Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Cottam

Death on the Balcony

Kennedy

Mazi Namvar, more widely known by his pseudonym Audio Soul Project, is a notable figure in the house music genre, with a career rooted in the dynamic cultural landscape of Chicago. Since embarking on his musical journey in 1994, Namvar has made significant contributions to the world of electronic music, both as a producer and as a DJ. His work, encompassing a vast array of original compositions and remixes, reflects a deep engagement with the genre. As a producer, Namvar has demonstrated a nuanced understanding of house music, evident in his albums “Community” (2002) and “Hip Shake Heartache” (2011). These works, released under his Audio Soul Project moniker, reveal his adeptness in blending elements of deep house, disco, and more experimental sounds. His approach to music production emphasizes live performance, inventive synthesis, the use of analog equipment, creative sampling, and sophisticated drum programming, culminating in a sound that is both authentic and resonant. Beyond the studio, Namvar’s influence extends to the dance floor, where he has captivated audiences worldwide with his DJ sets. Over three decades, he has performed at prestigious venues across the globe, showcasing his enduring passion for and mastery of the art of mixing. Namvar’s role as a mentor and advocate within the Chicago music community is also noteworthy. Through his leadership in record labels such as Fresh Meat Records, Gourmet Recordings, and Afterhours, he has played a pivotal role in shaping the musical landscape and supporting emerging talent. In recent years, Namvar’s artistic evolution has continued with new releases on his Fresh Meat label, including EPs like “Simurgh” and “Beginner’s Mind.” His latest tracks, such as “My Desire” and “Love Forward,” stay true to the core principles of garage and house music, underscoring his commitment to the genre’s roots. Namvar, or Audio Soul Project, is not simply a musician but a steward of house music’s rich tradition and an inspiration to both his contemporaries and aspiring artists. His career is a testament to the enduring power and creativity inherent in the music that he represents.

Audio Soul Project

Jimpster

Martin Iveson aka "Atjazz", Music Writer, Producer, Mix Engineer, Mastering Engineer, Label Owner & DJ
From his misspent youth skateboarding the frontier towns of North Eastern England, Martin Iveson arrived into the UK’s Midland scene in the early nineties, here he was to take a job at a new computer games development studio by the name of Core Design Ltd., this company is now synonymous with Lara Croft and the series of Tomb Raider games.

Not content with scoring this, one of the world’s most famous video games, Martin left the company 13 years later to concentrate more on his own studio environment in which to channel his musical aspirations further, and invite other musicians and producers to do the same.

The success of his early works including his first EP ‘Story’ in 1996 led to the well-received album ‘That Something’, which was later licensed in Japan by Sony/Kioon in 1998. This debut album also featured cover artwork by Fujio Akatsuka, very well known in Japan for his Illustrations and animated cartoons. With two further albums, ‘Labfunk’ & ‘Labresults’ following soon after, Atjazz had at this time established himself as a distinct and inspirational voice in the underground music scene.

Martin has also been a prolific remixer throughout his career remixing and reworking songs & works for artists such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias & Omar to name but a few and was even requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records. Martin is still remixing heavily as he states that remixing has helped to launch his production techniques forward and it’s the perfect practice pitch for trying out new ideas and breaking moulds within a diluted industry. “Remixing helps to hone your sound and allows the producer to print their trademark into another space”

Martin’s trademark sound has been requested on many occasions by top class vocalists including Clara Hill, Robert Owens, Ernesto and many more for their own artist album projects and also rubbing shoulders with some amazing musicians & producers along the way. 

2009 saw Martin close his label Mantis Recordings due to harsh industry changes and from these ashes came the Imprint appropriately named ‘Atjazz Record Company’, which has flown to great heights within the digital realm and has seen many fantastic and sought after releases including his 3rd long player ‘Full Circle’. This label concentrates heavily on Martin’s productions and collaborations. Atjazz Record Company is a new chapter for Atjazz but with a continuation of his trademark sound.

Martin ‘Atjazz’ Iveson is in demand across the world: Whether it be renowned producer, sought after remixer, or floor filling DJ, Martin gives his heart to hold the soul…

Atjazz

Ian Pooley

Crazy P

Coeo

With an impressive discography spanning over twenty years, JT Donaldson has been creating deep, soulful house music for labels across the world such as Classic, Cajual, Fair Park, Cyclo, Distance and Season Recordings.

He has carved a distinct niche for himself in the world of underground house music and has a strong reputation as one of the worlds’ top house producers remixing for artists like Mark Farina, Chez Damier and Justin Martin. JT has collaborated with the likes of Spencer Kincy, Sandy Rivera, Isabelle Antena, LoSoul, DJ Heather, Ge-Ology, and Cpen to name a few.

Raised in Dallas, TX, he got his early influences from the many DJs that would fly down from Chicago to play Dallas underground parties. Like many of his contemporaries, he worked in record stores from the age of 16, and gained daily exposure and knowledge of dance music.

One of his first remix opportunities would come from Chicago, with an unlikely phone call from Chez Damier who asked him to remix his new single ‘Close’ based on a cassette demo he had submitted to Cajual at the age of 17. JT would eventually move to Chicago and find mentors in Chez, Derrick Carter and Spencer Kincy who all guided and influenced his music. His DJ sets are rooted in Chicago house music, but he often travels fluently thru many styles including disco, afro-beat, techno, acid and jazz.

JT’s first release of 2019 comes from Classic Music Company with featured vocalist Liv.e, known for her unique blend of lo-fi, hip-hop and soul. With a vinyl distribution deal in place from Ron Trent’s ‘MusicAndPower’ parent company, expect many new projects this year from artists such as Ben Hixon, Penelope Antena and Damon Bell curated by JT for his label New Math Records.

JT Donaldson

Dirtytwo is the Swedish producer duo Anders “Gresse” Grentzelius and Fredrik “Fredda” Bjuvander, based in Norrköping on Sweden’s east coast. With roots going back to the late 1990s under their former alias Spånka NKPG—where they earned a Swedish Grammy Award—the duo has long been a respected name in house music.

Since debuting as Dirtytwo in 2011 with “Moody,” they have built a strong reputation in the deep house scene, earning multiple Top 10 placements on the Traxsource Deep House chart and releasing music on labels such as Nervous Records, Large Music, and No Fuss. In 2020, they launched their own label, Peking House.

Known for a characteristic sound blending soulful grooves, classic disco influences, and a slightly raw edge, Dirtytwo’s music has received global DJ support. While 2023 was a quieter year, they ended it with “Embrace,” one of their most successful tracks to date, staying in the Traxsource Top 10 for three months. New releases are scheduled throughout 2026.

Is there funk after death? I say 7up!

Dirtytwo

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Cottam

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body dis

lips on mine

Seven Music - Colours, Vol. 3

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