Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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{artists:, :1} - {trackTitle} de {recordlabelTitle} · Precio: {price} · Descargas ilimitadas · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Lanzado el {releaseDate} · MP3, WAV, AIFF y FLAC

{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Luke Solomon

Derrick Carter

Ewan Pearson

Terry Grant

Waifs & Strays

Richard Walters

Mark E

Jon Marsh

The Crooked Man

Natalie Broomes

Tiger,Tiger

Osamu M & Hiromat

Franklin Da Costa

‘Timelines’ is the new LP from British house producer and DJ Luke Solomon. Alongside Luke’s original productions the album features a selection of handpicked remixes and the album presented as a continuous mix.

Luke Solomon’s influence on house music has been strongly felt for many years. As a DJ and promoter he pioneered mid-week London clubbing with his legendary Space night alongside the late, great Kenny Hawkes. As a producer he has constantly delivered original, often idiosyncratic and always unique house music (and beyond) for an enviable list of imprints. As an A&R he has helped develop many a career (Tiefschwarz, Freeform Five and Isolee to name but a few) with Classic Music Company, and continues to do so with Classic and his new role as one of Defected’s A&R team.

Speaking about making ‘Timelines’ Luke had this to say. “It is an album that I have been making and remaking over the last six years. I started work on it off of the back of The Difference Engine (Rekids), my last album under my own name. The idea was to make the album part of a trilogy, this one being representative of my more Balearic roots. The original version that was completed fell on deaf ears quite considerably and it became a bit of a sticking point for me. I decided to put it to one side and in the process started working on some other music, which in turn, helped me stumble across new sounds and production techniques. The initial idea was to work on a series of songs that represented significant points in my life, both lyrically and musically. It then became more relevant to the six years of writing and producing the album. A lot of shit happened, and I was able to pour it into finally completing the album. I then decided to keep the album guarded and close as it had become that personal. I didn't want the album to be effected by opinions of those that were too close to me and the music. What I ended up with is something that has come straight from the heart, made possible by joining forces with a whole stack of talented musicians and singers over the last six years.”

‘Timelines’ is, as even the incredibly humble and self-effacing Solomon would agree, his best work to date, featuring contributions from Jon Marsh, Natalie Broomes, Terry Grant and Tiger Tiger. It’s also an album which is heavily song and musician focused, setting its stall out as a real listening experience from the off. A cohesive, deeply personal labour of love that is the culmination of years of work and countless emotional trials and tribulations.


Luke Solomon 'Timelines'

1. Luke Solomon featuring Natalie Broomes ‘Say Something (People Stamp Your Feet)’
Written by Luke Solomon & Natalie Broomes
Produced by Luke Solomon
Lead Vocals by Natalie Broomes
Guitars by Anu Pilai & Tom Bailey
Horns by Chris Storr
Cello by Martin Radford
Percussion by Adrian Meeham
Mixed by Luke Solomon @ The Wash House
Published by Touch Tones Music & Copyright Control
‘Say Something (People Stamp Your Feet)’ appears courtesy of Eclectic Avenue Records - E.A.R.
P&C 2013 Classic Music Company

2. Luke Solomon featuring Terry Grant ‘Sinners Blood’
Written by Luke Solomon & Terry Grant
Produced by Luke Solomon
Lead Vocals by Terry Grant
Drums by Danny Harrison
Guitar & Bass by Andy Neal
Horns by Steve Parry
Mixed by Luke Solomon @ The Wash House
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

3. Luke Solomon featuring Tiger,Tiger ‘Not Coming Home (Part Two)’
Written by Luke Solomon & Tiger,Tiger
Produced by Luke Solomon
Lead Vocals by Tiger Tiger
Additional Vocals by Natalie Broomes
Cello by Martin Radford
Additional Keys by Arthur Jeffes
Mixed by Luke Solomon @ The Wash House
Published by Touch Tones Music & Powis Music
P&C 2013 Classic Music Company

4. Luke Solomon featuring Richard Walters ‘Let's Bleed, Let's All Bleed Together’
Written by Luke Solomon & Richard Walters
Produced by Luke Solomon
Lead Vocals by Richard Walters
BV's by Luke Solomon
Cello by Martin Radford
Guitar & Bass by Richard Walters
Mixed by Luke Solomon @ the Wash House
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

5. Luke Solomon featuring Natalie Broomes ‘We Go’
Written by Luke Solomon & Natalie Broomes
Produced by Luke Solomon
Lead Vocals by Natalie Broomes
BV's by Luke Solomon
Horns by Steve Parry
Drums by Danny Harrison
Percussion by Adrian Meeham
Mixed by Pete Hofmann @ Miloco & Luke Solomon @ The Wash House
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

6. Luke Solomon ‘Heading For A Breakdown’
Written & Produced by Luke Solomon
Vocals by Natalie Broomes & Luke Solomon
Guitars by Tom Bailey
Mixed by Pete Hofmann @ Miloco & Luke Solomon @ the Wash House
Published by Touch Tones Music
P&C 2013 Classic Music Company

7. Luke Solomon featuring Natalie Broomes ‘Interceptor’ (Luke Solomon Main Mix)
Written, Produced & Recorded by Luke Solomon
Vocals by Natalie Broomes
Mixed by Pete Hofmann at Miloco
Published by Touch Tones Music
P&C 2011 Classic Music Company

8. Luke Solomon featuring Natalie Broomes ‘You Rest Easy’
Written by Luke Solomon & Natalie Broomes
Produced by Luke Solomon
Vocals by Natalie Broomes
Spoken Word by Leon Oakey
Trumpet by Chris Storr
Mixed by Pete Hofmann @ Miloco & Luke Solomon @ the Wash House
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

9. Luke Solomon featuring Terry Grant ‘Gods and Monsters’
Written by Luke Solomon & Terry Grant
Produced by Luke Solomon
Lead Vocals by Terry Grant
Bass by Luke Solomon
Cello & Strings by Martin Radford
Mixed by Luke Solomon @ the Wash House
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

10. Luke Solomon featuring Natalie Broomes ‘Destruction (Moon, Stars, Venus and Mars)’
Written & Produced by Luke Solomon
Vocals by Natalie Broomes
Additional Keys by Arthur Jeffes
Horns by Chris Storr
Percussion by Adrian Meeham
Ad libs by Tiger Tiger
Mixed by Pete Hofmann @ Miloco & Luke Solomon @ the Wash House
Published by Touch Tones Music
P&C 2013 Classic Music Company

11. Luke Solomon featuring Jon Marsh ‘Lonely Dancer (Dance Away The Pain)’ (Ewan Pearson Into The Night Remix)
Written by Luke Solomon & Jon Marsh
Produced by Luke Solomon
Lead Vocals by Jon Marsh
Additional Vocals by Natalie Broomes
Percussion by Adrian Meehan
Horns by Chris Storr
Strings by Martin Radford
Guitar by Tom Bailey
Remix & Additional Production by Ewan Pearson
Recorded at World of Apples, Berlin
Published by Touch Tones Music & Copyright Control
www.lukesolomon.com
www.twitter.com/lukesolomon
Luke Solomon is represented by LS Management
P&C 2012 Classic Music Company

12. Luke Solomon featuring Terry Grant ‘Gods and Monsters’ (Waifs & Strays Remix)
Written by Luke Solomon & Terry Grant
Produced by Luke Solomon
Lead Vocals by Terry Grant
Bass by Luke Solomon
Cello & Strings by Martin Radford
Mixed by Luke Solomon @ the Wash House
Remix & Additional Production by Waifs & Strays
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

13. Luke Solomon featuring Natalie Broomes ‘Interceptor’ (Derrick Carter Remix)
Written, Produced & Recorded by Luke Solomon
Vocals by Natalie Broomes
Mixed by Pete Hofmann at Miloco
Remixed by Derrick Carter
Published by Touch Tones Music
P&C 2011 Classic Music Company

14. Luke Solomon featuring Natalie Broomes ‘We Go’ (Osamu M & Hiromat Remix)
Written by Luke Solomon & Natalie Broomes
Produced by Luke Solomon
Lead Vocals by Natalie Broomes
BV's by Luke Solomon
Horns by Steve Parry
Drums by Danny Harrison
Percussion by Adrian Meeham
Mixed by Pete Hofmann @ Miloco & Luke Solomon @ The Wash House
Remix & Additional Production by Osamu M & Hiromat
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

15. Luke Solomon featuring Terry Grant ‘Sinners Blood’ (Crooked Blood Instrumental)
Written by Luke Solomon & Terry Grant
Produced by Luke Solomon
Lead Vocals by Terry Grant
Drums by Danny Harrison
Guitar & Bass by Andy Neal
Horns by Steve Parry
Mixed by Luke Solomon @ The Wash House
Remix & Additional Production by The Crooked Man
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

16. Luke Solomon featuring Natalie Broomes ‘Interceptor’ (Mark E Remix)
Written, Produced & Recorded by Luke Solomon
Vocals by Natalie Broomes
Mixed by Pete Hofmann at Miloco
Remixed by Mark E
Published by Touch Tones Music
P&C 2011 Classic Music Company

17. Luke Solomon featuring Terry Grant ‘Gods and Monsters’ (Franklin Da Costa Epic Version)
Written by Luke Solomon & Terry Grant
Produced by Luke Solomon
Lead Vocals by Terry Grant
Bass by Luke Solomon
Cello & Strings by Martin Radford
Mixed by Luke Solomon @ the Wash House
Remix & Additional Production by Franklin Da Costa
Published by Touch Tones Music & Copyright Control
P&C 2013 Classic Music Company

18. Luke Solomon ‘Timelines’ (Bonus Mix)

Classic Music Company

Timelines

Say Something (People Stamp Your Feet) feat. Natalie Broomes

Say Something (People Stamp Your Feet)

Sinners Blood feat. Terry Grant

Sinners Blood

Not Coming Home (Part Two) feat. Tiger,Tiger

Not Coming Home (Part Two)

Let's Bleed, Let's All Bleed Together feat. Richard Walters

Let's Bleed, Let's All Bleed Together

We Go feat. Natalie Broomes

We Go

Heading For A Breakdown

Interceptor feat. Natalie Broomes

Interceptor

You Rest Easy feat. Natalie Broomes

You Rest Easy

Gods and Monsters feat. Terry Grant

Gods and Monsters

Destruction (Moon, Stars, Venus and Mars) feat. Natalie Broomes

Destruction (Moon, Stars, Venus and Mars)

Lonely Dancer (Dance Away The Pain) feat. Jon Marsh

Lonely Dancer (Dance Away The Pain)

Timelines (Bonus Mix)

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

¿Eliminar artista {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del artista, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

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Editar álbum {title}

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Error al obtener {title}

Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

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Nombre

Luego, dirígete a tu sección de playlists y crea una nueva playlist. Empieza dándole un título a tu playlist. Puede ser el título final o solo uno provisional. Después pulsa "Crear Playlist".

Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

Pausar {title}

Reproducir {title}

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Detener {title}

El álbum {title} ha sido eliminado

Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo’. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

Actualizar la descripción de la playlist

Usar “Volumo” en los títulos puede generar resultados de búsqueda no relacionados.

Nosotros, Volumo, somos los responsables de tus datos personales; usamos cookies para personalizar el contenido y la publicidad, ofrecer funciones sociales y analizar nuestro tráfico. También compartimos información sobre tu uso de nuestro sitio web con nuestros socios de redes sociales, publicidad y de análisis, quienes pueden combinarla con otra información que les hayas proporcionado o que hayan recopilado del uso de sus servicios.

No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Let's Bleed, Let's All Bleed Together feat. Richard Walters

En chart de

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