Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

Sobre nosotros — Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} · Precio: {price} · Catálogo n.º {catalogNumber} · MP3, WAV, AIFF y FLAC · Re-descargas ilimitadas

{albumTitle} de {recordlabelTitle} en Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} en Volumo

Mejores pistas, lanzamientos y álbumes de {contributorTitle}. Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música de {contributorTitle} en Volumo

Best {currentYear} {genres: :1} Artists Tracks & Releases {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Mejores artistas, pistas, lanzamientos y álbumes de {genres: :1} en {currentYear} en Volumo — {paginationText}

{chartName} por {author} - Volumo · MP3, WAV, AIFF y FLAC · Descargas ilimitadas

{chartName} por {author}

{chartName} por {author} - Volumo

Música {genreTitle} {genreDescription}: canciones, lanzamientos y álbumes {currentYear}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música {genreTitle} {currentYear} en Volumo

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Top {genreTitle} {currentYear}: Best Releases & Albums at Volumo {paginationText}

Música exclusiva de {genreTitle}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga exclusiva de música {genreTitle} en Volumo {paginationText}

Lo mejor de {genreTitle} {currentYear}. Principales lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados en Volumo {paginationText}

Música de {contributorTitle} · Descarga en MP3, WAV, AIFF y FLAC · Volumo — tienda de música electrónica de nueva generación para DJs profesionales

Compra y descarga música de {contributorTitle} en Volumo

Compra y descarga música de los mejores sellos de {genres: :1} en {currentYear}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Mejores sellos de {genres: :1} en {currentYear} · Descarga de música en Volumo {paginationText}

Descarga de la música más reciente de Electronic, Dance y House {currentYear} {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga la música más reciente de Electronic, Dance y House {currentYear} en Volumo {paginationText}

{artists:, :1} - {trackTitle} de {recordlabelTitle} · Precio: {price} · Descargas ilimitadas · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Lanzado el {releaseDate} · MP3, WAV, AIFF y FLAC

{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Inverz

Mastered by Giuseppe Ielasi
Cut by Rashad Becker at Dubplates and Mastering
Artwork by Opora
 
In ‘My machines’ inverz focuses on the collection, process and reproduction of old vinyl records wich are then combined with sound samples from musical and non-musical sources, resulting to a dark-ambient soundscape.
 
‘My machines’ is inverz’s (Savvas Metaxas), fourth release to date. The LP’s six tracks were recorded between autumn and winter of 2010.

Reviews
Textura
Recorded between autumn and winter of 2010, Inverz's My Machines spreads six slabs of electro-acoustic dark ambient across two twelve-inch vinyl sides (available in 250 copies). It's the fourth release under the Inverz name by Savvas Metaxas, who's otherwise known as the guitarist in Good Luck Mr. Gorsky. It's only natural, then, that guitar figures prominently in the album's material, but, having said that, it would be misleading to characterize My Machines as a guitar-based album, as the instrument is just one of many that make up the album's sound world. As stated, Inverz's material is generally dark ambient in nature, with Metaxas drawing upon a wealth of manipulated vinyl samples as well as sounds culled from musical and non-musical sources for the album's construction. Electric and acoustic guitars, synthesizers, and field recordings constitute some of the sources Metaxas used to produce the six settings.
It wouldn't be stretching things too far to say that the album often plays like a quintessential Miasmah release, especially during those moments when cavernous, dungeon-like spaces are evoked. Consider “A Series of Tragic Events,” whose creaking noises suggest some hapless victim being strapped into a torture device, as one such example (the presence of ghoulish chantings only makes the track seem all the more unearthly). Also consistent with the Miasmah style, a neo-classical dimension emerges during the ultra-woozy “SVL” when a vocal loop swims alongside shuddering fragments of orchestral instruments. Elsewhere, macabre industrial clatterings resonate within a ghostly, crackled-infested zone during “This Machine Is Dead,” resulting in a haunted gloomscape that's like some diseased, long-buried memory welling up from the unconscious. Relatively becalmed by comparison, the final piece “About Closure” carves a ponderous path through a ruined landscape of guitar strums and violin scrapings. Those with a jones for hell-bound ambient soundscaping could do a whole lot worse than sample Inverz's plunge into the dark side.
 
VITAL WEEKLY
'My Machines' is the fourth release by Savvas Metaxas also known as Inverz and I believe the first on LP for him. I reviewed two of three previous releases, which seemed to be dwelling heavily on processed guitar, but according to the information this new record 'focuses on the collection, process and reproduction of old vinyl record which are then combined with sound samples from musical and non-musical sources' - but I wouldn't be too surprised to know if he'd thrown some more guitar and sound effects too. Compared to his previous record 'Songs' (see Vital Weekly 639), this new one seems a bit more densely orchestrated, resulting in soundscape like music of a darker nature. Now the fact that I think its not all from old vinyl is in a track like 'About Closure', which has a looped guitar, a bend violin and crackles from vinyl (which sometimes are a lot, so that one isn't sure if this is from the pressing or the actual music - nice!). But yes, throughout there seems to be indeed various bits from old vinyl being used. Unlike Daniel Padden's recent LP which went in a similar direction, Inverz uses a more abstract form on his music, given away less from the original than Padden and despite the some over active use of reverb delivers a highly enjoyable record. Inverz' music has grown from the previous one, in which he was too much of one of the drone guys, and now he has expanded his drones into a bit wider field of musique concrete like sounds. Throughout that works pretty well. The way to go, I'd say. (FdW)
 
TOUCHING EXTREMES
The fourth release by Greek Savvas Metaxas aka Inverz is also my first stumble upon his work. The sphere is that of oneiric soundscaping, in this case implying the exercising of aged vinyl in addition to instrumental fonts and real-life noises. A risky territory to move in – too many practitioners of the same act around, some of them excessively puffed up in relation to the music’s actual value – yet the assignment was definitely well handled: Inverz managed in fact to protract this reviewer’s interest during a number of successive listens, the classic “unavoidable comparisons” frame of mind all but absent. The psychological milieu where the sounds are competently placed appears to be of paramount importance for Metaxas, whose gently misshapen shards of erstwhile orchestral echoes and slowly oscillating concoctions of blurred recurrences often produce true art. Everything is filtered by several layers of translucent abstraction, rare morsels of tangible aural matter enhancing the whole; one vainly attempts to discern vague figures, or the provenience of a group of frequencies. This hopelessness in identifying what exactly is going on should be seen more as a reward than a deficiency on the listener’s side. This is music that must be left spreading without caring about who, what or when; it works, it is beautiful in its own unique way, and asks nothing except billowing all over the place.
 
R.A.D. VINYL
My machines’ is Inverz’s (Savvas Metaxas), fourth release to date. The LP’s six tracks were recorded between autumn and winter of 2010. In ‘My machines’ Inverz focuses on the collection, process and reproduction of old vinyl records which are then combined with sound samples from musical and non-musical sources, resulting to a dark-ambient soundscape. The Lp is available on black vinyl with fantastic cover art for the sleeve. Inverz has a great ear for spooky samples much like Leyland Kirby’s project the Caretaker creating a world of strange sounds that crackle and hiss like the old vinyl he samples. Where Caretaker lives more in the past sourcing 78’s for a lot of his material, Inverz finds a way to link these past recordings with a future sound. However Inverz’s future might be bleak, spooky and filled with harsh noises there still is some room for beautiful sound. This is a very engrossing listen as sounds loop and drift in and out of the mix taking you on a journey of sound. Inverz is an artist in the US that is not well known but well worth discovering
 
FOXY DIGITALIS
''Turntablism nowadays equals cannibalism – the latest Inverz LP is sourced largely from old LPs, creating obscure, sparse drones similar to artists like the beloved Black Swan.Savvas Metaxas’ new drone-based scenes are meticulously layered and then blotched out, emphasizing proximity and clarity. Gone is the improvised, blurry sound cloud bubbling endlessly in some remote cauldron; an artist like Inverz is working more actively with composing and representation, juxtaposing specific fragments to desired effect.Metaxas, based in the intriguing hotbed of Thessaloniki, Greece, is also working on the similar wavelengths as Milan-based artists like Giuseppe Ielasi and Attila Faravelli. In fact, Ielasi himself has mastered My Machines in his impeccably clear style. Metaxas’ sound palette includes twisted loops of orchestral and choral LP samples along with slowed-down piano, providing a contrast for vaguely industrial, crisp sound effects and manipulations. These occasional but regular events evoke space and distance vividly in the manner ofGiacometti’s elongated sculptures – some kind of faraway tonal source, down the hall perhaps, whose form is recognizable but distorted. But like looking close up at a Giacometti sculpture in a museum, one notices that the distancing effect is only simulated. This gives the dark ambience a sense of immediacy that seems detached or constructed at times, and not as immersive as the classic billowing drone clouds. But still, add this to the excellent material already produced by this stylish drone mutation."

Granny Records

My Machines

Final Dance

Love Paranoid

This Machine Is Dead

A Series Of Tragic Events

About Closure

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

¿Eliminar artista {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del artista, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

¿Eliminar label {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del label, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

Mensajes directos (para proveedores de contenido)

Editar álbum {title}

Introduce el título del chart

Error al obtener {title}

Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

Si deseas publicar tu release de forma exclusiva, ve al {album} y rellena el campo {exclusive}. Usar “Exclusivo” en los títulos puede provocar resultados poco relevantes en la búsqueda.

Presentamos los visuales compartibles de Volumo. Sabemos que dedicas mucho tiempo a perfeccionar tu sonido y estilo, así que lo hicimos fácil para que generes imágenes y videos promocionales en segundos. Personalízalos como quieras, descárgalos y úsalo donde quieras—en redes sociales o en tu propio contenido.

Parece que el título incluye espacios innecesarios dentro de los corchetes. ¿Deseas quitarlos?

Parece que el título está escrito en mayúsculas, ¿vas a corregir este error?

Parece que el título del álbum incluye un número de catálogo. ¿Moverlo al campo correspondiente?

Parece que el título del track incluye un número de versión de mezcla. ¿Moverlo al campo correspondiente?

Nombre

Luego, dirígete a tu sección de playlists y crea una nueva playlist. Empieza dándole un título a tu playlist. Puede ser el título final o solo uno provisional. Después pulsa "Crear Playlist".

Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

Pausar {title}

Reproducir {title}

Título de la playlist

¿Listo para compartir? Haz clic en los tres puntos junto a tu playlist y selecciona "Publicar como chart", pon una Descripción llamativa, elige la imagen de portada y voilà, ¡tu ranking está en vivo!

Actualizaciones regulares sobre el contenido de Volumo

Notificaciones de ventas (para proveedores de contenido)

Selecciona el nombre del artista o el título del label que se mostrará en el campo de autor del chart

Mostrar el título del track

Empieza a escribir un título de chart o track, o un nombre de artista o label, para ver los resultados.

Empieza a escribir el nombre de un país para ver resultados

Empieza a escribir el título de un género para ver los resultados

Empieza a escribir el título de un track o álbum, o el nombre de un artista o label para ver resultados.

Detener {title}

El álbum {title} ha sido eliminado

Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo’. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

Actualizar la descripción de la playlist

Usar “Volumo” en los títulos puede generar resultados de búsqueda no relacionados.

Nosotros, Volumo, somos los responsables de tus datos personales; usamos cookies para personalizar el contenido y la publicidad, ofrecer funciones sociales y analizar nuestro tráfico. También compartimos información sobre tu uso de nuestro sitio web con nuestros socios de redes sociales, publicidad y de análisis, quienes pueden combinarla con otra información que les hayas proporcionado o que hayan recopilado del uso de sus servicios.

No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

SVL

tracks relacionados