Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Antenna!

Mirco Berti a.k.a. BABERT was born on 26th August 1982 in Desenzano del Garda on the shores of the beautiful Lake Garda.

When he was 14, his older brother gave him a present that changed his life: a record player. From that moment on he developed a deep love and passion for music and especially House music which he was hearing in the night clubs clustered around the lake.

His passion for House music led him to learn the art of DJ-ing and In the 1990 after entering and winning a nationally famous Italian radio DJ competition, he met one of the most important DJ's in northern Italy, who took him under his wing and introduced him to the most important clubs and promoters in the region.

At just 19 years old Mirco became the youngest resident DJ at Queen Club in Verona, at that time one of the most famous clubs in Italy.

As a fanatic record buyer and DJ, Mirco was just dedicated to only the most recent House music until at the age of 21, he made his first trip to New York, when he fell completely in love with the music at the roots of House ; the sound of Disco. He lived in the city for a year and was able to hang out in the wider club scene and meet with the world famous Disco and House DJ's who inspired him.

Returning to Italy he resumed his career as a DJ, working throughout the Italian scene playing at world renowned venues such as Le Plaisir and Coco Beach where he was also for 4 years the Head Talent Booker.

It was during this time that Mirco made the jump to start producing his own music for labels such as Mazoom Lab, Flashmob and his own joint venture first label Solid State Disco, which he used to release his first disco edits.

As his edits became more and more famous and supported by the likes of fellow editors Dr. Packer, Late Nite Tuff Guy and Discotron, he decided to move on from Solid Sate Disco and founded Disco Revenge with likeminded local editors Ivan Jack and Dinero.
65 releases in, Disco Revenge is widely recognized as one of the leading disco edits label in the scene. Babert edits are much in demand and June will see his debut release on uber cool tastemaker London edits label, Midnight Riot.

Going forward, Babert is determined to spread his production wings beyond just edits and in 2018 has moved into producing original, sample tracks and remixes for the likes of Defected, Sleazy Deep, Club Sweat, Soulfuric, Nervous and Mood Funk.

Babert

Moon Rocket is a Producer, DJ, and accomplished Piano and Hammond Organ player. A multi-instrumental creative powerhouse, he has become a leading figure in the Afro House scene, known for his signature Afro Melodic-Tech sound.

His career is defined by a relentless stream of inspiring releases, including both originals and remixes, on some of the industry's most beloved imprints. Notable works include his remixes for Defected Records and his track "Gafara," which received heavy support from Black Coffee. Moon Rocket is also renowned for his magical live shows, where he combines his DJ sets with live keyboard performances.

His dynamic appearances at venues such as Output in New York and Nikkibeach, as well as his residency at No. 3 Social Rooftop in Miami, have established him as a highly respected artist. His performances during ADE at the D-Vine Sounds parties continue to grow his international fan base and solidy his reputation as a master of his craft.

Moon Rocket

Demarkus Lewis

Seamus Haji

Mattei & Omich

Ridney

French DJ Producer from Spain. Head of the label La Vie D’Artiste Music.

Sebb junior

Dr Packer

steadily and consistently since then, mostly on his own labels Freerange and Delusions Of Grandeur.  Releases such as 'Dangly Panther', 'A Love Like This' and 'Solitude' continue to be choice cuts for many DJ's whilst 'These Times' and 'Porchlight And Rocking Chairs', two more recent deep house anthems, were remixed by Dixon and KiNK to serious effect. &nbsp;

His current stat count as a remixer has reached triple figures and the acts to receive his midas touch include everyone from&nbsp;Osunlade, Solomun, Detroit Swindle and Josh Wink through to Kerri Chandler, Joey Negro and Terrence Parker.

Equally at home making club-focused music as well as more experimental, downtempo productions, the ideas continue to flow freely from his studio in Essex, UK and with over two decades of experience to draw on we see clearly that the fire is still burning as brightly as ever.

Jimpster

Martin Iveson aka "Atjazz", Music Writer, Producer, Mix Engineer, Mastering Engineer, Label Owner & DJ
From his misspent youth skateboarding the frontier towns of North Eastern England, Martin Iveson arrived into the UK’s Midland scene in the early nineties, here he was to take a job at a new computer games development studio by the name of Core Design Ltd., this company is now synonymous with Lara Croft and the series of Tomb Raider games.

Not content with scoring this, one of the world’s most famous video games, Martin left the company 13 years later to concentrate more on his own studio environment in which to channel his musical aspirations further, and invite other musicians and producers to do the same.

The success of his early works including his first EP ‘Story’ in 1996 led to the well-received album ‘That Something’, which was later licensed in Japan by Sony/Kioon in 1998. This debut album also featured cover artwork by Fujio Akatsuka, very well known in Japan for his Illustrations and animated cartoons. With two further albums, ‘Labfunk’ & ‘Labresults’ following soon after, Atjazz had at this time established himself as a distinct and inspirational voice in the underground music scene.

Martin has also been a prolific remixer throughout his career remixing and reworking songs & works for artists such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias & Omar to name but a few and was even requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records. Martin is still remixing heavily as he states that remixing has helped to launch his production techniques forward and it’s the perfect practice pitch for trying out new ideas and breaking moulds within a diluted industry. “Remixing helps to hone your sound and allows the producer to print their trademark into another space”

Martin’s trademark sound has been requested on many occasions by top class vocalists including Clara Hill, Robert Owens, Ernesto and many more for their own artist album projects and also rubbing shoulders with some amazing musicians & producers along the way. 

2009 saw Martin close his label Mantis Recordings due to harsh industry changes and from these ashes came the Imprint appropriately named ‘Atjazz Record Company’, which has flown to great heights within the digital realm and has seen many fantastic and sought after releases including his 3rd long player ‘Full Circle’. This label concentrates heavily on Martin’s productions and collaborations. Atjazz Record Company is a new chapter for Atjazz but with a continuation of his trademark sound.

Martin ‘Atjazz’ Iveson is in demand across the world: Whether it be renowned producer, sought after remixer, or floor filling DJ, Martin gives his heart to hold the soul…

Atjazz

<Sin título>

Título del álbum

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Nombre

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Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo'. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

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No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Antenna!

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