Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Rossko

Djebali

Terence :Terry: french Dj & Producer 

 As a teenager Terence :Terry: spent much of his time doing some skateboard and hanging out in the first raves to be held in Paris, in a warehouse on the outskirts of the city. There, he discovered a menagerie of dance genres and he quickly developed a passion for diverse sounds that would inspire him to take to the decks, and influence him throughout the rest of his music career. Feeding his desire for original, rare cuts, Terence became a fixture at Paris’ famous flea- market Puces of Clignancourt, dealing in second-hand warehouse vinyl he found on trips to London. But, always on the hunt something new to excite him, he would often sneak away from his shop in search of jazz, soul, hip-hop and funk records to expand his ever-growing music collection.
Steadily building his name as a DJ/producer on the underground scene in Paris, Terence secured a number of residencies including ‘Afterparty Is Not A Crime’ at Nouveau Casino, one of the most hyped after parties around in 2003/4, and later in 2009, ‘Oui Now’ at Djoon where he hosted alongside the likes of Tania Vulcano, Seth Troxler and Clive Henry. His close alliance with the famous Freak n’Chic label saw him spinning at the Batofar and Rex Club whilst, further afield, his DJing took him from DC10 Ibiza, to Panoramabar and Watergate in Berlin, Goa Madrid and Fabric London.
Branching out and wanting to immerse himself in a new scene, Terence moved away from Paris for a few wild years in London, where he was embraced by the city’s underground and regularly appeared at seminal parties such as T-bar, Kubicle and Mulletover. This was not only a crucial time for Terence himself but also for the London scene, giving rise to a new generation of artists who have helped shape the progression of the city’s electronic music scene since the mid-2000s up to now. Being involved in such a fertile movement had a huge influence on Terence’s outlook, inspiring him to return to Paris with a fresh new take on his career.
So, in 2012, Terence felt it was time to launch his own label La Vie En Rose, quite simply to have a platform to develop and release a sound that could encompass a whole range of genres, taking influence from his very first experiences in the Paris rave scene. Since its inception La Vie En Rose has been responsible for several ubiquitous releases, including the killer ‘Living Lies’ by John Dimas, ‘Distraction Way’ by Terence and Hanfry Martinez (which included Dyed Soundorom’s exquisite remix of ‘Sunday Gathering’), Carlos Sanchez with ‘Timeless’ (including New
York legend Jovonn on remix duties) and Terence and Hanfry’s second superlative link up, ‘Cornelius Is Gaye’. The label continues to maintain a high level of musical output, representing the very best in avant-garde sounds from a selection of young talents from around Europe celebrating their # 39 release from the hands of Louie Fresco + a remix of Mateo Dufour & Carebears.
Recently the Lil'brother of La Vie En Rose was born called: Epice Magique Records, more a hypnotic & advanced side (futuristic)

From his vibrant studio in Madrid, Terence is passionately conducting a masterclass on sound theories, intricate mixing techniques, and personalized artistic coaching under the banner of Prodige Studio Lab (online & recorded courses)
Remarkably, they've recently celebrated their 81th course (worldwide),
dedicated to nurturing and guiding rising talents in their journey of development and career advancement


Terence :Terry:

Reda daRE

NTFO

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

Okain is part of a wave of artists that began spinning records and producing music two decades ago in Paris shaping the bubbling French electronic music scene we know today.

After spending his early years playing in clubs around Paris, his first releases came out in 2007 and launched his international career. Since then, he has played at key venues around the world and visited all 5 continents, including Fabric London, Awakenings Amsterdam, Fuse London, Tresor Berlin, Panorama Bar Berlin, Space Ibiza, and SASH Sidney, to name a few. His busy touring schedule hasn't stopped him from continuously releasing music on celebrated underground imprints such as Constant Sound, Infuse, Locus, Pleasure Zone, Tsuba, Bpitch Control, PIV, and, of course, his own label.

After relocating to Berlin in 2012, he established his musical imprint, Talman Records. There, he can freely release his music and provide a new platform for like-minded artists such as Silverlining, Kolter, Harrison BDP, and Chris Stussy, to name a few.

With a discography boasting over 40 records on underground favorites, Okain has solidified his position as a key player in shaping the contemporary electronic music landscape.

Okain

Starting in Naples in the early nineties with productions for legendary labels like
the Italian UMM, and for more than 20 years, Tuccillo has been an integral part of
the winding paths of electronic music.
He evolved step by step with new influences but firm in his way of producing and
in his support for vinyl and its classic sound.
Over the years, both analog and digital instruments have been incorporated into
his studio.
Driven by a timeless sense of sound and flawless production, as part of his sonic
imprint, he prefers to mix manually on an analog mixer and modulate sounds
directly from the hardware or create his beats using old akais samplers.
Starting from Ibiza, Tuccillo has taken his sound and sessions to the most
outstanding clubs in the world.
He began his first venture as a record label founder in 2013 launching Unblock
Records.
Together with close friends they embarked on creating their first vinyl. Since then,
collaborations and remixes from artists such as Djebali, Dj Sneak, Robert Dietz,
Tomoki Tamura, Shaun Reeves and Satoshi Tomiie have been added.
This same year together with Tomoki Tamura, they create an alias for a
collaboration entitled "Doublet" which will be the name that will launch the vinyl
series.
Currently Tuccillo has resumed his passion for the "Chill out balearic" sound. Since
his arrival in Ibiza in 2000, thanks to this genre, his productions have undergone
collaborations with legends such as José Padilla. Together with another pioneer
from Ibiza, Dj Pippi in 2016 they launched the label "Modern Manners"
In this project Tuccillo also adds more collaborations such as Modonostro with the
vocalist Danielle Moore of Crazy P. and Mr. Few. or
also under the aliases Tuccinelli and FewLab.
At the beginning of 2020 Tuccillo created ”Electrobalearic”, the simple idea of
mixing two genres such as electro and Balearic beat is clear.
In the summer of 2021 he launched his personal project “House of Tucci, where he
took up his favorite game, the pure and deep house sound of the 90s ,
which includes releases with collaborations and remixes by Archie Hamilton and
vocalist Kindbud.
“A year later, Tuccillo starts the 2022 with a remix for Nightmare on Wax of his song
Wonder" from the LP "To Freedom" released on Warp Records for a special Vinyl
Remixes relase with other artists such Osunlade and Paul Woolford.
Afterwards he began working on his first EP "sunshine City" for the legendary NYC
label “Nu Groove records”
and at the same time a collaboration with vocalist Howard Perry and TradeCraft for
the song "I believe"
which will be released together in a special vinyl edition.
In the summer he also released his first EP on Kerry Chandler's label "Kaoz Theory”-
The Waves Ep.
Climbing the top100 House of the most important stores.
Tuccillo confirms to be an
important part for lovers of the classic House sound.
In 2024 Tuccillo is once again punctual with the releases, returning with his labels
Unblock and House of Tucci,
and also in his latest EP for Nu Groove "Frames Ep"
which features a collaboration with the Chicago legend Ron Carrol
"Don't Walk Away “.
Through the years Tuccillo has proven to be a constant and consistent creator.
His passion for searching for new sounds is tireless and it is difficult to define him
with a single musical genre.

Tuccillo

Politics Of Dancing

Chris Carrier is one of those rare kinds of artists that have an omnipresent quality and yet do not seek to make their name bigger than the music itself. You may not know it but there is a 99% chance you have experienced some dancefloor-based elation at the hands of the Parisian maestro. Releasing his first EP in 1994, he has over 20 years under his belt as a producer and DJ, with a huge back catalogue of releases. With all of that in his locker, Carrier remains ardent in his quest to create more and more classic material and is revered as one of the most prolific and gifted producers around today.

Chris Carrier

Cab Drivers

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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