Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

Sobre nosotros — Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} · Precio: {price} · Catálogo n.º {catalogNumber} · MP3, WAV, AIFF y FLAC · Re-descargas ilimitadas

{albumTitle} de {recordlabelTitle} en Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} en Volumo

Mejores pistas, lanzamientos y álbumes de {contributorTitle}. Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música de {contributorTitle} en Volumo

Best {currentYear} {genres: :1} Artists Tracks & Releases {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Mejores artistas, pistas, lanzamientos y álbumes de {genres: :1} en {currentYear} en Volumo — {paginationText}

{chartName} por {author} - Volumo · MP3, WAV, AIFF y FLAC · Descargas ilimitadas

{chartName} por {author}

{chartName} por {author} - Volumo

Música {genreTitle} {genreDescription}: canciones, lanzamientos y álbumes {currentYear}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música {genreTitle} {currentYear} en Volumo

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Top {genreTitle} {currentYear}: Best Releases & Albums at Volumo {paginationText}

Música exclusiva de {genreTitle}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga exclusiva de música {genreTitle} en Volumo {paginationText}

Lo mejor de {genreTitle} {currentYear}. Principales lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados en Volumo {paginationText}

Música de {contributorTitle} · Descarga en MP3, WAV, AIFF y FLAC · Volumo — tienda de música electrónica de nueva generación para DJs profesionales

Compra y descarga música de {contributorTitle} en Volumo

Compra y descarga música de los mejores sellos de {genres: :1} en {currentYear}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Mejores sellos de {genres: :1} en {currentYear} · Descarga de música en Volumo {paginationText}

Descarga de la música más reciente de Electronic, Dance y House {currentYear} {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga la música más reciente de Electronic, Dance y House {currentYear} en Volumo {paginationText}

{artists:, :1} - {trackTitle} de {recordlabelTitle} · Precio: {price} · Descargas ilimitadas · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Lanzado el {releaseDate} · MP3, WAV, AIFF y FLAC

{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Darlene McCoy

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

Lee Wilson

Tristan Henry

Berlin based duo Mat.Joe are the latest addition to the FMLY roster. Coming from a background of rap, skateboarding and breakdancing - influencing their style of House today. From their roots as hip hop producers they have moved to producing and playing crispy Housebeats paired with rhythmic Soul and Hip Hop elements. The result is deep and dancefloor-qualified, warm and rough.

Being best friends and moving from Hannover to Berlin to follow their sound - you can see their passion and comaraderie behind the decks. Being inspired by the Berlin culture and every day places such as subway rides, late night showers and favourite bars, their music has taken them on a journey.

Mat.Joe

Vintage Culture

Low Steppa is without doubt one of the most vital and influential house music artists of the present day. A top ten selling artist on Beatport, he has released on a some of the most well-respected labels around, including Defected, Armada, Strictly Rhythm alongside his own Simma Black, a label that has helped launched the careers of many of his contemporaries. With a unique sound, an infectious energy behind the decks and a ferocious work ethic, Low Steppa is a singularly talented artist who lives and breathes house music.

Over the last few years, Low Steppa has made a sizeable contribution to the house music canon with a run of singles of the utmost quality. Notable productions include the massive ‘Heard It All Before’ and ‘Runnin’ on Armada – both of which are currently sitting on streams of many millions – and his debut with the Defected Records, ‘You’re My Life’, which has capped an incredible few years working closely with the label, as he has become a regular fixture at their parties in London, Ibiza, Croatia and worldwide. Further highlights include his all-conquering remix of Sonny Fodera ‘Always Gonna Be’, reworks of Hardrive’s ‘Deep Inside’ and Roger Sanchez’s ‘This Feeling, both of which were picked up by legendary dance label Strictly Rhythm.

Low Steppa

John Summit

You know Armand Van Helden, right? The self-styled ‘bad boy’ of house, the man with a mountain-size ego, the six-pack framed poser with his joke of an Ali G-like pencil beard, the money-hunger remixer who famously cleared the dancefloor at Space, who really wants to make hip-hop, but can’t.

You know Armand Van Helden, right? The same Armand Van Helden that doesn’t own a flat, or a car, who chooses to walk around his adopted home of New York, rather than chug about in a chrome-plated SUV. The homeboy who was championing the raw, energetic, fun sound of hip-house long before it became a fashion accessory. The straight-talking, no-nonsense trainspotter who still spends hours thumbing through thrift stores in search of tunes to sample, the music fan that owns thousands of rock records. You what?

“I love classic rock,” says the 33-year old producer. “I love digging in the crates. If you’re going to make music then you’ve got to know music. But I won’t pay more than a dollar for the classics. That’s my whole thing. It’s about the digging aspect, the challenge - the fun of it. The Steve Millar Band, Led Zeppelin, Blondie… I could go on about my favourite rock music all day long. If you’re a house head, true at heart, and you don’t like the White Stripes then you’re out of your head. The groove, the bass..it is house music. Now rock’s fun again and it’s making the club scene fun. I think we’re going to find a balance between house and rock.”

Yes, Armand’s been less than complimentary about dance music in the past. Yes, he’s sometimes indulged in his own fantasies and come up short with underwhelming house and hip-hop ‘concept’ albums. Yes, he pissed off several hundred European clubbers in Ibiza. And, yes, he has been as he admits “cheap” at times.

“I can be blunt and aggressive,” he concedes. “I don’t have a lot of sarcasm in my conversation. I’m not all ‘Mr Funny’. In fact, I’m always dead to the point. But that’s because I have a deep love of what I do and I’m not playing games.”

And yet beyond the misconceptions rest the tunes themselves, a lasting legacy of house music master strokes that are so brazen they virtually slap you in the chops and command you to swing your hips and shuffle your feet.

And they stretch back virtually as far as his career itself.

A b-boy at heart, Armand’s move toward house was geared by both an open admiration for Todd Terry’s aggressive cut-and-paste dynamics and a passion for the late 80s hip-house of the Jungle Brothers, Tyree and Fast Eddie.

“One of the good aspects of hip-house was that it was lyrical,” he says now. “It had a great impact on people. Those records are still memorable now.”

After spending his childhood at army bases in Europe before settling in Boston, it was hip-house’s mix and match ethos that provided the basis for the tough, sample-heavy cuts with the city’s X-Mix Productions outfit that first drew attention his way. By 1992 he had become both promoter and DJ for the after-hours Loft club and made his solo debut – ‘Stay On My Mind/The Anthem’ – for New York’s Nervous records.

It wasn’t long before the call came from the then-dominant Strictly Rhythm stable, via whom Armand soon built up a rock-solid fan base with both English and American DJs, thanks to a stream of tuff club cuts – including 1994’s ‘Witchdoktor’ EP - that amplified tribal house’s template and sounded devastating on the dancefloor of the best club in world, the Sound Factory.

Then came the Armand basslines. You know, the ones that fused jungle’s colossal sub-bass with razor-edged, steel-rimmed beats and virtually commanded your arse to kindly make its way to the dancefloor: Tory Amos’ ‘Professional Widow’ (a UK number 1 back in 1996), Sneaker Pimps’ Spin Spin Sugar’, CJ Bolland’s ‘Sugar Is Sweeter’ and Nu Yorican Soul’s ‘It’s Alright, I Feel It!’

“I have attention deficit syndrome,” he laughs by way of explanation. “I get bored quick.”

In a sea of ‘faceless’ artists, Armand floated adrift by a mile, and the UK’s dance music media promoted him as a superstar. FFRR signed him up thinking they’d found a new wallet lining. Expectations were raised. But while Armand embraced the attention behind the scenes he continued to do what he’d always done, “make beats”.

In 1999 one of them ‘You Don’t Know Me’ – reached number 1 in the British pop charts. A top-drawer house album – ‘2 Future 4 U’ – followed with Armand continuing to mix–up styles. He continued to dent the UK charts too, with club crossover hits like ‘Flowerz’, ‘Koochy’ (a top 5 hit in 2000) and ‘Why Can’t You Free Some Time?’ While as a remixer, Armand turned tricks for a string of platinum-selling artists, including Puffy, Janet and the Stones.

Just when it looked like house music’s star had fallen from grace, one of the world’s most sought-after DJs returned in 2004 with a bang. A two year hiatus was over. His mix album, ‘New York: A Mix Odyssey’ on Southern Fried was the first outburst. Fusing Armand’s passion for the rock and house scene of downtown New York, its cut-and-paste party dynamic received a rave reaction. Two huge singles, Hear My Name and My My My followed and left dancefloors and radio stations quivering in their wake.

Now in 2005, Armand Van Helden releases a new album. The natural next step. Incredibly Nympho is Armand’s first proper artist album for five years. It’s been worth the wait. Times may have changed, but it seems Armand’s instinctual knack for soaking up various musical influences and spitting them out again in the form of an undeniably gut-wrenching killer track hasn’t. One listen to this new album, the undeniable feeling is still the same. The same as it ever was. Armand’s music is the sound of someone having FUN. Answering their calling. Enjoying what they do best.

“Before I go make a song I listen to some old records,” he says. “Sometimes I don’t even know who the artist is. Sometimes the cover just looks good y’know, with the dudes with the skinny leather ties – you just know that gotta’ be some good ‘80s shit.”

“I just do what I feel,” Armand continues. “Honestly when I wake up – in the afternoon usually – I love to make music in my studio. That is the number one thing in my life. Everything else is secondary. I love to lay down whatever is in my head – to get what ever is in my head out there into the public eye.”

Armand – a true original.

Armand Van Helden

Junior Sanchez has been a dynamic force in the world of house music, consistently pushing boundaries with his diverse sounds. His extensive catalog boasts releases on renowned labels like Defected, Relief, Mad Tech Records, Strictly Rhythm, and Nervous Recordings. Noteworthy remix credits include Madonna, Gorillaz, Jamiroquai, Daft Punk, Chrvches, Azealia Banks, and Ariana Grande.

As 2023 concludes, Junior's recent releases on Planet E, Wh0plays, Circus Recordings, Club Bad, and Defected, along with the attention-grabbing collaboration with Dance System as Freqazoids, showcase his continued impact. With plans for a sophomore album in 2024, Junior Sanchez remains a headline act on global stages, from Ultra in Miami, Korea, and Singapore to Pacha and Ushuaia in Ibiza, demonstrating no signs of slowing down.

Junior Sanchez

UK dance artist Jem Cooke hails from London and is a singer/songwriter probably most known to date for her stunning vocal/cowritten single with Camelphat + Cristoph, “Breathe”. Jem has a prolific track record of hit releases under her own artist name and is also a hit songwriter for other artists.

Having come from a musical family background, dance has become Jem’s natural home, and her blend of inspirational lyrics and huge live vocal range have led to a prolific release schedule across deep house, techno, drum+bass, chill and melodic house, with recent cowritten singles including Jess Bays + Kelli-Leigh "Ascension", Cristoph "Paradise", Kream "Blue Symphony", Steve Aoki + Showtek "Mirror Mirror",  Camelphat “Silenced” and “Rabbit Hole”, Ferreck Dawn “Back Tomorrow”, Somma “Rush”, Delta Heavy “Heaven”, Phantoms “Lay It All On Me” & “Only You”, Gorgon City “Dreams”, Sevenn “HeartSpace”, Jax Jones “Crystallise”.

Jem Cooke

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

¿Eliminar artista {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del artista, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

¿Eliminar label {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del label, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

Mensajes directos (para proveedores de contenido)

Editar álbum {title}

Introduce el título del chart

Error al obtener {title}

Los Focus Charts son selecciones seleccionadas a mano por el equipo de selección de Volumo, con una prioridad clara: la calidad del sonido en sí. Estos charts no se basan en grandes nombres de artistas, labels famosos ni el hype de la industria. Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es potente, pertenece aquí, venga de un artista conocido o de un nombre completamente nuevo. Los Focus Charts están pensados para DJs y buscadores de música que confían más en sus oídos que en las reputaciones. Este es un espacio donde productores emergentes conviven de forma natural junto a artistas consolidados, y los releases underground reciben la misma atención que los tracks de labels grandes. Si estás buscando música electrónica fresca, descubriendo joyas ocultas o explorando nuevas direcciones dentro del techno, house, minimal y géneros relacionados, los Focus Charts en Volumo ofrecen una experiencia de escucha y descarga cuidadosamente seleccionada, creada para DJs que ponen el sonido por delante.

Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

Si deseas publicar tu release de forma exclusiva, ve al {album} y rellena el campo {exclusive}. Usar “Exclusivo” en los títulos puede provocar resultados poco relevantes en la búsqueda.

Presentamos los visuales compartibles de Volumo. Sabemos que dedicas mucho tiempo a perfeccionar tu sonido y estilo, así que lo hicimos fácil para que generes imágenes y videos promocionales en segundos. Personalízalos como quieras, descárgalos y úsalo donde quieras—en redes sociales o en tu propio contenido.

Parece que el título incluye espacios innecesarios dentro de los corchetes. ¿Deseas quitarlos?

Parece que el título está escrito en mayúsculas, ¿vas a corregir este error?

Parece que el título del álbum incluye un número de catálogo. ¿Moverlo al campo correspondiente?

Parece que el título del track incluye un número de versión de mezcla. ¿Moverlo al campo correspondiente?

Nombre

Luego, dirígete a tu sección de playlists y crea una nueva playlist. Empieza dándole un título a tu playlist. Puede ser el título final o solo uno provisional. Después pulsa "Crear Playlist".

Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

Pausar {title}

Reproducir {title}

Título de la playlist

¿Listo para compartir? Haz clic en los tres puntos junto a tu playlist y selecciona "Publicar como chart", pon una Descripción llamativa, elige la imagen de portada y voilà, ¡tu ranking está en vivo!

Actualizaciones regulares sobre el contenido de Volumo

Notificaciones de ventas (para proveedores de contenido)

Selecciona el nombre del artista o el título del label que se mostrará en el campo de autor del chart

Mostrar el título del track

Empieza a escribir un título de chart o track, o un nombre de artista o label, para ver los resultados.

Empieza a escribir el nombre de un país para ver resultados

Empieza a escribir el título de un género para ver los resultados

Empieza a escribir el título de un track o álbum, o el nombre de un artista o label para ver resultados.

Detener {title}

El álbum {title} ha sido eliminado

Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo’. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

Actualizar la descripción de la playlist

Usar “Volumo” en los títulos puede generar resultados de búsqueda no relacionados.

Nosotros, Volumo, somos los responsables de tus datos personales; usamos cookies para personalizar el contenido y la publicidad, ofrecer funciones sociales y analizar nuestro tráfico. También compartimos información sobre tu uso de nuestro sitio web con nuestros socios de redes sociales, publicidad y de análisis, quienes pueden combinarla con otra información que les hayas proporcionado o que hayan recopilado del uso de sus servicios.

No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Darlene McCoy

Resumen

Tracks destacados

Releases destacados

Songprints, Vol. 1

Géneros

Artistas relacionados