Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Beating Records

Soundteller Records is a record label founded in 2012 by Piotr Sarnecki aka Deersky. The label is based in Warsaw, Poland.

We are committed to releasing a high quality underground electronic music from all over the world. We are focused on Progressive House, Progressive Tech, and Deep House.

If you are an artist with an unsigned track, send us your demo at demosoundtellerrecords@gmail.com with a short information about yourself and the music you make.

Soundteller Records

Max Freegrant is a truly prolific dance music producer who has a rich history of composing music and crafting big hitting club cuts for labels such as Anjuna, Toolroom, Armada, Black Hole, and his own imprint Freegrant Music. His back catalog covers a decade of releases with support from a wide range of DJ A-listers like Above & Beyond, Eric Prydz, Steve Angelo, Grum, Paul Oakenfold and Axwell to name a few. His tracks always manage to fill floors worldwide and have often become crossover progressive house and trance anthems, that have seen both underground and chart success. Max is someone who has risen through the ranks to become one of the most referenced and influential producers of the progressive house and progressive trance genres. His experience and outlook makes for a fine craftsman when performing as a DJ, whether he reaches for an old school gem or state of the art ID, he always surprises dance floors with his warmth and passion, taking his listeners on a seamless journey.

Freegrant Music

We are confronting the boarders of creativity.

Being open minded, being creative and unique. Stepping out of the closed circle of modern socialism. Being honest with yourself. Being an artist.

Back in 2013. One Of A Kind was just an idea that burst out of the shell of imagination of one guy, Marijan Raskovic, who finally realized this project and started working in 2016. where he signed first releases.

Being a part of Proton family which counts more over 600 labels, we are proud to be carriers of a wave that doesn't have boundaries when it comes to music. Our main goal is to spread the sound worldwide and well promote every single artist that joins our label, equally.

One Of A Kind

Mango Alley is a digital music imprint established in 2008, showcasing the most innovative international artists in progressive house, melodic techno and organic house, featuring big names in the scene and discovering new talents. The signature sound of Mango Alley encompasses a distinct fusion of deep, chunky, and intricate grooves, bold and mesmerizing synths and captivating atmos.
Our music is good for any weather, any timezone and any season.

Mango Alley

The premier melodic & progressive label from Brazil founded by @MorttaguaMusic

Timeless Moment

UK record label founded in 1998. A decision was made to shake things up. Once that was done, says John 00 Fleming, that change took on a life of its own". The "it" JOOF refers to is ‘Editions’ - his rule-adverse compilation series, which is currently on the touchline, warming up for its fifth outing. The most apparent modification is in the number of DJs mixing it, which has leapt - quadrupling (yup!) from one to four. "Originally I was just going to bring in one other, but amazing co-mixing suggestions kept coming up. Those suggestions turned into options and, well, here we are!"

"It has says John allowed for the album to become a far more focussed affair". With runtimes regularly pushing five hours, Vols. 1 thru 4 were nothing less than odysseys into the fantastic minutiae of progressive. Epic, deep sonic probes, endeavouring to explore every corner of an arguably limitless genre. Beatport all-genre chart toppers and agents of scene change (they played their part in unlocking ASOT door to Progressive last year) ‘JOOF Editions’ mixes became the new apotheosis in journeys by a DJ. In 2019 however, ‘JOOF Editions’ is getting both smaller and larger. With the series’ door opened to a cadre of label friends and fellow defenders of the electronic music underground, joining him in 2019 are Gai Barone, Paul Thomas and Tim Penner.

To accommodate, John’s reined in the legendarily expansive limits of his own mix. However the release’s overall musical length has almost doubled in size again. Each of the handpicked DJs had up to two-hours with which to make the case for their own particular tract of progressive. "It’s very much the best of all worlds, John feels. It’s allowed me to become even more focussed on a couple of bandwidths, while my co-mixers travel their own lanes, broadening the release as a whole". Fleming’s fifth is the perfect truncation of the ‘JOOF Editions’ you know and love. Its wonderful spacey intro calcifies swiftly into a chunkier, more groove-hardy thing. Incorporating housier undertones along the way, Basil O'Glue’s ‘Nekyia’ and - in its Facade variation - ‘Shrine’ sit alongside Stan Kolev’s ‘Ananda’. Delivering one stunning, toughly percussive and echoically-intense sequence after another, it culminates with ‘Arise’ and ‘Timelapse’ – a double hit from Jerome Isma-Ae. At the midpoint, John’s mix traverses subtlety but unmistakable onto darker, more robust terra. JOOF’s own ‘Drop From The Vile’ and Miika Kuisma’s ‘Tri-be’ shadow Airwave’s ‘Perth To San Diego’, themselves prefacing a dozen other killers. Mix-matters come to the most anthemic of heads through Oliver Prime’s envisioning of LSG’s ‘Netherworld’.

The first of JOOF’s ‘Editions’ guest-mixers is the suddenly-everywhere Canadian, Tim Penner. A man with a notable passion for progressive’s more abstract and avant-garde natures, Tim’s delivers a ceaselessly fascinating two hours of music. Needlework-fine in its mixing, precisely nuanced and exploratory in the sonics, it courses with the latest soundware from The Stupid Experts, Rick Pier O'Neil, ACUMEN, Be Morais and others. Alongside, naturally, is a respectively significant dose of Penner’s own material, sourced from his just-released ‘Radio Silence’ album. Bringing Tim on board, John said: "Once in each decade you come across a genius of a producer. One that is so far forward thinking you’re unsure where to place them in the genre sphere. That’s Tim Penner in a nutshell". 

"No introduction necessary!" however is how John heralds ‘Editions 5’s next-to-the-decks. (Heck, he’ll give him one anyway!). "Gai Barone is a producer who - from Sasha to Armin van Buuren, exists outside every bubble. His hypnotic melodies have become irresistible to every music lover. Its not just talent either, Gai is one of the loveliest most humble artists on this planet." In his quest to do justice to the Editions’ remap, the Italian’s gone to some extraordinary lengths. An album capsule perched atop a mix-comp rocket, whether it be original or remix, Gai’s had a hand in no less than 14 of the 17 tracks in his mix. Aliases too? You betcha. Charlotte Petitte, Dead Panther, Tannura Revolutionary Blocks, Celvee, Ayer Astura, Barra Uno – all extraordinary, all new Barone masks and monikers.

Last and by no means least is moonlighting FSOE UV A&R man, Paul Thomas. Welcoming Paul, John says: "The latest new breed rising over the past couple of years getting on the radar of the likes of Hernan Cattaneo, Nick Warren along with touching a chord with the Trance world too, says John. One of the standout Progressive DJ/Producers over the past few years", Paul Thomas angles his mix a touch later-night than his co-mixers. Elevating its tempo, through key tracks like Dmitry Molosh’s ‘Sacra’, Molosh’s rewire of Aly & Fila vs. Ferry Corsten’s ‘Camellia’ and Paul’s own ‘Joheia’ & ‘Lorax’ numbers, he brings greater emphasis to melodica, lift and endzone drive.

JOOF Recordings

Founded in 2020 Future Avenue is an electronic music imprint which operates under the Sound Avenue umbrella. Sitting alongside fellow subdivisions 3rd Avenue and Crossfade Sounds, Future Avenue looks to provide a home for new and rising talent. With an ethos centred around progressive music and its surrounding derivatives, the label is a platform which gives up and coming artists a chance to showcase their music alongside established veterans as they carve out their own musical identity.



Future Avenue

Progressive House / Afro House / Organic House/ Downtempo
Indie Dance / Electronic -, Spain

MIR MUSIC

SLC-6 Music is a record label based on California's Central Coast near one the world's most prolific space and missile bases. There has long been a connection between space, technology, electronics, and music. Founded by dj/producer D.J. MacIntyre, SLC-6 Music is an idea with a nod back to history, and forward to the future, with releases from the house and techno musical families.

SLC-6 Music derives its name from, and is a tribute to, Space Launch Complex 6 at Vandenberg Air Force Base in Lompoc, California. The history of SLC-6 is fascinating and filled with dreams of progress, dreams thwarted, and reinvention. A multi-billion dollar project, the complex was built with the intention to launch NASA's Space Shuttle from the west coast of the United States. After the Space Shuttle Challenger was tragically destroyed, NASA re-evaluated the Space Shuttle Program and the decision was made to scrap the plan to launch from Vandenberg. The world was space-crazed and the city of Lompoc eagerly anticipated the increase in tourism and boost to the economy that being home to the Space Shuttle would bring. When plans changed, Lompoc was left with disappointment and a lot of underused hotels. For many years SLC-6 symbolized the dashed dreams of those looking to push the limits of our human reach, and those of a small California town.

The re-emergence of SLC-6 began with lower profile missile launches in the 1990's, but it was with the decision to launch the massive Delta IV rocket that the complex again began to regain the aura it once had. As successful Delta IV launches followed one another, SLC-6 came again to symbolize progress, hope, and a reach for the sky.

SLC-6 Music embraces parallel attributes to the vaunted Space Launch Complex - resilience, progression, technological advancement, and a gaze cast upward into space. We hope the music brings you the same sense of wonder and mystery that one experiences when observing a rocket launch into space.

SLC-6 Music

Forescape Digital

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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Beating Records

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