Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Thomas Jules

Lonya Koval is a artist on a mission, through an uncompromising passion for the music he creates and performs. As a DJ and world-renowned producer, he continues to drive the vibrant electronic music scene.

A hallmark of quality stamped through an ever-increasing catalogue of innovative work, a string of cross-genre hits, has been a constant theme, while Lonya’s production work continues to scale new heights with his ground-breaking sonic architecture. Lonya’s distinctive sound has seen him courted by the industry’s blue-chip imprints.
In tandem with a successful production career, a strong presence behind the decks has also been an integral component of Lonya’s musical persona and transformed him into a global phenomenon.

As music curator, Lonya has been at the epicentre of the industry with his own label Asymmetric Recordings/Dip. Through an unparalleled familiarity with the electronic scene, Lonya has been able to oversee the creation of an esteemed label that has grown into a major force. The years of experience has allowed him to take a holistic view when recruiting new musical talent, intuitively knowing when to take a step back and when to advise as the artists under his tutelage blossom into the next generation of successful producers.
An artist at the vanguard of the industry, Lonya continues to shape underground music through experienced hands and a golden touch that wields an aural magic, delighting fans and club goers in equal measure.

Lonya

Jaap has played the last couple of years at Space Ibiza, Panama Amsterdam, Club NL Amsterdam, Club Vaag in Antwerp, and many other clubs in Moscow (Russia), Kiev (Ukraine), Mauritius, Belgium, Cairo in Egypt, England, Jordan and Germany.

His tracks got released on Global Underground, Selador, Moblack, Manual Music, Say What Records, Ein2, Click Records, Lost Language among many other labels.

His music got played by almost every a-list DJ around the world, including Sasha, Digweed, Dixon, Mano Le Tough, Hernan Cattaneo, Sven Vath, Maceo Plex, Alex Niggeman, Dave Seaman, Black Coffee, Solomun and the list goes on and on...

Jaap Ligthart

Holt 88

Scott Diaz

WALKR

Born in Rotterdam on January 13th, 1984, Leon was first introduced to the beats of music by playing the piano at young age. After finishing his lessons successfully, he decided to do more with music and was determined to cross its many borders.Inspired by music played in clubs and parties, he bought his first turntables to practise.

Nowadays he adds his mark to the party-scene and has discovered unique ways to let the crowd t urn wild! Combining musical experiences, Leon Benesty developed an outstanding style, containing several House-flavours, Deep- and Tech-sounds. His characteristic set truly sets your mood on fire!He has played on many parties and has already rocked some of the finest clubs. He’s been around every hotspot in the Netherlands but also Ibiza, Marbella, Germany, Miami, New York and more!!

Performing for crowds over 10.000 people and on different festivals like Mysteryland, City Dance, Sexy By Nature and many more. To further express his music he started a Record Label: Oneless Records. Here you will find the latest tracks and floorkillers from different artists!Keeping his head to the future and beyond, Leon Benesty proudly lets you enter his world of music.

Leon Benesty

Ryan Blyth

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

Bursting onto the underground house scene in 2011, Max Chapman was just 23 years old when he released his first record. Since then the Essex based DJ and producer has taken on a journey of energy, creativity and unconditional passion and even bagged himself an overall number one on Beatport. It’s this passion that has been the drive and motivation behind Max’s flawless production, extensive versatility and limitless capabilities.

Just 8 months into his DJing career Max started up his own label, Resonance Records. To this day he still maintains his imprint, placing himself at the helm of showcasing exciting new talent from every corner of the globe. Utilising his resources, the label has since blossomed into a monumental platform for the finest underground tech-house music, and as a result, some of the artists involved are playing at the biggest parties in the world, week in, week out.

Storming through Continents such as North and South America, Australasia and Europe is now the norm. On a weekly basis he’s ploughing through set after set and pleasing all his fans. Space, Sankeys and Privilege are just some of the venues amongst the plethora of places Max has performed at and with lots planned for this year the sky is the limit.

Max's track 'Body Jack' climbed the Beatport Tech House chart pretty quickly and once into the top 100 it was unstoppable, reaching the top spot after 10 days of being released. It then went n to claim the overall number 1 across all genres a a few days later.

Releasing tracks and EPs on WOW!, Hot Creations, Snatch, Elrow, Lost, Madtech, Resonance and VIVa is now becoming a regular occurrence; earlier in 2016, Max was the only producer to have two tracks featured on VIVa’s compilation album, with ‘Freaks Come Out’ charting the highest out of the whole record. Not content with that, his debut album ‘Catch Me If You Can’ was given a 9/10 from Mixmag and DJ Mag, as well as hitting number 10 in the Beatport chart. Not only has he taken his sound to the airwaves with a residency on Pioneer Radio, he ticked a huge industry box with a set at Lost Beach club in Ecuador, as part of the Boiler Room network, which was the first ever Boiler Room in Ecuador and was streamed worldwide to thousands of people.

It’s easy to see why Adam Beyer, Riva Starr, Steve Lawler, Jamie Jones, Richy Ahmed, Hot Since 82, Loco Dice, Matthias Tanzmann, Pete Tong, Nic Fanculli and many more of the biggest names in the business are giving these tunes a spin on a weekly basis

Max Chapman

I make House Music and I bloody love an afterparty.

Dale Howard

<Sin título>

Título del álbum

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Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es fuerte, pertenece aquí, tanto si viene de un artista conocido como de un nombre completamente nuevo. Los Focus Charts están diseñados para DJs y buscadores de música que confían en sus oídos por encima de las reputaciones.

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Thomas Jules

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The Progression

Collections: Deep House 002

We Rise Together

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