Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Gunhar

Angelo Ferreri

Wally Lopez

SATOSHI FUMI Satoshi comes from Tokyo. Influenced by the 80’s Electronic Music and 90's House/Techno scene. He managed to create his own unique style over the years by providing the world with various dance music styles such as Deep House, Techno, and Acid. He has released quality tracks on labels such as Bedrock, UNKNOWN season, Get Physical Music, Moodmusic, Sudbeat, We Play House Recordings, King Street Sounds, Detone, Plastic City, etc, and as a result, has managed to gain recognition and respect of many vital DJs such as Laurent Garnier, Ken Ishii, John Digweed, Hernan Cattaneo, Ashley Beedle, Terry Farley, to name a few. He succeeded in gigs in Tokyo and played in suitable venues worldwide (UK, France, Italy, Greece, and Asia.) He runs a label, Sequent: Recordings, and has a monthly radio program, Outerspace, on Proton Radio. 

Satoshi Fumi

Bio:  With a love of music from an early age, Col Lawton grew up in South Shields listening to artists such as The Jam, Stone Roses, Blur and Oasis. Using his pocket money to buy vinyl’s and tapes, Col was drawn to house music in the early 2000s when his ear for music changed.

Inspired by the emotions, rhythms and the feelings of house music, Col was first influenced by friends at house parties. One of his first inspirations was Stu Welford who showed him what to do and how to become a great DJ. His musical inspirations developed in the early 2000s when he discovered Naked Music with Col crediting Miguel Migs as an artist who first inspired him through his sounds and mixing. Another early musical inspiration was Mark Farina whose melodies and smooth mixing became a source of inspiration for Col.

As well as strong musical influences, Col is inspired daily by his family including his wife and son who make him work hard to achieve his dreams. Col also credits his good friendships, including Robbie Robinson, for believing in him and pushing him to achieve what they know he can.

Col was drawn to house music due to the feelings and emotions it evoked in him all those years ago. Today he still believes the feelings that house music generates acts as a trigger for him. His first live mix was in a bar in Newcastle and remembering how it felt to get that first mix right is something that has never left him.

Col loves to create music whether it is producing and looking for a particular sound that evokes those strong emotions or whether it is just creating music that brings new people into his life who love the same music as he does. His current musical inspirations include Scott Diaz, Sebb Junior, Manuel Costela, Muguel Migs and The Journey Men.

As a producer, Col is currently in the studio producing his sound, working with his team and spreading his wings by working in more clubs and at more events to show off what he can to do those who enjoy his deep/funky/jazzy style.

As his career grows and develops, Col hopes to create music that people will love and remember, either because they first heard it dancing in Ibiza with friends or because it is something they fell in love to having their first kiss. Music that matters is his blue print so his achievements will be measured on if he made good quality music that house music lovers love. Col also hopes to be able to travel the world perusing his dream and enjoy house music for the purpose it was made for – the feeling.

Col Lawton

Venessa Jackson

iMarcus

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

Stan Kolev

Hector Couto

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

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The Secret Buddha (The Remixes)

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