous soutenir tout de suite, vous avez plus de chances d'atterrir dans des playlists pilotées par l'algorithme ou d'obtenir plus de visibilité. Alors ne vous contentez pas de cliquer sur “upload” et de vous poser : préparez du contenu à publier, contactez votre liste e-mail et soyez actif dans les commentaires. Cette première journée donne le ton de tout votre cycle de sortie.

Le titre contient le nom de l'artiste. Vous n'avez pas besoin d'ajouter le nom de l'artiste au titre, il sera ajouté automatiquement

Titre

Les 3 choses que les DJ pros détestent sur les sites de musique ? On fait le point. « Superposition de texte » : les 3 grosses frustrations

Titre du titre

Titre {title}

Le titre {trackTitle} ne peut être acheté que dans le cadre de l'album {albumTitle}.

Titre {trackTitle} retiré de {playlistName}

Retirer l'album {title} ? Ensuite, l'album devra être modéré à nouveau avant la publication.

Sans titre

Mettre à jour la description de la playlist

Utiliser « Volumo » dans les titres peut entraîner des résultats de recherche non pertinents.

Nous, Volumo, sommes responsables du traitement de vos données personnelles, utilisons des cookies pour personnaliser le contenu et les publicités, pour fournir des fonctionnalités de réseaux sociaux et pour analyser notre trafic. Nous partageons également des informations sur votre utilisation de notre site avec nos partenaires de réseaux sociaux, de publicité et d'analyse, qui peuvent les combiner avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services

Vous n'avez pas besoin de numéroter les titres dans le titre : ils sont numérotés automatiquement.

Il est possible de déposer une plainte auprès de l'organisme de régulation, mais contactez-nous d'abord à {address} : nous ferons de notre mieux pour aider à résoudre le problème que nous rencontrons.

Nico

Aperçu

Meilleurs titres

Dernières sorties

Da Vares

House Is a Feeling

Keep Falling (Extended Mix)

Genres

Artistes associés