Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Flutuance

Joy Marquez is one of Mexico's most influential DJs and Artists, recognized as Best Dj/Producer from 2004 to 2012 by DJ Concept Magazine, Finc in Acapulco, and DJ's World Mexico. With a career that spans over 19 years as a DJ, he has placed his original works on some of the best dance and electronica record labels in the world, like Stereo Productions (Spain), Rpo Records (France), 76 Recordings (Mexico), and SouthAmerican House (Uruguay) among others. Joy Marquez's songs and productions have spread worldwide in the hands of international DJs like Pete Tong, Roger Sanchez, Sergio Fernandez, Chus & Ceballos, to name a few. Due to his diverse style, which goes from Deep house to the more exquisite sounds of minimal Tech, Joy Marquez' music has been played and performed all around the world Spain, Portugal, Brazil, Colombia, Kuwait, Azores Islands, Tunisia as well as in some of the most important clubs and events in his country Mexico. Some of his best works are part of many International DJ compilations like Roger Sanchez's "Release Yourself No.6", D-Formation Annual Sessions, Judge Jules & Armin Van Buren Mix CD, and as a seminal part of the performing set of these influential DJ's.Currently, Joy Marquez divides his time between DJ performance worldwide, working hard in his production studio, and as the owner of the record label 76 Recordings.

Joy Marquez

Cristhian Balcazar

Marcello V.O.R.

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

Miguel Bastida

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

George Privatti

Andre Salmon

Dj and producer from Barcelona with over 10years dedicated to electronic music. We might be talking about one of the Spanish artists with the biggest international exposure. His hardworking abilities and great knowledge have allowed him to become number 1 in sales in Beatport’s general top for numerous weeks in a row with his track "What a Bam" together with his friend and mate George Privatti, though his label La Pera Records, amongst many others. England, Mexico, Costa Rica, Colombia, Greece, Guatemala, Belgium, Germany, Hungary, Russia are only some of the countries where he has played. 

And, of course, in Spain in prestigious clubs like Elrow Barcelona, Florida 135 or festivals like Medusa Festival or Summer Fun Laredo have seen him take control of the decks with the strong and easy-going personality that define him so well. But it doesn’t stop there. Numerous clubs like Martina Beach Mexico, Steam Club Athens and festivals like Empire Music Festival, Soul Tech Mexico have also witnessed his talent where he had over 10.000 people dancing to his music. Toolroom, Deeperfect, Elrow Music, Solä Music or his own label “La Pera Records” are some of the many labels where Guille has published his work. 

He received support on his tracks from worldwide known artists. Some examples are Marco Carola, Joris Voorn, Erick Morillo, Luciano, The Martinez Brothers, Nic Fanciulli, Waff, Technasia, Solardo, Detlef, Latmun, Fisher and many others.

Guille Placencia

Joe Red

Marcos Benedetti aka Volkoder is about to celebrate a decade of his career always focused on transforming his emotions and creativity into music. With sharp production skills, he already achieved international success in 2014 with his “Detroit” EP, a big turning point for this journey. The single that named the EP was heavily played by the likes of Jamie Jones, Patrick Topping, Carl Cox, Marco Carola, Nic Fanciulli and Lee Foss, among others. At that same year he had incredible 15 tracks figuring on the Top 100 on Beatport.

From that point, the artist became constantly in-demand from his bigger peers to release on their labels and was booked to play events all over the world. Since then, he's collecting releases on Dirtybird, Hot Creations, Catch & Release, Kittball, Repopulate Mars and Suara to name a few. So far, Volkoder has an ongoing discography with more than 200 songs released and an unpredictable amount of good music still to come to light.

Volkoder

Gabe is a true Brazilian legend who has built his name with hard work and consistency for over 20 years.

From Tech-House to Techno, his sound is the reflection of a guy addicted to the studio, something that has led him to surf the best dance floors in the country and the world, from Rock In Rio to Ultra, Só Track Boa Festival, from Warung to Green Valley, at parties like Taraka (Brazil/Miami/Ecuador), and clubs like Hi Ibiza, District 8, as well as having his own party “Gabe All Night Long”. He has released albums on labels like Repopulate Mars and Spinnin' Deep, Blackbook and many others.

With more half a million listeners on Spotify monthly, its latest bombshells have fallen in love with

maintained its slippery effect, making Gabe a joker, able to transit in the mainstream and

underground universes with extreme ease.

Gabe

<Sin título>

Título del álbum

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Flutuance

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