Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Blaze

Kerri Chandler

Jasmine

Boyd Jarvis

Intense

Cassio The Cassmaster

Dee Dee Brave

Tony Humphries

Grampa

Sunday

Vicky Martin

Park Avenue

Kamar

Rhythm Section

Bam Bam

Libby Jones

Phase II

3 A.M.

Key Choice

Children Of A Deeper Society

The Shy Boys

Before The Storm

Frank Balesteri

Larry Patterson

LaChandra

Immaje

Valerie Ingram

Tony Jenkins

The brainchild of the so-called “fairy godmother of house” Abigail Adams, during the mid-80s and early 90s Movin’ Records defined the New Jersey sound. A regular at the iconic Roxy roller disco in New York, Adams’ skate-shop-turned-record-store was instrumental in supplying club resident Tony Humphries with the hottest records that everybody wanted to dance to. Danny Krivit, Larry Levan and Timmy Regisford were also Adams’ friends and regulars at the store.

Taking the natural step into releasing records, Movin’s first output was ‘I’ve Got The Music’ by Boyd Jarvis in 1987, followed by music from game changers like Phase II, 3 A.M. and Cassio The Cassmaster; straight up “Jersey jams” that producers are still attempting to replicate to this day. All those standout records and more appear on this compilation, lovingly selected and compiled by Luke Solomon as part of the 4 To The Floor series. Throughout the album, the golden touch of greats such as Kerri Chandler, Marshall Jefferson, Josh Milan and Kevin Hedge (of Blaze) can be heard on tracks like Dee Dee Brave ‘My My Lover’, Grampa ‘She’s Crazy’ (both co-written by Kerri), Vicky Martin ‘Not Gonna Do It’ (Larry Patterson 12” Mix) which was co-written by Marshall and Phase II ‘Reachin’ which was co-written and produced by Hedge and Milan. Once again fulfilling the role of your friendly record shop assistant, Luke digs for those lightbulb moments of musical (re)discovery so you don’t have to. 


4 To The Floor presents Movin’ Records

1. Phase II ‘Reachin’ (Original Brotherhood Mix) 
Written by J. Milan, J. Edwards, V. Herbert, K. Hedge & C. Herbert
Produced by Blaze with Phase II by Kevin Hedge & Josh Milan for Last Minute Productions
Programmed & Mixed by Kevin Hedge & Josh Milan for Blaze at Stardust Studio
Edited by The Black Rascals
Guitar by Jimmy Odum
Engineered by G. Louvis, E. Lotwis, K. Hedge & O. Vic
Published by Music Of Nia Songs & Campbell Connelly & Co Ltd
P&C 1988 Movin’ Records

2. Kamar ‘In Every Way’ (Original This Six For That Six Mix)
Written by K. Chandler & M. Abdulahad
Produced by Kerri ‘Kaoz 6:23’ Chandler for Justin Time Productions
Published by Bad B Music & Campbell Connelly & Co Ltd
P&C 1992 Movin’ Records

3. Dee Dee Brave ‘My My Lover’ (Kaoz Again Mix)
Written by Holly Simpson & Kerri Chandler
Produced, Programmed & Engineered by Kerri Chandler for Just In Time Productions
Co-Produced by Dee Dee Brave
Vocals by Dee Dee Brave
Additional Production, Overdubs & Remix by Kerri Chandler
Remix Engineer: James Bratton
Published by Campbell Connelly & Co. & Champion Music
P&C 1990 Movin’ Records

4. Grampa ‘She's Crazy’ (Mystipsycholix)
Written by K. Chandler & Calvin Reed Sr.
Produced by Kerri ‘Kaoz 6:23’ Chandler & Yahya McDougald for Justin Tim Productions
Vocals by Calvin ‘Grampa’ Reed Sr
Published by Kaos Music & Jersey Jams Music/R&E Music Ltd
P&C 1993 Movin’ Records

5. Before The Storm featuring Boyd Jarvis ‘I've Got The Music’ (Bass Rub Dub)
Written by B. Jarvis & K. Arrington
Produced by Boyd Jarvis
Recording Engineer: Tony Smalios
Mix Engineer: Rodney Ascue
Additional Production & Mix by Tony Humphries
Executive Producer: Abigail Adams
Published by Boyd Jarvis Music (ASCAP) & Campbell Connelly & Co Ltd
P&C 1987 Movin' Records

6. Rhythm Section featuring Sunday ‘Thrill Me’ (K.F. In The Spirit)
Written by L. Collins, A. Nicholson & J. Cook
Produced by Lee Collins for Rhythm Section Productions
Production Assistant: Debrice
Additional Production by Tony Humphries
Vocals by Sunday
Keyboards by Jacques
Overdubs by George Lockett Jr. & Kerri Chandler
Mixed by Frank ‘The Bean’ Balesteri
Published by Campbell Connelly & Co Ltd
P&C 1991 Movin’ Records

7. 3 A.M. ‘I Love This Place’
Written by S. Kelly & S. Benson
Produced by Steve Kelly for GSK Productions
Co-Produced by Steven ‘Lucky’ Benson for Syncopated Citizenz Productions
Mixed by Steve Kelly
Published by Campbell Connelly & Co Ltc
P&C 1994 Movin’ Records

8. Cassio The Cassmaster ‘Getting Hot’ (Broad & Market Street Mix)
Written, Produced & Mixed by Cassio Ware
Backing Vocals by Alexander Hope
Published by Jersey Jams Music (ASCAP) & Down With U Publishers (ASCAP)
P&C 1994 Movin’ Records

9. Vicky Martin ‘Not Gonna Do It’ (Larry Patterson 12" Mix)
Written & Produced by Marshall Jefferson & Vicky Martin
Backing Vocals by Lynn Elijah & Tonia Hobbs 
Engineered by Brian Bannon 
Additional Production, Programming & Mix by Larry Patterson
Published by Campbell Connelly & Co. Ltd & Universal/MCA Music Limited
P&C 1988 Movin’ Records

10. LaChandra ‘Just Started’ (Musical Mix)
Written by K. Hedge, C. Herbert & J. Milan
Produced by Blaze
Vocals by LaChandra
Background Vocals by Chris Herbert
Recorded & Mixed at Stardust
Engineered by G. Louvis, O. Vic & K. Hedge
Published by Music of Nia Songs & Copyright Control
P&C 1988 Movin’ Records

11. Intense ‘Let The Rain Come Down’ (Down Pour Mix)
Written by V. Smith, T. Payton & A. Mungin
Produced by Tyrone Payton & Ace Mungin for Ace Beat/Intense Productions
Vocals by Khison & Jazmina
Mixed by Tony Humphries
Executive Producers: Abigail Adams & Ace Mungin
Published by Campbell Connelly & Co Ltd
P&C 1989 Movin’ Records

12. Jasmine ‘How Can You Walk Away’ (Mental Instrum Vox Mix)
Written by Patrick Doyle & Betty Banks
Vocals by Jasmine
Produced & Mixed by Mental Instrum for Smack Music
Executive Producer: Olivier Obiukwu
Published by Copyright Control
P&C 1993 Movin’ Records

13. Children Of A Deeper Society ‘Move On’
Written by Lee Rodriquez & Steven Croden
Produced, Recorded & Mixed by Steven C & Mr Onester for Age of Insanity Music
Male Vocals by Axel Jaya
Female Vocals by Zhana
Recorded by Lee Rodriquez & Steven Croden at ‘The Asylum’, Bklyn, NY
Published by Copyright Control
P&C 1993 Movin’ Records

14. LaChandra ‘Just Started’ (Start It Up Mix)
Written by K. Hedge, C. Herbert & J. Milan
Produced by Blaze
Vocals by LaChandra
Background Vocals by Chris Herbert
Recorded & Mixed at Stardust
Engineered by G. Louvis, O. Vic & K. Hedge
Published by Music of Nia Songs & Copyright Control
P&C 1988 Movin’ Records

15. Key Choice ‘Rejoice’ (The Sermon Mix)
Written, Composed, Produced & Mixed by Ce Ce Rogers
Vocals by Eddie Stockley & Kenny Bobien 
Additional Production & Remix by Tony Humphries
Published by Universal Music Publishing
P&C 1992 Movin’ Records

16. Immaje ‘Luv Ride’ (Da Booty Mix)
Written by C. Johnson, C. Edwards & G. Lockett Jr.
Produced & Mixed by George Lockett Jr.
Vocals by Keva L. Holman
Assistant Engineer: Tim Dowbachuk
Published by Jersey Jams Music (ASCAP)
P&C 1991 Movin’ Records

17. Libby Jones ‘Time After Time’ (Control Mix)
Written, Produced, Mixed & Engineered by Libby Jones for Blaze Productions
Special Guest Vocals by Cassio Ware
Recorded at Bedroom Studios, Irvington, NJ
Published by Jersey Jams Music (ASCAP)
P&C 1993 Movin’ Records

18. Valerie Ingram ‘Are You Faithful?’ (Boyd's Morning Piano Mix)
Written & Produced by Boyd Jarvis & Rashad Muhammad
Vocals by Valerie Ingram
Backing Vocals by Charoni, Sonja Rodgers & Valerie Harper
Guitar by Kelton Cooper & Larry Stokes
Additional Keyboards by Boyd Jarvis & Danny LaPorte
Mixed by Boyd Jarvis
Engineered by Rashad Muhammad & Tony Smalios
Edited by Mike Labirt, Tony Smalios & Rashad Muhammad
Published by Bucks Music & Campbell Connelly & Co Ltd
P&C 1990 Movin’ Records

19. Park Avenue featuring Tony Jenkins ‘Don't Turn Your Love’ (Dangerous Mix)
Written by Rico Tyler & Todd Jackson
Produced by Smack Music
Vocals by Tony Jenkins
Flute by Nyles Arrington
Additional Production & Instrumentation by Kevin Hedge & Josh Milan for Blaze
Keyboard Overdubs by Josh Milan
Published by Campbell Connelly & Co Ltd & Universal/MCA Music Limited
P&C 1987 Movin' Records

20. Before The Storm featuring Boyd Jarvis ‘I've Got The Music’ (Zanzibar Dub)
Written by B. Jarvis & K. Arrington
Produced by Boyd Jarvis
Recording & Mix Engineer: Tony Smalios
Additional Production & Mix by Tony Humphries
Executive Producer: Abigail Adams
Published by Boyd Jarvis Music (ASCAP) & Campbell Connelly & Co Ltd
P&C 1987 Movin' Records

21. Phase II ‘Reachin’ (Latin Workout Mix) 
Written by J. Milan, J. Edwards, V. Herbert, K. Hedge & C. Herbert
Produced by Blaze with Phase II by Kevin Hedge & Josh Milan for Last Minute Productions
Programmed & Mixed by Kevin Hedge & Josh Milan for Blaze at Stardust Studio
Edited by The Black Rascals
Guitar by Jimmy Odum
Engineered by G. Louvis, E. Lotwis, K. Hedge & O. Vic
Additional Production, Programming & Mix by The Shy Boys
Published by Music Of Nia Songs & Campbell Connelly & Co Ltd 
P&C 1988 Movin’ Records

22. Vicky Martin ‘Not Gonna Do It’ (Bam Bam Mix)
Written & Produced by Marshall Jefferson & Vicky Martin
Backing Vocals by Lynn Elijah & Tonia Hobbs 
Engineered by Brian Bannon 
Additional Production, Programming & Mix by Bam Bam
Published by Campbell Connelly & Co. Ltd & Universal/MCA Music Limited
P&C 1988 Movin’ Records

23. Boyd Jarvis ‘Timpini’
Written, Produced, Mixed & Played by Boyd Jarvis
Published by Campbell Connelly & Co.
P&C 1991 Movin’ Records

24. Kamar ‘She's Crazy’
Written by K. Chandler & Calvin Reed Sr
Produced by Kerri ‘Kaoz 6:23’ Chandler for Justin Time Productions
Vocals by Calvin ‘Grampa’ Reed Sr.
Published by Bad B Music & Campbell Connelly & Co.
P&C 1992 Movin’ Records

4 To The Floor Records

4 To The Floor presents Movin' Records

Reachin'

In Every Way

My My Lover

She's Crazy

I've Got The Music feat. Boyd Jarvis

I've Got The Music

Thrill Me feat. Sunday

Thrill Me

I Love This Place

Getting Hot

Not Gonna Do It

Just Started

Let The Rain Come Down

How Can You Walk Away

Move On

Rejoice

Luv Ride

Time After Time

Are You Faithful?

Don't Turn Your Love feat. Tony Jenkins

Don't Turn Your Love

Timpini

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

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Nombre

Luego, dirígete a tu sección de playlists y crea una nueva playlist. Empieza dándole un título a tu playlist. Puede ser el título final o solo uno provisional. Después pulsa "Crear Playlist".

Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

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Detener {title}

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Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo’. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

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Nosotros, Volumo, somos los responsables de tus datos personales; usamos cookies para personalizar el contenido y la publicidad, ofrecer funciones sociales y analizar nuestro tráfico. También compartimos información sobre tu uso de nuestro sitio web con nuestros socios de redes sociales, publicidad y de análisis, quienes pueden combinarla con otra información que les hayas proporcionado o que hayan recopilado del uso de sus servicios.

No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Move On

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