Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Convent

Music Related Records

All Blak Records

Founded in the moon... the main goal is to connect Europe and America through their roots and influences keeping as a central thread a global vision of electronic music.

Yet Records

Italian based imprint Moan Recordings, was born at the end of 2011 from the idea of two friends Clausen and Kaschant. Moan is focused on House and Tech House, with Funky, Minimal, and Techno influences. It's tasteful music made for maximum enjoyment on the dancefloor by some of the most interesting artists of the underground scene. Charted and played by the most respectful djs such as Loco Dice, Ricardo Villalobos, Marco Carola, Matthias Tanzmann just to name few. All the projects brings different artists together to get a creative music style, a new musical concept, inspiration, emotions, feelings and high quality dance tunes, in one word : MOAN.

Moan

Politics Of Dancing Records

UK Based vinyl only record label concentrating on quality house and techno

FAKE Records (UK)

Vinyl & Digital record label based in Breda, The Netherlands.

Memoria Recordings

A Parisian club kid in the early 2000s, Djebali has grown into one of the most accomplished house producers from the city’s new generation of talent. Driven by his own self-titled imprint in 2011 and several sub-labels, together with a constant flow of gigs at high-profile clubs around the globe and a back catalogue full of classic house grooves, he is one of Paris’ shining stars…

Djebali was first backed by long-serving Paris head Terence:Terry: at the legendary ‘After Party Is Not A Crime’ nights, before making numerous appearances at Rex Club and holding down a residency at the Freak N’ Chic Batofar parties between 2008 and 2010. Since then, it’s been a steady rise up the ranks, with Djebali’s hard work and ingenuity taking him around the world.

2019 was a prolific year for Djebali, producing a series of singles and EPs in his Paris studio, along with an album ‘Almost Finished’ with his friend Guti, which was released in 2020. The album is aimed straight at the dance floor, with a selection of cuts that merge both artists’ unique sonic identity to create a diverse yet cohesive LP. Produced during an intensive few days at Djebali’s studio, ‘Almost Finished’ represents two artists in the midst of a highly creative purple patch.

​

Elsewhere, he teamed up with Chris Stussy on a series of EPs – ‘Shades Of Grey’ and ‘Part 1’ & ‘Part 2’ among them. Plus he’s collaborated with a variety of his peers, including Fuse resident Rossko, Stephan Bazbaz and Reda Dare. Djebali has also released original material with Politics Of Dancing, Organic. He has also injected his knowledge and skill into a series of remixes for artists such as Rhadow, Barem, Marco Faraone, Gel Abril and Manuel de Lorenzi, Archie Hamilton’s Moscow label. The consistent flow of music continues into 2020 as he pours his energy into collaborations with Jorge Savoretti for Infuse and remix work for SASH in Sydney, for whom he produced two remixes for the debut of the party’s label wing.

On the road he’s toured Australia, appeared at Epizode Festival in Vietnam and played high-profile gigs at globally-renowned clubs like fabric, Thuishaven, Octan (for Planet Claire with Apollonia) and the amazing Five Island Festival in Lebanon, making 2019 a hugely successful one for the Parisian selector.

​

Pushing the scene forward in his hometown, Djebali has brought a glittering array of talents to his own self-curated, bi-monthly party at Rex Club called Ideal Juice. The party has also been held at locations outside of Paris, hitting Ibiza Underground, Iboat in Bordeaux, Special Case in St Petersburg, The Basement in Tunisia, as well as the UK, hitting London and Liverpool. Meanwhile, at DC10 in Ibiza, Djebali makes regular appearances as a resident in the infamous red Terrace room, where he holds court several times each summer at the spot which is widely recognised as of the world’s most influential clubs. In 2015, Djebali embarked on a US tour hitting some of the USA’s best-known clubs; Verboten, Space and Output in New York plus Stereo in Montreal, as well as venues in Toronto, Los Angeles, Miami and the birthplace of house music, Chicago. Around the world he has played everywhere from Womb (Tokyo) to Kazantip (Ukraine), Sonus (Croatia), Modernity Cruise and Caprices Festival (Switzerland) and Movement (Turin) plus a residency at Amnesia’s brand new Monday night Ibiza party Pyramid.

On the production front, Djebali’s break came via Jay Haze, who signed his first EP ‘Fanfare’ for Tuning Spork in 2008. He dropped the follow up ‘LAX EP’ to widespread critical acclaim in 2009 and dropped ‘Sorry, I Missed The Sky’ the following year on Dan Ghenacia’s Freak N’ Chic – a label which led the way in supporting quality Parisian house talent. As a prolific remixer Djebali has used his magic touch to rework a long list of high-profile names such as Inland Knights and one of his idols, Chez Damier, who signed a remix to his Balance label. More recently he has created composed remixes for Sebo K’s Scenario label, Enzo Siragusa & Nima Gorji’s track ‘Foreal’ on Fuse, a rework of ‘Fall’ by the legendary DJ Pierre from his album on Get Physical plus a remix for the mighty Guti, taken from his LP on The Martinez Brothers’ label Cuttin’ Headz.

​

2011 saw the launch of ( djebali ), a limited vinyl-only series, which Djebali used to explore his sound in greater depth, releasing music straight from the studio on to wax – each release selling out within days of hitting the streets. In 2013 came two offshoots; ( djebali ) presents – a platform for developing artists which debuted with a top selling EP by Mr KS – and ( djebali ) reworks, which features established artists and friends remixing the ( djebali ) back catalogue, the debut edition featuring Christian Burkhardt and Hreno & the Mole. Other artists who have remixed on the label include Mandar, Livio & Roby, Hold Youth and John Dimas with Cab Drivers and Alci, plus Fuse resident Rossko and Audio Werner, Jorge Savoretti, Sebo K, Okain and Cuartero among the additions to the ( djebali ) team. +A standout moment came when Djebali had his classic track ‘Reputation’ remixed by French house legend POINT G for a one-off special repress on ( djebali ) extra, the fourth member of his family of labels. A killer single from Premiesku (remixed by Djebali), a collaboration with long-time friend, Tuccillo can also be found on the label and NTFO have also been remixed by Djebali himself for the offshoot label. In total there have been over 30 releases across Djebali’s numerous projects and the collection continues to grow with Project OAM.

​

OAM (Once A Month) was launched at the beginning of 2018, to give fans of digital releases, or those who have difficulty picking up vinyl, an opportunity to own something exclusive. Each release is available for free download but limited to 1,000 downloads, and each one is special in its own right, whether it be a fresh new remix, a one-off or an ambient experiment… Djebali has collaborated with visual artist Maku Lopez to create bespoke artwork for each release, making each download even more collectable.

Prior to that, the ( djebali ) label itself went digital for the very first time with edits of tracks from the label’s back catalogue and previously unreleased tracks made available for the first time since its inception. The venture allowed fans to purchase special digital versions of Djebali’s work, opening him up to a whole new audience of music lovers with Djebali digital exclusives including an EP from Chris Stussy. Though vinyl is still where his heart lies, and will always be the priority.

2017 marked a milestone in Djebali’s career when he release his debut album ‘5’. An important moment in any artist’s life, the album showcased his penchant for deep groove-driven house music that draws on classic motifs, with a contemporary sheen. To support the LP Djebali embarked on a world tour, clocking up the air miles and playing sets across the globe from Peru and Argentina to Italy, Montreal, Australia and many more territories. The release of ‘5’ was followed that same year by an exclusive remix package which included contributions from a lineup of electronic music luminaries such as Andrés, Satoshi Tomiie and Terence:Terry:, and young talents such as Romanian maestro Arapu.

​

Humble, hardworking and naturally gifted, Djebali is a house music diehard who continues to bring his unique energy and magic to the dancefloor…

(djebali)

Deeperfect

Kina Music is a project headed by Re-UP (Leo & Omar), one of the most revered Duo of the Italian underground scene, thought with the target of creating a leading label in Italy and Europe, thanks to years of experience in the electronic music scene first as Oel&Polygon and then as Re-UP. Supported by B79 Music, publishing group owned by Davide Bomben, Kina is going to be a future highlight in the club scene of the next years. Kina Music is a concept and not just a label, it wants to be a new stage for talented electronic artists from the world scene, a way to express themselves and to show what's good in the underground music movement in Europe and outside of it. What they want to create is a way to connect the ideas of Kina’s artists to the clubbers and the music lovers that are curious to know what's new in club music.

KINA Music

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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Convent

Resumen

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Specimen

The Rusty Slide

Devil's Night

Géneros

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