Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Fade Records

Max Freegrant is a truly prolific dance music producer who has a rich history of composing music and crafting big hitting club cuts for labels such as Anjuna, Toolroom, Armada, Black Hole, and his own imprint Freegrant Music. His back catalog covers a decade of releases with support from a wide range of DJ A-listers like Above & Beyond, Eric Prydz, Steve Angelo, Grum, Paul Oakenfold and Axwell to name a few. His tracks always manage to fill floors worldwide and have often become crossover progressive house and trance anthems, that have seen both underground and chart success. Max is someone who has risen through the ranks to become one of the most referenced and influential producers of the progressive house and progressive trance genres. His experience and outlook makes for a fine craftsman when performing as a DJ, whether he reaches for an old school gem or state of the art ID, he always surprises dance floors with his warmth and passion, taking his listeners on a seamless journey.

Freegrant Music

We are confronting the boarders of creativity.

Being open minded, being creative and unique. Stepping out of the closed circle of modern socialism. Being honest with yourself. Being an artist.

Back in 2013. One Of A Kind was just an idea that burst out of the shell of imagination of one guy, Marijan Raskovic, who finally realized this project and started working in 2016. where he signed first releases.

Being a part of Proton family which counts more over 600 labels, we are proud to be carriers of a wave that doesn't have boundaries when it comes to music. Our main goal is to spread the sound worldwide and well promote every single artist that joins our label, equally.

One Of A Kind

Founded in 2011 by Belgian DJ and producer Madloch, Sound Avenue is an electronic music label that stands for quality and originality. Borderless in vision, the Belgian imprint has forged a path to multiple musical dimensions. Blurring the boundaries between house and techno, it’s a platform for anyone with an open mind and ears. Having built early momentum on a global scale, the label hosted events across Europe, North Amercia, Argentina and their home country of Belgium. These uniquely branded club nights featured some of the labels core artists (at the time) including Agustin Basulto, Beat Syndrome, Luis Junior, Matias Vila, Nicolas Rada and Sound Process. It set in motion what has been a unique course to musical freedom, pioneering various sonic blueprints over the course of eight years, while maintaining a strong bond between its loyal and ever expanding fanbase.

Originally intended to be a stand alone platform, as Sound Avenue experienced unprecedented growth its musical horizons expanded, eventually paving the way for two label subsidiaries in 3rd Avenue and Crossfade Sounds. The former drew influence from Sound Avenue’s early beginnings, showcasing the best in melodic house while the latter dove into the realms of deeper, dubby house and laid back modern techno.

Now over one hundred releases into their journey, Sound Avenue has continued to flourish through precision, care and well thought out A&R choices. It’s this attention to detail that has allowed the label to work with some of electronic music’s most esteemed artists, such as Budakid, Bachir Salloum & Zone+, Charles Webster, Cosmic Cowboys, Eelke Kleijn, Estroe, Facundo Mohrr, James Teej, Kurt Baggaley, Luis Junior, Martin Roth, Pablo Bolivar, Petar Dundov, PHCK, Powel, Santiago Garcia, Stelios Vassiloudis, Superlounge and Tim Engelhardt.

Sound Avenue carefully curates each release to move their vision forward, building a close-knit family of scene veterans, while nurturing new talents such as

Sound Avenue

Since 1997 when Kasey Taylor founded Vapour Recordings, the label has gone on and forged itself an enviable reputation, not only as one of Australia’s leading independent dance labels, but the worlds too.

When you feast your ears upon a new Vapour Recordings Ep, think of it as forward thinking dance music. If there is one defining feature of a Vapour record, it’s that it is just a little ahead of its time. The sort of tune that the average person might put back on the shelf, and then later on hear it out in a club and kick themselves because they didn’t realise how damn good it really was at first listen, and because they knew they had just let a gem of a tune slip right through their fingers.

July 2011 saw the label reach it’s landmark 100th release. The clock was wound back for this one choosing artists from the past, present and future to remix the back catalogue. The package contained some fantastic names, with remixes from the likes of Guy J, Hernan Cattaneo, Luis Junior, Jamie Stevens, Peter Horrevorts, Nick Warren, Dousk, Rodskeez, Fiord and many more.

There are DJs in the world who have vision. Those who can pick up a sound before it becomes popular and break it to the masses. Names like John Digweed & Hernan Cattaneo spring to mind, and Vapour releases have always found their way into the record boxes and charts of these luminaries. They are attributes that Kasey Taylor has also.

It isn’t easy to turn heads in the underground dance music scene when you are a small record label operating from the ass end of the universe! It’s harder to slip promos to DJs and radio station reps, magazine editors and so on. There’s seldom a chance to drop your own track in front of the big name DJs to prove just how effective your music can be. With that in mind, it’s a real credit that Vapour Recordings has earned a spot as premiere labels on the global market, commanding the attention of all the industry heavy weights through nothing more than releasing quality tunes. No huge advertising budgets, no massive PR campaigns, no industry schmoozing, no shit talking, no sales driven drum rolls, no poxy synth lines – Just a talented collective of like minded artists doing it well from around the globe.

Vapour has a strong reputation for releasing quality tunes and we aim to keep up our standards of the highest order.

Vapour Recordings Established 1997

Vapour Recordings

Pro B Tech Music

Prognosis

Emergent Music is a global label collective, established to provide a standout musical platform for new and known talents to release their music on, which we pride ourselves on promoting to a strong and ever-growing community of fans and supporters.

Gaining regular support from the biggest DJs and channels in the world, the Emergent Family comprises four genre-specific label imprints:

Emergent Shores: Melodic Progressive House

Emergent Cities: Progressive Trance

Emergent Skies: Uplifting Trance

Emergent Textures: Deep House and Electronica

Our goal is to release the highest quality music in our fields, innovating and expanding the genres within which we operate; supporting the growth and development of our established artists whilst identifying and nurturing new talents.

Emergent Shores

Movement Recordings is an indepedent electronic music label originally from Thessaloniki, Greece, part of Movement MMM Ltd based in Cyprus.

Movement Recordings was found in 2008 by Tash and former partner Stage Van H as part of  DJM Productions based in Thessaloniki GR, an imprint responsible for various successful events of high-quality electronic music since 2005. The aim was to release fresh and innovating sounds establishing Movement Recordings in the international music industry, after numerous top releases from reknown & promising Producers.

Since then more than 200 Digital & Physical Releases came out, varying from Electronica, Deep / Organic House, Progressive House, to Melodic Techno by the likes of Hernan Cattaneo, Jerome Isma-Ae, Petar Dundov, Guy Mantzur, D-Nox, Tone Depth, Dousk, Cid Inc, Nikola Gala, Spektre, Magdalena, Jonas Saalbach, Sahar Z, Khen, ao.. till today's artist roster !

Movement releases gained the support of Carl Cox, Sasha, John Digweed, Maceo Plex, Dubfire, Solomun, Hernan Cattaneo, Nick Warren, Matthew Dekay, Guy J, Guy Mantzur, Kollektiv Turmstrasse, Serge Devant, Armin Van Buuren, Above & Beyond, John 00 Fleming, Markus Schulz and Paul Oakenfold to name a few.

Nowadays, the team of Movement Recordings is standing loyal to the cause, spreading quality music through label showcases & artist tours in Europe, Middle East, Asia & South America - powered by Movement Bookings - expanding its musical perspectives with Movement Limited focusing in Deeper, Organic House & Downtempo and Melodic House, as well as "Limited Editions", and Astral Records focusing in Melodic House/Techno & quality Electronic music

Movement Recordings

Particles

Perspectives Digital is a record label releasing electronic dance music, based in Berlin and Los Angeles, started by @DarinEpsilon in 2010. It serves as the companion to his popular Perspectives radio show. Our mission is to release the highest quality Melodic House & Techno, Progressive House, and Deep House from around the world.

"One of North America’s leading labels" - Beatport

Nominated for "Breakthrough Label" in DJ Mag's "Best of North America Awards" (2017)

Perspectives Digital

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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Fade Records

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Losing Wait

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