Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse / Rominimal

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Robert Owens

Tension

GusGus

Cevin Fisher

Murk

Heller & Farley

Product Of Da Neighbourhood

The Believers

Pete Heller

Terry Farley

Heller & Farley Project

Fire Island

Roach Motel

Junior Vasquez

Jasper Street Co.

Alison David

Black Science Orchestra

Joey Negro

Moné

Funky Green Dogs

Mark Anthoni

Love Nelson

Ricardo Da Force

2 Stupid Dogz

Trace the roots of house music in the UK and you’ll find Pete Heller & Terry Farley at its source. Shoom, Future, Spectrum, The Trip: they were there.  Omnipresent at those early exploratory and revelatory trips to Amnesia, Boys Own parties out in the sticks, expeditions to The Hacienda, Basics and Cream, the early years of Ministry of Sound and transatlantic ventures to worship at the altar of Junior at The Sound Factory.

Heller & Farley productions are steeped in the sights and sounds of these experiences at the most influential of nightclubbing moments from the last 25 years. Their music is heritage, quality down to the bone: a bastion of the UK sound that has influenced and inspired subsequent producers all over the world. 

Defected presents House Masters Heller & Farley is a new thirty track collection that covers all aspects of their long and illustrious careers in the studio, from remixing some of the biggest bands in the world to producing underground sleeper hits that would prove pivotal in the population and development of house music in the UK. 


Defected presents House Masters - Heller & Farley

1. Jasper Street Co. ‘A Feelin'’ (Heller & Farley Project Remix)
Written by Sean Spencer, Thomas Roberts & Kathryn Ross
Produced by Sean Spencer for Basement Boys Productions
Mixed, Edited & Arranged by Sean Spencer & Teddy Douglas
Engineered by Jim ‘Bonzai’ Caruso
Additional Instrumentation by Maurice Fulton & Fruity
Lead Voices: Tracy Hamlin, Kentel Foster, Fruity, Richard Smith, Kim Grimes, Martin Wilson, Kathryn Ross, Derek Owens, Oji Morris & Darrel Lewis
Remix & Additional Production by Pete Heller & Terry Farley
Remix Engineered by Gary Wilkinson
Published by Basement Boys Music (ASCAP) & Kinda Kool Music (BMI)
P&C 2001 Basement Boys Records

2. Tension ‘A Place Called Heaven’ (Fire Island Mix)
Written & Produced by Lenny Fontana & Michael Paternostro
Remixed by Pete Heller & Terry Farley
Published by EMI Music Publishing
Licensed courtesy of Phoenix Music International Ltd
P 1993 Azuli Records
C 2015 Phoenix Music International Ltd

3. Junior Vasquez ‘Get Your Hands Off My Man’ (Fire Island Dub 4 Junior)
Written, Produced & Mixed by Junior Vasquez
Programmed by Joe Moscowitz
Additional Production & Remix by Fire Island (Terry Farley & Pete Heller) for Boys Own
Published by House Of Ellis Music, Inc./I.R.S. Songs
Licensed courtesy of Universal International Music B.V.
P&C 1994 Capitol Records Inc.

4. Funky Green Dogs ‘The Way’ (The Way Into The Roach Motel)
Written & Produced by Ralph Falcon & Oscar Gaetan for MURK Productions
Vocals by Pamala Williams
Engineered by Carlos Santos
Post Production & Mix by Terry Farley & Pete Heller
Engineered by Gary Wilkinson
Published by MURK Publishing (ASCAP)
Licensed courtesy of Universal International Music B.V.
P&C 1997 Geffen Records

5. Robert Owens ‘Was I Here Before?’ (Fire Island Vocal)
Written by Robert Owens
Composed by Adonis & Farley Jackmaster Funk
Produced by Godfathers Inc. (Adonis, Farley Jackmaster Funk & Chip E)
Vocals by Robert Owens
Drum Programming by Farley Jackmaster Funk
Remixed by Terry Farley & Pete Heller for Junior Boys Own Productions
Engineered by Gary Wilkinson
Published by Musical Directions/Westbury Music Ltd (ASCAP), Nowadays Music (BMI) & This Funk (ASCAP)
P&C 1996 Defected Records Limited

6. Heller & Farley Project ‘Ultra Flava’ (2016 Version)
Written & Produced by Pete Heller & Terry Farley
Published by Universal MCA Music Ltd
P&C 2015 Defected Records Limited

7. U2 ‘Salome’ (Zooromancer Remix)
Written by Bono & U2
Produced by U2 & Paul Barrett
Mixed by Terry Farley & Pete Heller
Published by Blue Mountain Music Ltd
Licensed courtesy of Universal International Music B.V.
P&C 1992 Universal-Island Records Ltd

8. DSK ‘What Would We Do’ (Eight Minutes Of Madness Mix)
Written by L. Davis, P. Klein & J. Stone
Produced by DSK
Additional Production & Remix by Pete Heller & Terry Farley for Boys Own Productions
Published by Henstone Music (BMI) & Musicworks International (BMI)
Licensed courtesy of Essential Media Group
P&C 1991 Jackpot Records

9. GusGus ‘VIP’ (Fire Island Dub)
Written by Magnus Jónsson & Siggi Kjartansson
Composed by Magnus Jónsson
Produced by Herb Legowitz & Magnus Jónsson
Co- Produced by Palli Borg
Remixed by Farley & Heller
Engineered by Gary Wilkinson
Published by Polygram/Island Music
Licensed courtesy of 4AD Limited by arrangement with Beggars Group Media Limited 
www.4AD.com
P&C 1999 4AD Limited

10. Product Of Da Neighbourhood ‘Living In Brooklyn’ (Roach Motel Dub)
Written & Produced by Da Product & DJ Munk
Remix & Additional Production by Roach Motel (Heller, Farley & Wilkinson)
Published by Copyright Control
P&C 1996 Defected Records Limited

11. Moné ‘Movin’’ (Fire Island Mix)
Written by B. Tappert, R. Grant & M. Proctor
Produced, Mixed & Arranged by Brian Tappert & Roy Grant for Jazz-N-Groove Productions
Vocals by Moné
Lead Vocal Arrangements by Michael Proctor
Background Vocal Arrangements by Marc Pomeroy & Brian Tappert
A&R Executive: G. Pizarro
Remix & Additional Production by Heller & Farley at Lovebreak Studios, London for Junior Boys Own
Engineered by Gary Wilkinson
Published by Jazz-N-Groove Music (ASCAP)/Jessica Michael Music, Inc. (ASCAP) & My Chan Music (ASCAP)
P&C 1996 BMG Rights Management (US) LLC

12. The Believers ‘Who Dares To Believe In Me?’ (Roach Motel Remix)
Written by R. Davis Jr
Produced & Mixed by Roy Davis Jr
Executive Producer: George Morel
Sax Played by Steve Graeber
Guitar by Bill Graeber
‘A Megatrend Production’
Recorded at Megatrend Studios of Chicago
Remixed & Remodelled by Pete Heller & Terry Farley
Engineered by Gary Wilkinson
Published by Strictly Rhythm Publishing (ASCAP)
P&C 1994 BMG Rights Management (US) LLC

13. Robert Owens ‘Ordinary People’ (Roaching The Bass Bin)
Written by Robert Owens
Composed by J. Bernstein & Michele Chiavarini
Produced by Robert Owens
Additional Production by J. Bernstein
Lead & Backing Vocals by Robert Owens
Engineered by Dave Pemberton
Remix & Additional Production by Fire Island
Engineered by Gary Wilkinson
Published by Musical Directions/Westbury Music Ltd (ASCAP), Sound Choice (ASCAP) & Copyright Control
P&C 1996 Defected Records Limited

14. Roach Motel ‘Movin On’ (Correct House Mix)
Written & Produced by Terry Farley & Pete Heller
Keyboards & Programming by Pete Heller
Engineered by Gary Wilkinson
Published by Metrophonic Music & Bucks Music
P&C 1993 Defected Records Limited 

15. Fire Island featuring Mark Anthoni ‘If You Should Need A Friend’ (Fire Island Club Mix)
Written by K. Hedge, C. Herbert & J. Milan
Produced & Mixed by Terry Farley, Pete Heller & Gary Wilkinson
Vocals by Mark Anthoni
Published by Music Of Nia Songs/Warner/Chappell North America Ltd & Supreme Songs Ltd
P&C 1995 Defected Records Limited

16. Fire Island featuring Love Nelson ‘There But For The Grace of God’ (Original Live ‘N’ Funky Mix)
Written by Kevin Nance & August Darnell
Produced & Mixed by Terry Farley, Pete Heller & Gary Wilkinson
Vocals by Love Nelson
Backing Vocals by Nu-Colours
Published by Bocu Music
P&C 1993 Defected Records Limited

17. Fire Island featuring Ricardo Da Force ‘Fire Island’
Written & Produced by Terry Farley & Pete Heller
Engineered by Gary Wilkinson
Vocals by Ricardo Da Force
Published by Copyright Control
P&C 1992 Defected Records Limited

18. Heller & Farley ‘The Rising Sun’ (Summer Luv Rite)
Written & Produced by Terry Farley & Pete Heller
Additional Production by Gary Wilkinson
Vocals by Mark Anthoni & Adesose Wallace
Digeridoo by Ganga Giri
Published by Copyright Control
P&C 1999 Defected Records Limited

19. Fire Island ‘In Your Bones’
Written & Produced by Terry Farley & Pete Heller
Keyboards by Pete Heller
Engineered by Gary Wilkinson
Published by Copyright Control
P&C 1992 Defected Records Limited

20. The Heller & Farley Project featuring Cevin Fisher ‘We Built This House’ (Fire Island Mix)
Written by Pete Heller, Terry Farley & Kevin Fisher
Produced by Pete Heller & Terry Farley
Vocals by Cevin Fisher
Published by MOS, Bug Music & Evol Free Music (ASCAP) 
P&C 2009 Defected Records Limited

21. Roach Motel ‘Wild Luv’ (Original Mix)
Written & Produced by Pete Heller & Terry Farley
Published by Universal Publishing
Licensed courtesy of Get Physical Music GmbH
P&C 2014 Get Physical Music GmbH

22. Roach Motel ‘The Night’ (Deep Nite Mix)
Written & Produced by Pete Heller & Terry Farley
Published by Bucks Music & Universal Publishing
Licensed courtesy of Get Physical Music GmbH
P&C 2014 Get Physical Music GmbH	

23. Fire Island ‘White Powder Dreams’ (Fire Island Vocal Mix)
Written by Terry Farley & Pete Heller
Produced & Arranged by Terry Farley, Pete Heller & Gary Wilkinson
Vocals by Ms Joan Hillery
Published by Copyright Control
P&C 1997 Defected Records Limited

24. Black Science Orchestra & Alison David ‘Sunshine’ (Farley and Heller’s Faith On A Sunday Vocal)
Written by Ashley Beedle, Marc Woolford & Alison David
Original Production by Alison David, Ashley Beedle & Marc Woolford
Remix & Production by Pete Heller & Terry Farley
Published by BMG/Chrysalis Music Ltd courtesy of Afro Art Records Ltd
P&C 1999 Afro Art Records Ltd

25. Roach Motel presents 2 Stupid Dogz ‘Trouble’
Written, Produced & Arranged by Pete Heller, Terry Farley & Gary Wilkinson
Published by Metrophonic Music, Bucks Music & Copyright Control
P&C 1996 Defected Records Limited

26. Roach Motel presents 2 Stupid Dogz ‘Musica Loco’
Written, Produced & Arranged by Pete Heller, Terry Farley & Gary Wilkinson
Published by Metrophonic Music, Bucks Music & Copyright Control
P&C 1996 Defected Records Limited

27. Fire Island Featuring Mark Anthoni ‘If You Should Need A Friend’ (Sound Factory Dub)
Written by K. Hedge, C. Herbert & J. Milan
Produced & Mixed by Terry Farley, Pete Heller & Gary Wilkinson
Vocals by Mark Anthoni
Post Production & Remix by Junior Vasquez
Programming & Engineering by Gomi Kazuhiko
Published by Music Of Nia Songs/Warner/Chappell North America Ltd & Supreme Songs Ltd
P&C 1995 Defected Records Limited

28. Fire Island featuring Love Nelson ‘There But For The Grace of God’ (Joey Negro Mix)
Written by Kevin Nance & August Darnell
Produced & Mixed by Terry Farley, Pete Heller & Gary Wilkinson
Vocals by Love Nelson
Backing Vocals by Nu-Colours
Remix & Additional Production by Joey Negro
Published by Bocu Music
P&C 1993 Defected Records Limited

29. The Heller & Farley Project featuring Cevin Fisher ‘We Built This House’ (Roach Motel Dub)
Written & Produced by Pete Heller, Terry Farley & Kevin Fisher
Vocals by Cevin Fisher
Remix & Additional Production by Roach Motel
Published by MOS, Bug Music & Evol Free Music (ASCAP) 
P&C 2009 Defected Records Limited

30. Fire Island ‘White Powder Dreams’ (Murk Vocal Mix)
Written by Terry Farley & Pete Heller
Produced & Arranged by Terry Farley, Pete Heller & Gary Wilkinson
Vocals by Ms Joan Hillery
Remix & Additional Production by Oscar Gaetan & Ralf Falcon for MURK Productions
Published by Copyright Control
P&C 1997 Defected Records Limited

Defected Records

Defected presents House Masters - Heller & Farley

A Feelin'

A Place Called Heaven

Get Your Hands Off My Man

The Way

Was I Here Before

Ultra Flava

Salome

What Would We Do

Living In Brooklyn

Movin'

Who Dares To Believe In Me?

Ordinary People

Movin' On

If You Should Need A Friend feat. Mark Anthoni

If You Should Need A Friend

There But For The Grace of God feat. Love Nelson

There But For The Grace of God

Fire Island feat. Ricardo Da Force

The Rising Sun

In Your Bones

We Built This House feat. Cevin Fisher

We Built This House

Wild Luv

The Night

White Powder Dreams

Sunshine

Trouble

Musica Loco

There But For The Grace Of God feat. Love Nelson

There But For The Grace Of God

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El álbum {title} ha sido eliminado

Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo'. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

Actualizar la descripción de la playlist

Usar “Volumo” en los títulos puede generar resultados de búsqueda no relacionados.

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No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Wild Luv

En chart de

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